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There is no fixed focal length used in landscape photography, some require a telephoto or super telephoto, some require a header, and some require a wide angle or even a fisheye.
It mainly depends on what focal length you need for the shooting scene.
A good photographer does not find a scene and use equipment that he does not have to embarrass himself, but uses his existing equipment to change the shooting angle and shooting technique to pursue another kind of beauty. This is called the art of photography. Otherwise, it's called a remake (copying), which means that when I see someone else shooting, I have to shoot like this, and there is no creativity at all.
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As for whether it is "enough" or not, it is a very self-concept for photographers. If you want to show a big panorama, 17mm still owes a little, and almost 10mm can meet your so-called "enough". However, this means that the budget will be greatly improved, and the actual financial capacity will be taken into account.
According to actual experience, 18mm can also shoot a large panorama, using a tripod or other supports, 180-degree uniform framing ring shooting, post-puzzle (all one-click puzzle software), the effect is actually similar. Secondly, the "panorama" mode that comes with the Apple mobile phone has a much better effect than the general DC, and it is also a must-have for travel. So, it still depends on your concept.
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How much is enough, if it is enough, why are there 8-15, why do you say that it is not enough, why do you have 24 determinations?
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Refers to the wide angle to be photographed.
Double-foot. A wide-angle lens is a type of lens that has a wider angle of view and a shorter focal length than a general lens, and is used to shoot large areas of objects.
The focal length of a wide-angle lens is generally 38-24 mm and the angle of view is 60-84 degrees, while the focal length of an ultra-wide-angle lens is 20-13 mm and the angle of view is 94-118 degrees.
Due to the short focal length and large angle of view of the wide-angle lens, it is possible to capture a large area of scenery in a short shooting distance. Therefore, it is widely used in the shooting of large-scale style photography. In photography, using a wide-angle lens to shoot can achieve the following effects:
One. It is a sense of spatial depth that can increase the photographic picture.
Two. It has a long depth of field, which can ensure that the front and rear scenes of the subject can be clearly reproduced on the screen. Therefore, the vast majority of modern pocket-sized automatic cameras (commonly known as point-and-shoot cameras) use ordinary wide-angle lenses of 38-35 mm.
Three. It is the large coverage area of the lens and the wide range of scenes filmed.
Four. It is a scene taken at the same shooting distance, and the image in the frame is smaller than that of a scene captured with a standard lens.
Five. It is a defect that is prone to perspective distortion and image distortion in the frame, and the shorter the focal length of the lens, the closer the shooting distance, the more significant this defect will be.
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A wide-angle lens is a type of focal copy
Photographic lenses with a shorter pitch than a standard lens, a viewing angle greater than a standard lens, a focal length longer than a fisheye lens, and a viewing angle smaller than a fisheye lens.
The lens of a wide-angle digital camera has a short focal length, a wide angle of view, and a deep depth of field, which is more suitable for shooting larger scenes, such as architecture, landscapes and other subjects.
Wide-angle lenses are widely used in large-scale landscape photography. It can increase the sense of spatial depth of the photographic image; The long depth of field ensures that the front and rear scenes of the subject can be clearly reproduced on the screen. Therefore, the vast majority of modern pocket-sized automatic cameras (commonly known as point-and-shoot cameras) use ordinary wide-angle lenses of 38-35 mm. The lens covers a large area and shoots a wide range of scenes; A scene captured at the same shooting distance is smaller than a scene captured with a standard lens; Perspective distortion and image distortion are prone to defects in the frame, and the shorter the focal length of the lens and the closer the shooting distance, the more significant this defect will be.
Wide-angle lens. For most of the best-selling digital cameras on the market, their wide-angle focal lengths are generally between 35-38mm. A true wide-angle digital camera is actually a product with a lens focal length of 28mm.
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The so-called wide angle.
A lens is a lens with a shorter focal length and a larger angle of view. The purpose of using a wide-angle lens is to allow for a wider field of view and a magnificent artistic effect. Wide-angle lenses can produce the effect of large foreground and small long shots.
