Why has the art of paper cutting survived to the present day?

Paper-cutting art丨Decryption: When did China's paper-cutting craft appear?

There are two main reasons why modern paper-cutting art is not interested:

1.The practicability of paper-cutting art gradually weakened, and it was mainly used in the field of decoration. In modern society, there are many types of decorations, which further reduces the demand for cherry blossom sales in the paper-cutting market.

2.Paper-cutting artists generally lack the ability to operate in the market. Since the art of paper-cutting requires a lot of time and energy to learn and master, many people in modern society do not have the patience to specialize, and they lack the financial ability to support the initial learning.

The practicality of paper-cutting is getting worse and worse, its use is mainly to decorate, now there are all kinds of decorative ornaments, who will stick shoes with scissors, hats are good, not only that, paper-cutting is relatively small in the collection, and the market will inevitably shrink.

In addition to the enthusiasm for arts and crafts and exquisite craftsmanship, paper-cutting artists generally lack the ability to operate in the market, and it is also in decline as paper-cutting.

The reason is to carry the beam. The generation of science and technology is related to the de-aging, and the people's hearts are wanting. The Cultural Revolution broke the four olds, and the establishment of the four new ones was related to a heavy blow to folk crafts.

The invention of paper was in the Western Han Dynasty (6th century BC) BC, before which there could be no paper-cutting art, but at that time, people used thin sheet materials to make handicrafts through the technique of hollow carving, but it was popular as early as before the appearance of paper, that is, to carve, cut, tick, carve, cut the technique in gold leaf, leather, silk, and even cut patterns on leaves.

The "Historical Records" in the "Records of the Cutting of the Tong Feng Brother" describes that in the early Western Zhou Dynasty, King Cheng of Zhou used the sycamore leaves to cut into "Gui" to give his younger brother, and sealed Ji Yu to the Tang Dynasty as a marquis. During the Warring States Period, leather was used to cut flowers, (one of the cultural relics unearthed from the No. 1 Chu tomb in Jiangling Wangshan, Hubei).

Silver foil hollow carving (one of the cultural relics unearthed from the Warring States period site in Guwei Village, Huixian County, Henan), are all out and out of the same place as paper-cutting, and their appearance has laid a certain foundation for the formation of folk paper-cutting.

Paper-cutting in the Tang Dynasty has been in a period of great development, Du Fu's "Peng Yaxing" poem has a sentence of "warm soup wets my feet, and paper beckons my soul", and the custom of summoning souls with paper-cutting has been spread among the people at that time.

During the Southern Song Dynasty, there were already industry artists who took paper-cutting as their profession. According to the Song people's meticulous "Wulin Old Things", there were hundreds of "small economies" in Hangzhou at this time. Among them, there are special "cutting patterns", some are good at cutting "calligraphy", and some are good at cutting "colorful patterns".

During the Ming and Qing dynasties, the art of paper-cutting came to maturity and reached its heyday. The use of folk paper-cut handicraft art is more extensive, such as the flower decoration on the folk lanterns, the ornamentation on the fan surface, and the embroidery patterns, etc., all of which are reprocessed by using paper-cutting as decoration.

The content meaning of the cutout.

Folk paper-cutting is good at combining a variety of objects and images together, and produces the ideal beautiful results. Regardless of the combination of one or more images, they are all "with the meaning of the image" and "with the image conformation" to model, rather than according to the objective natural form to model, at the same time, and good at using the technique of comparison to create a variety of mascots, the convention of the image to express their own psychology.

The pursuit of auspicious metaphors has become one of the ultimate goals of imagery combination. The closure of the region and the limitations of culture, as well as the intrusion of adversity such as natural disasters, have stimulated people's desire for a happy life. People pray for abundant food and clothing, prosperity, health and longevity, and all the best, and this simple wish is conveyed through paper-cutting.

Chinese paper-cutting is a kind of folk art that uses scissors or carving knives to cut patterns on paper, which is used to decorate life or cooperate with other folk activities. In China, paper-cutting has a broad mass base, blends into the social life of people of all ethnic groups, and is an important part of various folk activities. Its inherited visual image and modeling format contain rich cultural and historical information, and express the social cognition, moral concepts, practical experience, life ideals and aesthetic tastes of the general public.

