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I casually knew the face of the east wind, and this scene of thousands of purples and reds was dyed by spring light.
Appreciation On the surface, this is a spring outing poem; However, Surabaya was already under the rule of the Jin people, and it was impossible for the poet to go on a spring outing. Therefore, some people say that this is a philosophical poem: the so-called Surabaya is a metaphor for Confucius, and seeking Fang refers to seeking "Tao".
The core of the Tao is "benevolence", so the poet uses spring as a metaphor for "benevolence" here. The appearance of "benevolence" is business, and the appearance of spring (that is, the east wind) is thousands of purples and thousands of reds. When we see thousands of purples and thousands of reds, we feel the existence of spring, just as we feel the existence of "benevolence" when we see the business of all things.
Although the poem is full of reason, the image is distinct, and it is also a good poem to appreciate just as a spring poem.
The original work Shengri seeks the Fangsi waterfront, and the boundless scenery is new for a while. Waiting for leisure to know the east wind side, thousands of purples and thousands of reds are always spring.
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Kasuga (Song Wangzao).
There are no ten sunny days in spring, and clouds will rain everywhere. Noda's spring water is clear in the mirror, and the figure is not frightened. The peach blossoms smiled out of the fence, as if they were the most affectionate before they opened. Maots's clothes were wet, and the rooster crowed.
Poetry translation. There were probably no ten consecutive days of clear and rainless days in the whole spring, and there were clouds floating in the sky carrying rainwater. A pool of green spring water in the field is greener and brighter than a mirror, but the gulls and herons at the water's edge are at ease and not frightened when people pass by the ancient ferry.
The probe outside the fence stretched out the peach blossoms that were about to bloom, and they looked so affectionate. The smoke and rain on the side of the thatched hut wet the clothes of travelers, and the rooster crow in the afternoon summoned people back to reality from their idle dreams.
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The meaning of the last two lines of the poem "Spring Day": Waiting for leisure to know the east wind, thousands of purples and thousands of reds are always spring. Translation: Anyone can see the face of spring, the spring breeze blows a hundred flowers blooming, thousands of purples and reds, and there is a spring scene everywhere.
The seven-character quatrain of "Spring Day" was written by Zhu Xi in the Song Dynasty. This poem superficially depicts the beautiful scenery of spring, but in fact it is a philosophical poem, expressing the poet's good wish to pursue the path of the saint in the troubled times. In spring, the borderless scenery is new.
Waiting for leisure to know the east wind side, thousands of purples and thousands of reds are always spring.
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"Wait for leisure to know the east wind side", the word "literacy" in the sentence inherits the word "find" in the first sentence. "Waiting for leisure" means that the face and features of spring are easily recognizable. "East wind side" refers to spring.
The fourth sentence "Thousands of purples and thousands of reds are always spring" means that the scene of thousands of purples and thousands of reds is all dyed by spring light, and people know spring from these thousands of purples and thousands of reds. This specifically answers why we can "wait for leisure to know the east wind". And the "thousands of purples and thousands of reds" in this sentence correspond to the "new situation" in the second sentence.
Clause. The third and fourth sentences are to use figurative language to write the novelty of the situation and find the gain.
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Waiting for leisure to know the east wind side, thousands of purples and thousands of reds are always spring" means that the east wind in spring is comfortable and warm, it is so familiar and warm, anyone can feel it in spring. Flowers always bloom in a beautiful spring, and it must be spring when there are thousands of purples and thousands of reds, and when they compete for beauty!
There is another layer of philosophy: a single flower blooming alone cannot be called spring.
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The last two lines of the poem: Waiting for leisure to know the east wind, thousands of purples and thousands of reds are always spring. Anyone can see the appearance of spring, the spring breeze blows the flowers open, thousands of purples and thousands of reds, and there are spring scenery everywhere.
The seven-character quatrain of "Spring Day" was written by Zhu Xi in the Song Dynasty. This poem depicts the beautiful scenery of spring, but it is actually a philosophical poem, expressing the poet's good wish to pursue the path of the saint in the troubled times. In spring, the borderless scenery is new.
Waiting for leisure to know the east wind side, thousands of purples and thousands of reds are always in front of spring blind socks.
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1. The last two sentences of the poem "Spring" are "Waiting for leisure to know the east wind, thousands of purples and thousands of reds are always spring." The vernacular means that anyone can see the face of spring, and the spring breeze blows a hundred flowers and thousands of purples and reds, and there are spring scenery everywhere. Waiting:
Usually, easily. "Idleness" is an easily recognizable meaning. Dongfeng:
Spring breeze. 2. "Spring Day" is written by Zhu Xi in the Song Dynasty, and the original text of the poem is as follows: Shengri seeks Fangsi waterfront, and the boundless scenery is new for a while. Waiting for leisure to know the east wind side, thousands of purples and thousands of reds are always spring.
The vernacular means that the wind and the sun are beautiful, and the boundless scenery is renewed on the shore of Surabaya. Anyone can see the appearance of spring, the spring breeze blows the flowers open, thousands of purples and thousands of reds, and there are spring scenery everywhere.
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