Who made the spring pot, and why did Gu Jingzhou conclude that it was not for spring?

Actually, they areHuang Yulin in the late Qing Dynasty did not do it for the spring of the Ming Dynasty, the reason why Gu Jingzhou said this is because the production process and materials of these spring pots are different from the craftsmanship of the springFor purple clay pot lovers, they all know that the spring pot is in the shape of a tree gall, so its production process looks very natural, but it is not known whether the spring pot is really from the spring, most of the people who have it just know that its appearance is indeed exactly the same as that of the spring, but it is not sure that it is the work of the spring, so the spring pot has also caused controversy among collectors.

Gu Jingzhou once publicly stated that he had seen more than 10 spring pots and studied them carefully, and collectors believed that the pots in their collection were the spring pots of the Eight Classics, and only the back cover was made by Huang Yulin. But after careful research, Gu Jingzhou found thatIn fact, all these pots were imitated by Huang Yulin according to the craftsmanship of the spring. But even if it is made by Huang Yulin, it doesn't matter much, after all, in the circle, his fame should not be underestimated.

Speaking of Huang Yulin, it was a pot master in the late Qing Dynasty, the pot he made was particularly exquisite, and the purple sand mud used was also very good, so if his pot was praised second, no one dared to call it firstHis most representative works are the offering of spring pots, the fish into dragons, and the balls.

Yixing County Chronicles" records:

Huang Yulin, in his later years, every time he made a pot, he would carefully compose it, accumulate days and months, and then become it, and he would not be given it at a high price. Although it is repeatedly empty, it does not change its degree.

Although his pot-making skills are very exquisite, but he is very individual in pot-making, not to say that he made a fortune from this, he will only make pots when he is poor, and he will not sell **, usually when he is not poor, even if you give him more money, he will not necessarily do it. Therefore, Huang Yulin is a real person in history, and it is not clear whether he is a fictitious character of others, so what Gu Jingzhou said is also very credibleHowever, it doesn't matter whether these spring pots are really from the hands of the spring, the important thing is that it is still from the hands of famous teachers, and the workmanship is exquisite.

Because the pot is made for spring, it is commonly known as the spring pot. The spring pot created a new world of Yixing teapots, because the spring for the purple clay pot production art and circulation has a pioneering work, for the spring pot at that time was very precious. The spring pot has always been used as an artistic treasure, which has been secretly hidden in the homes of famous families, recorded in the literary endowment by literati chanting, and has been circulated overseas, and has been carefully imitated by counterfeiters.

So Gu Jingzhou concluded that it was not for spring.

Gu Lao judged that these thirteen spring pots were all made by Huang Yulin, and this style of offering spring was Huang Yulin's creation. Duan mud is the fetus, shaped like a tree gall, take the guati as the cover, and make the stem petal on the cover body. The body of the pot is full of fine lines, and with the shape of the slight concave and convex, as if natural, seemingly disorderly, but send unique ingenuity in it, clumsy in the fine, ingenious.

The whole device is full and plump, the atmosphere is calm, and the grip is excellent.

Mr. Gu Jingzhou has seen 13 spring pots, but after comparing the mud and production techniques of each pot, it is determined that this spring pot is made by Huang Yulin.

The spring pot is a pot made by famous artists in Yixing, Jiangsu Province during the Zhengde and Jiajing periods. Legend has it that his surname is Gong and his name is Chun. For Chun is a ** scholar.

When Feng Chun accompanied his master to study in Yixing Jinsha Temple, an old monk in the temple was very good at making purple clay pots, and he secretly learned from Chun. Later, he used the clay precipitated at the bottom of the jar by the old monk's hands, and made a pot in the shape of the gall of the big ginkgo tree next to Jinsha Temple, that is, the shape of the tree nodule, and engraved the pattern on the gall. After firing, this pot is very simple and lovely, so this kind of purple clay pot imitating the natural form became famous all of a sudden, and people called it a spring pot.

Many master pot makers of the time and later generations vied to imitate them. For the spring pot has been famous all over the world, when the purple sand pot in Yixing from the rough handicrafts to the creation of arts and crafts, should be attributed to the spring, the literature of the past dynasties is also such a record, Yixing purple sand masters, imitation for the spring pot of a lot of people, we can see from the various museums, the Ming Dynasty Huang Yulin, Jiang case Qing, as well as the contemporary Wang Yinxian, Xu Hantang, Master Yan Qian, etc., have done research on the spring pot, made imitation.

In the history of Chinese purple sand culture, the spring is a pioneering figure. During the Zhengde period of the Ming Dynasty, for the spring as a scholar with the Jinshi Wu Yishan came to the Jinsha Temple to read, and saw the old monk in the temple with the local unique purple mud to make a teapot in his spare time, drinking tea and participating in Zen, at this time has become a custom in the Buddhist world. Perhaps out of curiosity, he took the handwashing mud that the old monk had precipitated at the bottom of the jar after washing his hands, and made a spring pot with reference to the gall of the big ginkgo tree in the temple.