What is the difference between the size of the erhu scales and the sound quality, and what are the c

It's better to have larger scales, but not too big, and it's important to be even, and the lattice should be even, and the thickness should be moderate.

This is a random one I found**, this kind of skin is good, the size is right, and it would be better if it was more even.

It cannot be seen purely from the size of the python scales that has nothing to do with the timbre, the fiber density of the python skin is the key. Generally speaking, the larger the scales, the thicker and stubborn the cortex, the more sluggish the vibration response, which is beneficial for low-frequency pronunciation, and unfavorable for high-frequency pronunciation, and poor pronunciation balance. The fiber density of python skin with large scales is relatively high, but some python skin scales are small, but the fiber density is also very good, the relative cortical elasticity is also good, the suppleness is strong, and the pronunciation is round and soft.

Python skins are divided into old and tender, and there are fresh skins and postmortem skins. The fresh peeling is better, the skin surface of this python skin is shiny, the Linge is evenly arranged, the edge of the Lin is not warped, the pattern is clear, and the boundaries are clear. Generally speaking, those with 12-15 rings from top to bottom are the top grades, and the pronunciation of the erhu of large ringers is often very slow.

The timbre of the erhu has its own unique characteristics, mellow and soft, beautiful and beautiful. Its near-human vocal sound is more vocal and expressive. Due to the structural characteristics of the erhu and the characteristics of the python skin, the variability of the erhu timbre is caused.

The changeable timbre of the erhu is a characteristic and highlight of traditional folk musical instruments. It is precisely because of this unique feature that the erhu is more expressive and infectious, and has more national and Chinese flavors. It can reflect the charm of national culture.

Let us continue to innovate on the basis of inheriting the traditional ethnic ** to make the sound of the erhu richer.

Influencing factors. Due to the influence of the north and south regions, weather and climate environment, the timbre of the erhu will change to a certain extent. We can take advantage of the variability of the erhu's timbre to adjust the erhu's timbre.

For example, in the northern environment, the skin of the southern piano is easy to dry and tight, and the sound is brittle, so it can be adjusted by changing the piano saddle and replacing the filter pad. It can also increase the humidity in the room, improve the preservation environment of the erhu, and make the skin moist.

1. The beauty of kneading skills.

Erhu. The sound it produces is good, which comes from the basic timbre of the erhu. This is the essential feature that distinguishes the erhu from other musical instruments.

2. Tumbling. Rolling kneading is a sound wave with regular high and low changes through the up and down movement of the palm and the flexion and extension of the finger joints, so that the finger surface is slightly rolled on the string to change the length of the string. Of all the kneading strings, tumbling is the most used in erhu playing, and its timbre is also the most beautiful.

Playing technique. 1. Hold the bow too close to the bow head or too close to the middle bow.

2. The bow is too deep into the bottom of the tiger's mouth, so that the bow is strangled in the tiger's mouth and cannot move flexibly.

3. When holding the bow, the fingers are too downward to "droop", so that the bow rod is pressed against the barrel and rubs, and the bow hair leaves the barrel and shifts upward.

4. When playing the outer strings, the middle finger and ring finger.

Take it out between the shaft and the bristles and put it in when you play the inner strings.

5. The position of the thumb when holding the bow is incorrect.

Summary. Hello! We're happy to answer for you!

The uneven size of the scales of the erhu has a great impact on the sound quality, because the size of the scales directly affects the timbre of the erhu, its integrity and harmony. If the size of the scales is uneven, it will affect the performance of the erhu, making its sound fuzzy and rhythmic, and the sound quality will appear bland and lacking in expression. I hope mine is helpful to you

Hello! We're happy to answer for you! The size of the erhu's scales has a great impact on the sound quality, because the size of the scales directly affects the timbre of the erhu, its integrity and harmony.

If the size of the scales is uneven, it will affect the performance of the erhu, making its sound fuzzy and rhythmic, and the sound quality will appear bland and lacking in expression. I hope mine is of some help to you

The size of the scales of the erhu affects the quality of the sound, too large scales will cause the timbre to be distorted and relatively low, and too small scales will not have a proper aftertaste, and the sound quality will not have texture. To solve this problem, the scales need to be adjusted and balanced according to different timbres. Usually, the piano xylophone needs relatively large scales, but it needs a balanced size and balanced adjustment; Popular**class**, it needs relatively small scales, and it needs a relatively small pressure to ensure that the timbre is neat and soft.

