Why is there no Min opera, what are the Min opera troupes in Fuzhou?

Fujian Opera, also known as "Fuzhou Opera", has a history of more than 400 years and is a treasure of Chinese national art. Ranked first among the five major opera genres in Fujian, the first tune has strong local characteristics, high-spirited and unrestrained, euphemistic and moving, bright and lively ** style and artistic characteristics, there is a wide range of performance markets in the Fuzhou dialect area, at the end of the Ming Dynasty, Kunshan dialect, Yiyang dialect and other imported into Fuzhou, and the dialect minor tune in Fuzhou gradually integrated. At the end of the Qing Dynasty, Fuzhou's Confucian class, Jianghu class, and flat lecture class absorbed each other's singing and performing arts, infiltrated each other, and further developed into "Fujian Opera".

After the Xinhai Revolution, Fujian opera entered a prosperous period, with the emergence of the old Saile, the new Saile, the three Saile, the Legend of Shan, Sai Daran, Qing Leran and other classes, and the emergence of "Fujian Opera Mei Lanfang" Zheng Yizuo and Zeng Yuanfan, Xue Liangfan, Ma Di Fan and other "four famous Dan". In the thirties, Shanghai Yiwen Book Company published many records of famous Fujian opera artists. The repertoire of traditional repertoire and newly created repertoire are very rich, popular throughout the Fuzhou dialect area, and spread to Taiwan and Southeast Asia, because of their own unique artistic excellence and deep love of the masses.

Fuzhou Min Opera Troupe includes Fuzhou Min Opera Troupe, Fuzhou Sanhe Min Opera Troupe, Dazhong Min Opera Troupe, Jiang Yichang Min Opera Troupe, Fuqing Guohui Min Opera Troupe, Fuqing Overseas Chinese Township Min Opera Troupe and Changle District Dazhong Min Opera Troupe.

1. The first troupe of Fuzhou Min Theater is located in Grate Comb Lane, Gulou District, Fuzhou City. The repertoire includes "Six Departures", "Yishun Brother Candle", "Lying on Salary and Tasting Courage", "Mei Yu Pei" and modern dramas "Fishing Song on the Sea" and "Riding the Wind and Waves".

2. The Volkswagen Min Opera Troupe of Changle District, Fuzhou, Fujian Province is located in Changle District, Fuzhou, Fujian Province. In November 2020, it was awarded the title of "The 8th National Advanced Collective of Grassroots Literary and Art Troupes Serving Farmers and Serving Grassroots Cultural Construction".

Introduction to Min Opera:

Fujian opera, also known as Fuzhou opera, is a local opera genre of Fujian opera, and one of the national intangible cultural heritages.

Min opera is the only existing opera that is sung and read in the Fuzhou dialect. It is prevalent in central Fujian, eastern Fujian, northern Fujian and other regions, and spreads to Taiwan and Southeast Asia. It is a multi-vocal opera formed by the fusion of Confucian opera in the late Ming Dynasty and Pingjiao opera and Jianghu opera in the early Qing Dynasty (Guangxu to Xuantong period), commonly known as "the first three sounds", and is also known as "Rong Cavity" or "Min Cavity".

The style of Fujian opera is elegant and chic, the confession is clear, the singing is beautiful, tactful and smooth, and the actors attach importance to the basic procedures of using hands, eyes, body, law and steps in the performance, and strive to show a beautiful figure, and reflect the inner world of the characters through the appearance.

The above content refers to Encyclopedia-Min Opera.

The role branch of Fujian opera was relatively simple in the early days, and the Confucian Lin class and the Pingjiao class were composed of three characters: Sheng, Dan and Chou, and later absorbed the branches of the Hui class and Peking Opera, and the roles gradually became complete.

With the refinement of the industry, it has gradually developed into "twelve roles", including Xiaosheng, Laosheng, Wusheng, Tsing Yi, Hua Dan, Lao Dan, Big Flower, Two Flowers, Three Flowers, Paste, End, Miscellaneous, etc., which are quite complete.

The line of life is divided into old students and small students; Dan line is divided into Hua Dan, Cai Dan, Zheng Dan, Tsing Yi, Chou Dan, Po Dan, Lao Dan, Wu Dan, net line is divided into big flowers, two flowers, ugly lines are divided into Wen Chou, Wu Chou, short clothes Chou, etc.

The flame of Fujian opera, also known as fire, is also a special form of expression of the stage art of Fujian opera, which is sprinkled with rosin powder, and through the flame of the head of the paper stacked fire fan sandwiched between the fingers, the flame is formed, adding atmosphere to the whereabouts of ghosts, fire, and fire battle scenes in the plot.

