The seven chivalrous personalities in Jin Yong s heart, the chivalrous image in Jin Yong s novels

Updated on culture 2024-06-16
3 answers
  1. Anonymous users2024-02-12

    The image of chivalry in Jin Yong** can be mainly divided into three categories: folk chivalry, Confucian chivalry and Taoist chivalry.

    The typical representative of folk chivalry is Xiao Feng, who has the fine character of the general chivalry in history, such as morality, renewal, and helping the poor, and more importantly, he has the most chic and uninhibited, unrestrained and bold and innocent character among the chivalrous men throughout the ages; seems to be a rough man, but he is actually kind-hearted and full of compassion. His ending is particularly special, in order to settle the dispute between the two countries and save the lives of the people, he did not hesitate to commit suicide to deter the Liao State and alert the Great Song Dynasty, which leaves people with an inescapable thinking: which type of people is more civilized compared with the "barbarians" with the head of a green and gloomy wolf engraved on their chests and the "civilized people" who are full of benevolence and morality?

    Is the traditional Huayi debate and the distinction between regions right or wrong? In fact, this is to use Xiao Feng's death to force the brilliance in the hearts of ordinary people to be revealed. The image of Xiao Feng, a simple folk hero, does show a certain eternity:

    In any historical period, the integrity, simplicity, sincerity and dedication that Xiao Feng represents have indelible value and significance.

  2. Anonymous users2024-02-11

    Qiao Feng. Qiao Feng, the hero in Jin Yong's "Dragon Babu", has martial arts and martial arts, but he has a miserable life. Before analyzing the character, let's take a look at the growth experience of the big hero.

    In infancy, he suffered a tragic disaster, outside Yanmen Pass, because the eldest brother who took the lead mistakenly fell into Murong Bo's treacherous scheme, resulting in the death of his mother, and his father jumped off the cliff, as a Liao, but he grew up under the raising of the Song people, until he became the leader of the beggar gang famous in the rivers and lakes. In the apricot forest, someone suddenly revealed that he was not a Chinese atomic citizen, but a foreign descendant who had an enmity with the Han people-Khitan. So Qiao Feng began a journey to find the mystery of his origin, and in the end it turned out that he was indeed a Liao, and Qiao Feng became Xiao Feng from then on.

    When he learned that his parents were killed by the leading brother and others outside the Yanmen Pass, Xiao Feng began to find the leading brother's revenge, but was misled by Kang Min to kill Duan Zhengchun, causing his beloved to die in his hands, and finally found the leading brother, the abbot of Shaolin Temple, but he chose to give up revenge.

    In the end, after coercing Yelu Hongji, the leader of the Liao people, to make a vow not to invade the Song Dynasty in his lifetime, he thought that he would no longer live in the rivers and lakes of the Great Song Dynasty as a Khitan, and as a Khitan, he would have no face to face his own people, and chose to commit suicide.

    Judging from the fact that after Apricot Grove was revealed, Xiao Feng chose to pursue his life experience, his first color was red. If the first color is yellow, he will directly get rid of the people who "slandered" him, you must know that yellow does not think that he is wrong, and even if he is wrong, others have framed him.

    Throughout Xiao Feng's tragic life, his vitality is extremely tenacious, he is not confused by power and money, he does not bow his head to difficulties and suffering, he has a strong ability to resist blows, and even becomes more and more courageous. When his life experience is questioned, he chooses to prove himself, when he knows that his parents have been harmed and chooses to take revenge, and the characteristics of the red and yellow personality are fully revealed. When faced with the enemy, he chose to forgive, which should be attributed to his growth experience in Shaolin Temple, and his character was sublimated by the influence of Buddhist compassion culture.

    This point is even more verified from the fact that Yelu Hongji chose to commit suicide after coercing Yelu Hongji to make a vow not to invade the Great Song Dynasty in his lifetime. With the common people in mind in his heart, sacrificing himself and giving an explanation to the Emperor of Liao, in exchange for the peace of Song and Liao, this is Xiao Feng's choice after his character was influenced by Buddhist culture.

  3. Anonymous users2024-02-10

    Martial arts and chivalry are the appearance of skill and Tao, chivalry is the spirit of national righteousness and morality, the soul that runs through the world, and the existence of the Tao. Martial arts ** spreads the national righteousness and the justice of the rivers and lakes, one of which is about the supremacy of the country and the nation, and the other is about the morality of the rivers and lakes of social order, industry self-discipline, family education, and folk morality, which are closely related to the honor and disgrace, interests and life and death of the family and individuals.

    To safeguard the general righteousness of the nation and the justice of the rivers and lakes, martial arts are the best means, a tool, and subordinate to human morality. If martial arts reach a certain height from the technical level, they can rise to the realm of Tao; In other words, if it is used for righteousness and justice, its realm will rise rapidly.

    The supreme way of chivalry, martial arts is the embodiment of the way; Without martial arts, chivalry can only be empty talk; Martial arts without chivalrous spirit will be used by the wicked and become the ** of the wicked. Martial arts is the basic cultivation, and it is the cultivation and improvement of technology; Chivalry is the spirit that dominates the soul and is the cultivation of the spiritual level. In Jin Yong**, chivalry does not exist in isolation, it is the same as the cultivation of Buddhism, Taoism, and Confucianism, and the purpose of attacking and rotten to help the weak and help the world and save the people is the same.

    Because ** is often in the pattern of historical overhead, there is no specific political history guessing of the dynasty, and the spirit of chivalry, which is suitable for the individual, is easier to operate.

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