In order to ensure the balance of the scales, Roman numerals are generally used, i.e., i, ii, iii, iv are used on the scalesto mark their size for comparison, and to adjust the blind for accuracy and balance.

Summary. The size of the erhu's scales affects the sound quality, with larger scales producing crisp highs better, while smaller scales producing softer bass.

One side is small and the other is big.

The size of the erhu's scales affects the sound quality, with larger scales producing crisp highs better, while smaller scales producing softer bass.

On a piano. of the skin.

If the scales of the jujube fruit are small on one side and large on the other, it will affect the vibration of Weimin's string dismantling, thereby affecting the performance of sound quality. In general, two grooves can be rubbed out at both ends of the piano plate, so that the scales can be fixed at both ends; For small scales, you can pad the scales with a thin sand slide to adjust their size; If the scales are large, you can use thin cotton pads at the ends of the scales to adjust their size.

Dear, you can do what I said, go and try it.

I don't understand dear.

It is the surface of the erhu, and the scales are large on one side and small on the other.

Okay, so describe the problem you're having right now.

It is the surface of the erhu, and the scales are large on one side and small on the other.

Okay, dear, didn't you find a good way to tune it?

Dear, I have learned about your erhu situation, Yu Lu, the scales of the erhu are very distinctive, generally the left side is large, the right side is small. The most common adjustment method is to adjust the scale of the left piano surface with a vertical acre belt to achieve the best chord height effect; Then adjust the right side of the surface scale to achieve the best results. At the same time, it should be noted that when the string adjustment is too zero, it will produce bad string tone, so it is necessary to pay attention to grasp the balance to achieve the optimal string tone lifting effect.

Why is it that the larger the scales of the erhu's skin, the better the timbre.

The larger the scales of the python's skin, the thicker the skin and the thicker the sound. But there is a limit to this thickness. As the saying goes, the extremes of things must be opposed.

If it is too thick, the sound will be muffled. The treble also lacks penetration. The bass is also fleshy.

However, there are some enthusiasts who are superstitious, and this statement still goes to a misunderstanding. Deliberately bought oversized scales. The result is counterproductive.

Some merchants also like it, and mark the price of the extraordinarily thick large-scale python skin erhu very high. Noisy Song, so the selection of erhu must not just be pure Zheng to see what scale pattern, or to actually listen to the timbre. Actually, you can take a look at the two in the hands of those performers.

The timbre of the erhu has the characteristics of softness and lyricism, and the sound produced is very singing, like a human singing. The reason for this is that on the one hand, the pitch of the inner and outer strings and the tension of the strings are appropriate, and on the other hand, the side of the barrel is made of python skin. Therefore, it is possible to produce a calm and soft sound without pressing the strings and moving the bow with a lot of force during normal playing.

At the same time, due to the structural characteristics of the erhu and the characteristics of the python skin, the variability of the erhu timbre is caused. There are many factors that can change the timbre of the erhu, and a solid foundation is required.

Erhu: Started in the Tang Dynasty, called "Xiqin", has a history of more than 1,000 years. It is a traditional Chinese stringed instrument.

Erhu, also known as "Nanhu" and "Huzi", Erhu is one of the main bowed string instruments (rubbing string instruments) in the Chinese national musical instrument family.

Famous erhu songs include "Erquan Reflecting the Moon", "Good Night", "Listening to Song", "Horse Racing" and so on.

The inner and outer strings are generally set by fifths, mostly d1a1, and the range can reach three octaves. The inner strings have an elegant and full tone, and the outer strings are bright and strong. It can continue to pronounce the sound, the strength and weakness are free, and the timbre is close to the human voice, which is suitable for playing soft and delicate lyrical music, and can also express cheerful and lively, passionate and deep emotions, and can even imitate birdsong, gongs and drums, horse neighing, horse hooves, etc. through special performance techniques.

It is highly expressive and is an important instrument for ensemble, solo and accompaniment.