The earliest predecessor of Fujian opera was organized and founded by Cao Xuejiao, a native of Hongtang Township in the western suburbs of Fuzhou, and the Cao Family Class (later known as the "Confucian Lin Class") created and developed a new "comic tone".

In the year of Wanli Jiachen (1604), the "Cao Family Class" of Cao Mansion participated in the Pudu performance of Jinshan Temple in Hongtang Township, and was known as "the first generation of Confucianism." Before and after Cao Xuegan set up the "Confucian Class", there were also "Jianghu Class" and "Flat Lecture Class" among the people of Fuzhou. "Two types of classes.

The songs are popular among the folk tunes such as "Jianghu", "foreign songs", and "minor tunes".

In the first year of Guangxu (1875), the Confucian class developed from the countryside to the town, and the classes such as "Liang Fuyin" and "Zuichun Garden" appeared in Fuzhou, which were collectively called the "Thirteen Confucian Classes".

From the end of Guangxu to the Xuantong period (1908-1911), Confucian opera, Jianghu opera, and Pingjiao opera were combined, commonly known as "Sanhexiang", forming the prototype of today's Fujian opera.

After the Xinhai Revolution, Fujian opera entered a prosperous period, and Fuzhou successively appeared "Old Saile", "New Saile", "Three Saile", "Good Legend", "Saitian", "Qingleran" and other Fujian classes and "Saiyue Palace", "Qunfang" and other female classes. Among them, "Qingle Ran" is the most. These Minban classes are the largest, with the strongest cast, the most repertoire, and the best reputation.

Fujian opera, also known as Fuzhou opera, is the only existing opera that is sung and read in the Fuzhou dialect, which is popular in central Fujian, eastern Fujian, and northern Fujian, and has spread to Taiwan and Southeast Asia. At the end of the Ming Dynasty, the Yiyang dialect was introduced into Fujian, and gradually merged with the local dialect minor tune to form the Jianghu tune, and then there was a Jianghu class that sang the Jianghu tune and a flat class with the Jianghu tune and song as the main singing tone. At the end of the Qing Dynasty, the Pingjiao class and the chatter class that sang foreign voices such as Kun dialect and Hui opera and the Confucian Lin class who sang Confucian opera in Fuzhou converged, and finally formed Fujian opera.

After the Xinhai Revolution, Min opera entered a prosperous period, and many classes and societies emerged"Fujian drama Mei Lanfang"The known Zheng Yizhuo, Zeng Yuanfan, Xue Liangfan, Ma Di Fan, etc"Four famous men"。

Min opera, opera genre. It is also known as Fuzhou opera. It is prevalent in the counties of central Fujian, eastern Fujian and northern Fujian.

At the end of the Ming Dynasty and the beginning of the Qing Dynasty, in the area of Changle and Fuqing in central Fujian, there was a kind of folk drama sung by the amateur group of peasants in a small opera, because it was performed on the floor around the grass rope, people called it "the underground floor", "pulling the grass rope". This kind of performance activity was later combined with foreign opera troupe artists, and the "Jianghu tune" formed by the fusion of Jiangxi Yiyang dialect and local folk songs was used as the main singing tune, which was called "Jianghu class". At that time, the repertoire of performances included 36 major operas and 72 small operas, most of which came from Yi and Kun operas.

In the area of Fu'an and Ningde in northeastern Fujian, there was also a kind of "Pingjiao class" ("Pingjiao", which means singing in dialects) with "Jianghu" and Yang Song as the main singing tunes. Most of the repertoire performed is transplanted with "Jianghu opera", or based on folk tales, such as "Double Golden Flowers", "Gift of White Fan", "Red Skirt" and so on. Later, the "Jianghu Class", which was originally sung in "Zhengyin" (Mandarin), was also sung in Pinghua (dialect), which gradually merged with the "Pingjiao Class", and at the same time absorbed part of the singing voice of the "Nag Ban" (referring to the foreign opera troupes such as Kun dialect and Hui Opera that the locals thought were nagging and difficult to understand), forming a class society that mainly focused on "Pingshu" and integrated with "Jianghu" and "Nag".

There is also a kind of "Confucian opera" popular in Fuzhou, which originated in the Wanli period of the Ming Dynasty, and the "comic tone" created by combining foreign vocal cavities with popular songs and slang songs is the main singing tune. During the Guangxu period of the Qing Dynasty, there were 13 "Confucian Classes", which were popular for a while, and most of the repertoire came from the literati, such as "Purple Jade Hairpin", "Sacrifice between the Mountains" and so on. After the Xinhai Revolution, the "Confucian Class" gradually merged with the "Flat Lecture Class" and the "Nagging Class" to form the "Min Class", which is now known as the Min Opera.

