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Zhou Dacheng, born in Huaiyin City, Jiangsu Province in June 1965, in the year of hanging hair, love calligraphy and painting, seal carving art, is now a member of the Chinese Calligraphers Association, a member of the China Democratic League, a member of the Nanjing Printing Society, a distinguished painter of Huai'an Painting and Calligraphy Institute, an honorary president of Huaiyin Painting and Calligraphy Institute, and a painter of Fan Yang Landscape Painting Studio of Rongbaozhai Painting Institute. He currently lives in Beijing.
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I have been a little Muna, ugly and dull. Honest and honest, worried about art. No cure.
The first way to operate is to seek simplicity and clumsiness. Avoid the delicate craftsmanship and seek the positive weather. Disdain for crumbs, just suitability.
At leisure. I like to read the writings of the sage. Every time I like a good sentence, I write it in the book, and then carefully scrutinize the various expression styles of the work, ten or dozens of days, until I know it.
Every time the night is quiet, the green light shines alone. Listen to the rain and watch the rain, or smell the chirping of mantises, and make a cup of tea. Light a cigarette, sort out the plain paper, and stroke the stubborn stone.
Whispering between the knife debris splashing, the sound of pen ploughing in the spring cannibalizing leaves, I don't know the Qin and Han dynasties, regardless of Anhui and Zhejiang, punching and cutting, forgetting things and me, comfortable and comfortable. Occasionally, I nailed the wall and watched, or played with it in my hand, which is the same as I thought, and I am happy about the case. I don't know how white the East is.
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Remember seal carving beginner Zhou Dacheng.
Looking at Mr. Zhou Dacheng's seal carving, the "ancient precept" of "imprinting like his person" is not enough training. The strength of its lines, the strangeness of the knots, and the splendid rules are like a messy head. However, Dacheng in life is humble and simple, and he is extremely polite.
After graduating from high school, Dacheng studied under Mr. Cheng Bogong, a seal carver. The "Shuowen Jie Zi" photocopied in seal style is a more difficult text classic, and the general reader rarely cares about it, but Dacheng can't put it down, read them one by one, and the interest is long. Wu Changshuo, a master of the late Qing Dynasty and one of the founders of the Xiling Seal Society, wrote "Stone Drum Text" as his daily lesson, and often "carried thousands of words to the depths of the heart, and two or three roots of love to the depths" (poems for the second year of high school).
At the same time, Dacheng began to play the knife, "Yin Zong Qin Yin" is the only way for Indians, and its quaint and secluded atmosphere also allows Dacheng to be nourished and edified.
However, confined to the "Qin Quan Han Stone" and drawing the ground as a prison, it is difficult to become a big tool after all. Dacheng's famous quote is: "You can't cross the river and tear down the bridge, you have to cross the river and tear down the bridge to engage in art."
The implication is to keep exploring and learning from others' strengths. So, he ...... in ancient seals, sealing mud, tiles, and bricksAll of them are carefully experienced, and the heart chases the hand; He also changed in Indian studies and the famous school of thought to benefit many teachers, and chose the good and followed. The green light on the cold night, playing the knife Huohuo, working hard, and enjoying it!
In order to broaden his knowledge, Dacheng went to Shanghai and Zhejiang four times, and asked Han Tianheng, Liu Jiang, Chen Zhenlian and other famous experts for benefits, and the Indian style changed again.
Carefully inspect the Dacheng seal carving, there are three points that I have the most heartbreaking. First, courage. He is curious and dangerous, greedy and "ugly".
Punch "cut" and use it together, if inadvertently; It is also easy and thoughtful. Second, there are few mistakes. For example, all the ancient Miao seals and Zhong Ding oracle bones, he "boldly put pen to paper and carefully verify".
Printed from the book, there is a solid evidence. Third, there are many words. Poor "extra-Indian kung fu" seems to be a common problem among young people, while Dacheng is tireless in learning and has a good grasp of "books".
The carved idle chapters and side paragraphs are also involved in the pen into fun, which makes people play in hand, and they don't have a heart.
It goes without saying that Dentons has won awards in many competitions across the country. As a friend, the "popular color" in his prints makes me worry. I hope that Dacheng can devote himself to "sinking" into the tradition, "carving and crafting, and returning to simplicity" (Zhuangzi language).
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Huai'an**, July 29, 1991).
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