What is the artistic value of the statue of David

This statue is considered one of the most boastful male figures in the history of Western art. "David" is the embodiment of Renaissance humanist thought, its praise of the human body, ostensibly a "revival" of ancient Greek art, in essence means that people have been freed from the shackles of the dark Middle Ages, and fully realize the great power of man in transforming the world. Michelangelo injected great enthusiasm into the carving process, creating not just a statue, but a symbol of the artistic expression of the emancipation movement.

David is an engraving by Michelangelo Bonarroti. Michelangelo Buonarroti (March 6, 1475 - February 18, 1564), also translated as "Michelangelo", was a great painter, sculptor, architect and poet of the Italian Renaissance, a representative of the highest peak of Renaissance sculpture art, and Raphael Sansi and Leonardo da Vinci are known as the three masters of the post-Renaissance.

Evaluation

Michelangelo is the crystallization of human genius, wisdom and courage, and his glory and achievements belong to all mankind. As a great master of the Renaissance, his magnificent works that transcend time and space have had an unparalleled and huge impact on both his life and future generations.

He was as versatile as Leonardo da Vinci, a sculptor, painter, architect and poet. He was blessed to live to the age of 89, surpassing the age of antiquity, and spent more than 70 years of his artistic career, he experienced the ups and downs of life and the heat and coldness of the world, so that the works he left behind in his life are full of dramatic effect, majestic momentum and human tragedy.

The above content reference: Encyclopedia - David.

The author is Michelangelo.

Michelangelo grew up in the turbulent years of Italy, and the death of his mother and his father's violent temper brought him a lot of blows and hurts, making him full of doubts about life. Michelangelo loved painting since he was a child, but he did not get the approval of his family, and was often beaten by his father for secretly learning to paint, but this did not affect his firm attitude of loving painting, and he insisted on his choice and eventually became an artist.

It is precisely because of his childhood experience that his sculptures are extraordinary, strong and powerful, trying to get a little comfort through sculpture. His works are not only completely realistic, but also imaginary, and this unique style of work eventually became a model of sculpture of the era, reaching the peak of Renaissance European sculpture.

Persona:

Michelangelo did not follow the previous scene of David trampling the enemy's head under his feet after defeating the enemy, but chose the state of David when he was ready for battle.

He meticulously portrayed David's expression in the moment before the battle: he stood confidently, with a heroic posture and a handsome face, his head slightly turned to the left, his eyes fixed on the enemy, as if he were searching for the enemy in the distance on the horizon, ready to enter a new battle; He holds the catapult on his shoulder in his left hand, and his right hand hangs down naturally, slightly in the shape of a fist; The right leg stands firmly on the ground, while the left leg is slightly bent in a relaxed way.

David has a majestic physique, a brave and strong demeanor, and a tense and full body, face, and muscles, embodying all idealized masculine beauty, both outward and inward. The young hero stared straight ahead, his expression full of preoccupied tension and strong will, and the great power accumulated in his body seemed to be ready to burst out at any moment.

I only know that there is David, and I haven't heard of Xiaowei, and I don't know that the landlord saw Xiaowei there. Can you introduce it, publish the resources you see, so that we can understand it, and then analyze whether they are related?