Because the origin of paper-cutting is to go to China, the art it contains is broad and profound, many elements are from the folk, ** in life, and dedication to life, is a unique culture that the world can not surpass, so we want to inherit and develop this culture, so they are a traditional culture of the Chinese nation.

Culture is the sum of material and spiritual civilization created by man. And "traditional culture.

It not only refers to the theories and non-theorized theories refined by ancient thinkers, but also affects the whole society, and has a stable structure of common mental and psychological states, ways of thinking, and value orientations.

It is a process of blending the past and the present, infiltrating the new ideas and new blood of each era, and widely expressing people's customs, lifestyles, psychological characteristics, aesthetic tastes, and values.

and other non-theoretical things.

Chinese folk paper-cutting art.

It is a kind of folk culture that integrates material civilization and spiritual civilization, is deeply rooted in the soil of our nation, is widely manifested in folk beliefs and living customs, and vividly reflects the most basic psychological characteristics, aesthetic tastes, and values of the broad masses of people in our country.

One. Therefore, it is a non-negligible part of our traditional culture.

Paper-cutting is the most popular folk art in China.

According to the study, its history can be traced back to the sixth century A.D., or even earlier. In the past, people often used paper to make various forms of objects and human figures, burned with the deceased in burials or funerals, and were also used as decorations for offerings to ancestors and gods. Nowadays, paper-cutting is more used for decoration, but also for decoration of gifts, and even the paper-cutting itself can be given to others as a gift.

On the one hand, the art form of paper-cutting, which is not found elsewhere, should be regarded as a traditional culture unique to China, and on the other hand, this art form has a wide range of circulation and a very long history, so it has become a characteristic of traditional Chinese culture.

Because the paper-cutting technique is integrated into the wisdom and feelings of our people, it can also well reflect the local customs and cultural characteristics.

Because paper-cutting also has a lot of culture, including, and is very particular, paper-cutting is also a relatively advanced knowledge, so it is also a kind of traditional culture.

Paper-cutting has a history of more than 2,000 years, the earliest came from the portrayal of the totem, and then to the Eastern Han Dynasty with paper, there was paper-cutting, and after the Ming Dynasty, the art of paper-cutting shined. Therefore, paper-cutting is well-deserved as the intangible cultural heritage of the Chinese nation.

Because the art of paper-cutting is a traditional folk craft of the Han nationality, it has a long history and endures, and is a treasure in Chinese folk art.

Because paper-cutting has a long history and is a traditional art, it is also a traditional culture.

Because:As early as the Spring and Autumn Period and the Warring States Period, people made handicrafts on some thin sheet materials through the technique of hollow carving, which began to be popular long before the appearance of paper, although it was not made of paper, but it was the same, which laid the foundation for the emergence of paper-cutting in the real sense. It is said that the earliest paper-cut works in China can prove this.

Influential. The formation and development of folk paper-cutting itself has a long history, and its cultural value is increasingly recognized by people. Paper for decoupage was invented in ancient times.

Although there was no decoupage technique before this, people at that time already knew how to engrave on it with thin materials.

<> since this technique was still used for handmade works of art at the time, and paper cutouts were easy to make, people became more and more fond of it. Although the operation of paper-cutting is very simple, paper items are difficult to preserve, so there are not many paper-cut items handed down from ancestors.

Now it seems that the oldest paper-cut objects that can be preserved are still excavated and preserved from the ancient tombs of the Southern and Northern Dynasties found in Xinjiang. Most of those cutouts are cut by folding and cutting. It can be seen that the paper-cutting technology at that time was very mature.

Without a certain amount of experience, it is difficult to achieve such an artistic level. Folk culture is primitive culture and the foundation of national culture. Folk art is an important carrier of China's folk culture, therefore, with the development of China's folk paper-cutting art, inheritance is very important, losing its style characteristics, it will loosen the solid national cultural foundation, lose its own culture, lose its own national culture, it is difficult to stand on its own in today's world racist nations, in particular, it also cooperates with a dominant culture.