The image distortion produced by the wide-angle lens makes the objects in the foreground exaggeratedly magnified, making the foreground objects more prominent and giving a strong visual impact. For consumer-grade digital cameras, the so-called wide angle is actually 28mm.
For tourism The benefits of a wide-angle lens are obvious, as it can capture a wider landscape, which is perfect for showing off the beauty of the scenery.
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It means that the range of scenes that can be shot by the lens is greater than the range of angles of view of the human eye, which is commonly known as wide angle, generally the previous number in the lens refers to the range of wide angles, such as 18-200mm means that the wide angle is 18mm, and usually the wide angle below 28mm is of practical significance.
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Wide-angle lenses Lenses with a focal length of less than 38 mm are usually referred to as wide-angle lenses. There are wide-angle lenses that can shoot a wide scene of about 180 degrees. The wide-angle shooting method is suitable for use in small spaces.
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The angle of view of the human eye is approximately equivalent to a focal length of 50mm. Lenses with shorter focal lengths have a larger angle of view than the human eye, so they are called wide-angle.
The wide-angle lens can cover a larger area and shoot big scenes. In the field of photography, it is very shocking to shoot with a wide angle or even an ultra-wide angle.
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10-24 is required, and it seamlessly connects with 24-70, 17-50 overlaps too much, which is a bit wasteful, and a wide aperture is not very useful for wide angles. Although the 10-24 is an APS lens, it can be used in full frame, and there is no vignetting in the focal length after 14mm, which is very valuable.
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The copy focal lengths of these two lenses are completely different, and of course the occasions for use are also different.
10-24 is an ultra-wide-angle, which is generally used to supplement the wide-angle angle angle. It is suitable for shooting some large scenes, such as deserts, grasslands, oceans, etc., or shooting tall objects at a very close distance.
Because it is an ultra-wide angle, the perspective distortion is exaggerated, and due to the large angle of view, the composition requirements for shooting are also relatively high. Overall, this lens is not suitable for free-mount shooting, and is only used on special occasions
The focal length of 17-50 is more commonly used than 10-24. A range from wide to medium focus is included. Although the angle of view is not as large as 10-24, the wide angle of 17mm is enough for general travel shooting.
And the wide aperture of the whole process can also effectively support some shooting creativity or low-light shooting. It is suitable for shooting some landscapes, humanities, street sweeping, and small scenes, and you can also shoot portraits with about 50mm. However, the medium and telephoto length of this lens is still slightly shorter, and although it can be used for regular hang-ups, if you prefer to shoot long shots, you will need a medium and telephoto lens to match it.
You say you want to shoot landscapes, or recommend you buy 10-20 or Tamron 10-24Photographing the scenery is a bargain.
If you use more daily, portraits, and street scenes, use 17-50.
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If you want a larger angle of view and only choose the Talon you can only 10-24, because the effect of 17-50 is similar to that of 24-70, and the focal length overlaps a little.
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I sold 2470 and went to Canon original 1585is.
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For enthusiasts, two lenses are enough:
18 - 70 and 70 - 200
There is no need to buy a fixed focal head, **too high.
If you really have a lot of money, you can buy a lens with a constant aperture.
As long as you pay attention to the focal length segment when shooting, obvious distortion can be avoided, and you need several lenses to decide according to your shooting subject, if you don't pursue image quality, shoot everyday subjects, and it is also very convenient to go on an 18 125mm head.
If you need to shoot landscapes, you can buy a wide-angle head under 17mm, of course, it's not cheap, hehe.
If you need to shoot portraits, buy a fixed-focal length lens with a large aperture, such as 105mm f mm ** cheap) or something like that;
If you need to shoot macro, just buy a 90mm or 105mm macro lens.
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Nepal is a small country located in the alpine zone, and it is mainly a scenery tourism to go there, so you should pay attention to the wide angle with photographic equipment to reflect the beautiful natural scenery, if you are interested in the customs, the focal length is also necessary at about 200 mm, therefore, it is recommended that the SLR camera must bring a wide-angle zoom lens, if it is convenient to bring two lenses, it is best to bring 18 85 and 55 250, and it is more appropriate to bring a 15 85 if it is inconvenient. Small digital cameras such as card players must also have a wide angle, at least a 24mm wide-angle end equivalent to a 35mm camera.