The explanation of the words of Fujian opera is: also known as Fuzhou opera, a local opera type of Fujian local opera, and one of the national intangible cultural heritages.

The explanation of the words of Fujian opera is: also known as Fuzhou opera, a local opera type of Fujian local opera, and one of the national intangible cultural heritages. Zhuyin is the first bridge:

1. The structure is: Min (semi-enclosed structure) drama (left and right structure). The pinyin is:

mǐnjù。

What is the specific explanation of Min opera, we will introduce it to you through the following aspects:

1. Citations and explanations [click here to view the details of the plan].

It is one of the local opera genres in Fujian, popular in the Fuzhou dialect area, also known as "Fuzhou opera". Around 1914, it was formed by the fusion of opera troupes with different vocal origins, such as the Confucian class, the flat lecture class, the Jianghu class, and the nagging class, which were sung in the Fuzhou area. In the process of development, it has been influenced by Hui Opera and Peking Opera.

2. Chinese dictionary.

It is popular in Fujian Province in mainland China, southern Fujian dialect region and Taiwan. Since the end of the Ming Dynasty, it has been influenced by Hui Opera and Peking Opera in the process of development. The main accompaniment instruments are the Bang flute, erhu and Qiaoxiang suona, etc., and the tunes used are four categories: comic, yang, jianghu and minor.

3. Network Explanation.

Min OperaMin Opera, also known as Fuzhou Opera, is one of the local operas in Fujian. It is the only existing opera that is sung and read in the Fuzhou dialect, which is popular in central Fujian, eastern Fujian and northern Fujian, and has spread to Taiwan and Southeast Asia. It is a multi-vocal opera formed by the fusion of Confucian opera in the late Ming Dynasty and Pingjiao opera and Jianghu opera in the early Qing Dynasty (Guangxu to Xuantong period), commonly known as "the first three sounds", and is also known as "Rong Cavity" or "Min Cavity".

On May 20, 2006, the "Fuzhou Min Opera" declared by the Fuzhou Min Theater was approved to be included in the first batch of national intangible cultural heritage list.

Verses about Min opera.

Built in the Eastern Fujian drama.

Idioms about Min opera.

Not for the unexpected, but unexpectedly, disdainful of others, unexpectedly, not named, a penny, a prank, Bo Dao, no children's talent, a drama, a great drama, a drama, a drama.

Words about Min opera.

The material drama is big, the drama is not named, Qian Bodao has no children, the prank is not done, the drama is complicated, the drama is complicated, and the drama is disturbed, and the drama is talked about unexpectedly.

Sentence formation about Min opera.

1. Watching a Fujian opera and drinking a cup of tea from Wuyi Mountain or Anxi under an elderly banyan tree, Fuzhou people may be able to better grasp some of the delicate pleasures in life.

2. This customer is single and divorced, he likes to listen to Fujian opera, once the company engaged in a party of new and old customers, Lu Chuan invited him to participate, he met an old customer, it was a woman, Min opera sang very sweetly, he liked to chat with her.

3. The old people enjoyed the wonderful Fujian opera performances while tasting the delicious nine porridge.

4. Until yesterday, this gold medal student of Fujian opera, who is recognized as "Xiao Shuai", finally found time to chat with reporters.

5. The person in charge revealed that Fujian opera, singing, and Fuzhou commentary, the three national intangible cultural heritages of Fuzhou, will be unveiled on the Water Pavilion stage and will be performed on a regular basis for citizens and tourists.

1, the characteristics of the wheel trembling Shen Min opera are high and agitated, simple and rough, but there is also a delicate and gentle singing voice. The singing tone of Fujian opera is composed of foreign songs, Jianghu tunes, comic tones and minor tunes. Both men and women use their own voices when singing.

Most of the music cards of Fujian opera are derived from the Yiyang dialect, Siping dialect, Hui tune and Kunqu opera, and many singing tones still retain the characteristics of the Yiyang dialect, that is, the help of "one singing and the crowd" and "clamping and rolling".

2. Fujian opera is also known as Fuzhou opera. It is prevalent in central Fujian, eastern Fujian cave bureau and northern Fujian counties. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, in the area of Changle and Fuqing in central Fujian, there was a kind of folk drama sung by the amateur group of peasants.

This kind of performance activity was later combined with foreign opera troupe artists, and the "Jianghu tune" formed by the fusion of Jiangxi Yiyang dialect and local folk songs was used as the main singing tune, which was called "Jianghu class".