Do a detailed explanation of the problem for a detailed interpretation of the problem, I hope it will help you, if you have any questions, you can leave me a message in the comment area, you can comment with me a lot, if there is something wrong, you can also interact with me more, if you like the author, you can also follow me, your like is the biggest help to me, thank you. That's all for sharing, if you like me, please follow me. If you guys have anything to think.

Because paper-cutting is particularly good-looking, and this paper-cutting culture has also been inherited, paper-cutting allows the development of Chinese art to the world, accelerates the development of art, promotes the development of other Chinese arts, and makes art more exquisite and inherited.

Because the skill of paper-cutting is very difficult to learn, and it is very beautiful, paper-cutting makes China's art development very good, and increases the charm of Chinese art, Jiang Yishu is passed on to future generations, so that China's art development is inherited, and it increases the popularity of China's art development.

It's because it's about to fall. Many people don't like this culture very much, but they can't let this culture disappear, so it has become an intangible cultural heritage. to promote the development of our art. Let's have a better understanding of art. Produce more artists.

It's because no one likes decoupage these days. If you don't protect it, you'll lose it. I think it will allow us to promote traditional culture. Promote the development of other arts. Let art flourish. Understand what art is? How to develop?

Many regions in China have the custom of Chinese New Year paper-cutting and pasting window flowers, and the red paper-cut artwork carries people's expectations for happiness in the new year. The ancients used thin sheet materials to make handicrafts through the technique of hollow carving, which was popular as early as when paper had not yet appeared, that is, carving, carving, ticking, carving, cutting techniques in gold leaf, leather, silk silk, and even cutting patterns on leaves, and their appearance laid a certain foundation for the formation of folk paper-cutting.

At the beginning of the Western Zhou Dynasty, King Cheng cut the sycamore leaves into an image of Yugui, gave it to his younger brother Ji Yu, and sealed him to the Tang Kingdom (now southwest of Shanxi) to be a prince. In the Spring and Autumn Period and the Warring States Period, there were carved gold and silver foil paper-cut products, which were inlaid on bronze mirrors, lacquerware, and wood for decoration.

Paper-cutting is an art form that uses openwork to create beauty. As early as the Neolithic Age, people in China already had the concept of beauty, and the pursuit of the beauty of hollow openwork. For example, the pottery beans unearthed from the Dawenkou cultural site in the Yellow River Basin have a hollow pattern on their lap feet.

The earliest paper-cuts that are actually made of paper are the works of the Northern Dynasties. In the ancient tombs in the Astana area of Turpan, Xinjiang, five paper-cuts have been unearthed. Among them, there are 3 octagonal group flowers, honeysuckle pattern group flowers, and chrysanthemum-shaped group flowers, which are staggered, complex and rhythmic.

The other two are more complex, cutting out a circle of horses and monkeys outside the inner circle of the geometric shape, and the animals are very cleverly combined in the graphic picture, giving people a sense of freshness, and their artistic expression is mature, by no means the embryonic primitive state of imitation.

Chinese paper-cutting developed to the Song Dynasty, and has been popularized among the people, and professional paper-cutting artists have appeared. Paper-cutting in the Ming Dynasty has reached a very high artistic level. In the Qing Dynasty, paper-cutting went out of the people, entered the court, and debuted in the hall of elegance.

Window flowers have a history of thousands of years, and gradually spread and took shape in the Song and Yuan dynasties.

During the Ming and Qing dynasties, the art of paper-cutting came to maturity and reached its heyday. The traditional Chinese paper-cutting handicraft art has a wider range of applications, such as the flower ornaments on the Chinese folk lanterns, the ornaments on the fan surface, and the embroidery patterns, etc., all of which use paper-cutting as decoration for reprocessing.

Window flowers are the most widely distributed, largest and most popular varieties of Chinese folk paper-cutting. It is divided into "north-south style", and the south is beautiful with "exquisiteness", which is characterized by exquisiteness and clarity; The north is beautiful with simplicity and vividness, and it is characterized by innocence. Other paper-cut varieties are developed and extended on the basis of window grilles.