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Two shots for professional! 16-35 and 70-200, you can also bring two machines! I don't know the lens, I have a shelf on my back, and there's no need for anything else、、、
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The 18-135 lens is more commonly used, while the 55-250 is generally used with the 18-55 lens.
From the perspective of frequency of use, the 55-250 is not as practical as the 18-135 lens, first of all, from the perspective of focal length, the 55-250 lacks the most commonly used wide-angle and portrait focal length (the lens is a half-frame lens, and the 55mm end focal length is already relatively long when converted into a standard focal length). It's a bit reluctant to use it as a portrait lens, there are fewer scenarios for medium and telephoto use, and the telephoto end is a little too short, and the focal length of about 400 mm is generally used to shoot birds, and it takes a little longer to shoot the moon, so it is not practical in terms of focal length, and the common focal length has to be equipped with an 18-55 lens.
On the other hand, both the 18-55 and 18-135 lenses can be used as hang-up heads (set lenses), indicating that both lenses are more practical than the 55-250 in terms of frequency of use.
Parametrically analyzed:
The 18-135 focal length is not as long as the 55-250, but uses a 67mm filter mount, while the 55-250 only uses a 58mm filter mount, which directly leads to a maximum aperture of only f4, and the maximum aperture of the 18-135 lens reaches.
The 18-135 lens uses 12 groups of 16 lenses, the 55-250 lens only has 10 groups of 12 lenses, the rear bayonet of the fuselage uses the metal mount of the 18-135 lens and the 55-250 lens uses the plastic bayonet in order to save costs, and the durability decreases more.
On the whole, if there is no duplicate focal length, it is recommended to choose an 18-135 lens, and if you already have an 18-55 lens, you can choose 55-250 if you want to spend less money to expand the focal length
The division and use of commonly used focal lengths are introduced with an introduction
The division of the single-lens reflex focal length generally refers to the different focal lengths of the lens, such as ultra-wide angle, wide angle, etc., as follows:
10 17mm is an ultra-wide-angle shooting landscape, especially in large scenes, such as grasslands, deserts, and the sea;
17 35mm wide angle landscape, humanities, especially suitable for travel shooting;
35 135mm medium focus humanities, portraits. The 85mm focal length in this focal length is especially regarded as the best focal length for portraits, and it is often seen that the lens of 85mm is called a portrait head;
The 50mm focal length is the most in line with the angle of view seen by the human eye, so it has become the standard focal length, and the 50mm lens is often called the "header", which is how it comes from;
135 200mm telephoto, suitable for close-up of characters, taking pictures of lotus, stage, etc.;
Above 135mm is considered a telephoto, and the most commonly used is to 200mm, but some people like to shoot wild animals and birds, and even 600mm such a focal length;
Macro - a macro lens specially used to shoot insects, flowers, and other small things, generally used more than 100 micro lenses, that is, about 105 mm lenses.
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It mainly depends on what you shoot more on weekdays, generally speaking, the focal length of 18-135 is better to use, because there is a dao
Wide-angle and telephoto, which can take into account the basic requirements of landscape and portrait, and 55's focal length is a standard focal length, without a wide angle, you are in a relatively narrow occasion, this head may not be able to step over, plus I don't know if you are using a full-frame camera, if it is not full-frame, 55 focal length is basically equivalent to 85 focal length, you can only use a telephoto head. If you only have one lens, it is recommended to choose 18-135.
If you already have a wide-angle head, of course you can use this head to supplement the telephoto section, because if you shoot more people in the distance for performances or street photography, the 250's telephoto is still very powerful.
Also, since neither of these heads is red circles, I don't know much about it, so I can only give you a little advice on the focal length, I hope it can help you.
At present, the multi-exposure function is only available on the Nikond 200 300 on the DSLR.
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