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The quality and breathability of a cricket jar depends on a number of factors, including materials, manufacturing processes, size, and design. Therefore, it is impossible to simply say whether the cricket jar is good or how breathable the mud is.
If you want to know the quality and breathability of your cricket jar, it is recommended that you evaluate it from multiple aspects, such as material, manufacturing process, size, and design. At the same time, you can compare the ** and performance of different products by searching for relevant cricket jar brands and models.
In conclusion, you should consider several factors when choosing a cricket jar and carefully compare the ** and performance of different products.
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This one has a certain collection value. The collectible value of collectibles has been said many times. Is it worth collecting?
It has both material and spiritual significance. On the one hand, it is a commodity that carries historical, cultural and artistic information, and its value is unstable and changes with the changes in the fashion and aesthetic taste of the times. And the overall trend is upward.
Taking calligraphy and painting as an example, Qi Baishi's same painting was worth 100 yuan in the 70s, and now it can reach 300,000 yuan. As for ancient calligraphy and painting, over the years, its increase has been even greater.
In modern society, collecting has become an important means of investment. With relatively low input and relatively high output, low-risk and high-efficiency cultural relics collection has become more and more favored by people of insight. In today's increasingly prosperous economy, collecting has no longer become the patent of literati, but has gradually become a part of people's economic and spiritual life.
There are countless people in history who have become extremely wealthy by collecting. In the middle of the Ming Dynasty, due to the development of the economy in the south of the Yangtze River, a large number of calligraphy and painting connoisseurs emerged, such as Wen Zhengming's father and son, Xiang Yuanbian's family, Wang Shizhen's brothers and Dong Qichang, etc. These collectors were also famous calligraphers and painters, and their collections promoted the prosperity of the painting and calligraphy market at that time, and at the same time promoted the economic development.
Collectibles are not only wealth, but also a symbol of taste, cultivation and status. Especially in recent years, many enterprises have participated in the collection, fully demonstrating the level and charm of modern enterprises, making them always the object of public attention in the fierce business war.
While changing people's material life, collecting also enhances people's spiritual life. If the collection is only a part of the property of the state; And for private collectors, each piece has an extraordinary significance. Every detail of each collection:
He knows the tones, the verve, and the stories and legends about it. Its gains and losses, coming and going, gathering and dispersing are all closely related to you.
Therefore, it makes sense to say that collecting can cultivate sentiment and self-cultivation. It requires collectors to have a rational economic mind, but also to have a good artistic cultivation. In the process of collecting, collectors subtly cultivate themselves into modern people who combine reason and sensibility quite harmoniously.
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There was a saying among the old antique dealers in Beijing Liulichang: "Six jade cricket jars can be exchanged for a pair of Daoguang official kiln pastel dragon and phoenix bowls." "Don't underestimate this small cricket jar, it can best reflect the value of the cricket owner, since ancient times the cricket jar made by the famous family are worth a lot of money, which was made by Zhao Ziyu in the late Qing Dynasty and early Republic of China is worth one hundred and eighty oceans.
In the field of cricket jar collection, there is such a ranking: Yongle Guanyao, Zhao Ziyu, Danyuan Master, Jingxuan Master, Red Cheng Pulp, White Cheng Pulp. Because the Yongle official kiln and Zhao Ziyu cricket jars are difficult to see in the current market, the cricket jars of the Ming Dynasty have become treasures.
At present, the earliest surviving cricket jar should be the "Ming Xuande Year Imitation Song Jia's Treasure Drunk Tea Idiot Secret Make" cricket jar now stored in the Chinese History Museum.
Zhao Ziyu was a famous master of making cricket jars during the Kangxi period of the Qing Dynasty. There are many famous cricket jars made, including "green clay", "eel yellow", "melon skin green", "lotus lotus color", "gourd yellow" and other product names. Made by Zhao, there are many titles such as "Respectful Master", "Master of Danyuan", "Ancient Yan Zhao Ziyu", "Ancient Yan Zhao Ziyu System", "Fun in It", "Qing Dynasty Kangxi Year System" and so on.
However, most of the Zhao's cricket jars that have been handed down to this day are imitation fakes, and there are very few genuine ones. Pottery connoisseurs believe that Zhao's genuine products, the surface of the ware has a layer of pulp skin shiny, but the imitator does not, and the ground dew Venus. In the 30s of the 20th century, there was a person nicknamed "Daguan" in Beijing, but he was very good at imitating Zhao's cricket jars.
The technique is high enough to confuse the truth. The fakes of the Zhao family that are circulating today are mostly "Daguan" forgeries. The best product in the "Daguan" forgery, there is actually a bright light on the skin, which cannot be distinguished by non-connoisseurs.
This is a point that today's cricket jar collectors deserve serious attention.
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