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Dear, the story of the adaptation of the movie script refers to the original **, comics, games, biographies and other forms of stories, which are adapted into movie scripts to meet the needs of film shooting. After adaptation, these stories tend to take on a different character and style than the original book. For example, the "Harry Potter" series of films is based on the eponymous ** written by Rowling, which meticulously presents the magical elements and character personalities of this magical world; For example, the movie "Farewell My Concubine" is adapted from a stage play, emphasizing the visual impact and emotional tension under the language of the film.
The adaptation of the script needs to be changed and adjusted accordingly according to the narrative mode and aesthetic characteristics of the film on the basis of respecting the original work. When adapted, it enhances the drama and visuals of the film, and highlights the core of the theme and plot. At the same time, it is also necessary to pay attention to retaining the essence of the original work and the intention of the original author, so as to avoid excessive modification that will lead to the loss of the charm and quality of the original work.
In short, the story adapted from the film script needs to integrate the characteristics of the original book and the movie, and transform the original story elements into a form suitable for film expression, so as to attract the audience and tell a good story.
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I have been waiting for a long time, and the answer to the question of whether a story can become a script is yes. Drama Xiaozai refers to literary works written for films, TV dramas, dramas and other art forms, and stories are the basis of scripts. Therefore, as long as the story has enough plot, characters, and conflicts, it can be the material for the script.
Of course, to be a good script, the story also needs to have a certain plasticity and operability. This means that stories need to be adapted, cut, expanded, and adapted to suit different art forms and audiences. At the same time, the story also needs to be able to be transformed into visual and anti-code language, that is, presented through pictures, **, performances, etc.
In addition to this, the story also needs to meet the basic requirements of the script, such as having enough conflict, rhythm, emotional tension, etc. At the same time, the story also needs to have a certain degree of realism and credibility so that the audience can resonate and emotionally invest. To sum up, a story can become a script, but it needs to have a certain plasticity, operability, and artistry.
At the same time, the story also needs to meet the basic requirements of the script in order to be successfully transformed into art forms such as films, TV series, and dramas.
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Three people who have been released from prison have been killed in succession. **Leave a note saying "Please come and get me", a fingerprint and a cigarette butt at the scene, and no other clues. As the case deepens into the investigation, the truth emerges, and it turns out that it was a former forensic doctor who did all this.
And his motive for committing the crime is actually very simple, that is, by expanding the influence of the case, he will force ** to invest a lot of manpower and material resources to help him find the owner of the fingerprint in the vast sea of people. Because he suspected that the owner of the fingerprint was the one who kidnapped and even killed his wife and daughter.
This is the general story synopsis of the TV series "Undocumented Crime". This drama is adapted from Zijin Chen's namesake **, **I have also watched it. After the current ** is adapted into a TV series, most readers of the original book will complain that it is not good, and it is not as good as the original work.
But Liang Bench or this one I think is an exception, the TV series is more exciting than the original book, and the plot is more twists and turns.
Zijin Chen's ** "Undocumented Crime", "Bad Boy", and "The Long Night" have all been adapted into TV series. The least modified should be "The Long Night" (TV series "The Silent Truth"), except for the lowering of the level of the villain, the rest has basically not changed much. "Bad Boy" (TV series "The Hidden Corner") has also changed a lot, and it is estimated that there will be no way to pass the review if it is not changed, because the character image of Zhu Chaoyang in the original book is too dark and dark, and it will frighten a large number of people if it is put on the screen.
The adaptation of "Bad Boys" is mainly to do subtraction, deleting some parts of the original book. The adaptation of "Undocumented Crime" is an addition, and some of the details and inconsequential parts in the original work have become the highlight of the play after the adaptation, and the supporting characters have also made their debuts.
I don't have much to say about the plot, I don't need to say what I've seen, and I can't spoil what I haven't seen.
is such a good drama, the Douban score is actually only a score, and "Chasing the Murderer in the White Night" has it, both the actors' acting skills and the plot of the story are not inferior.
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I don't know if you like it in others The fox was walking down the street and ran into the old wolf head-on. The old wolf stretched out his hand and gave him a big mouth: "Let you not wear a hat."
The fox went home depressed and got a hat to put on.
The next day, I ran into the old wolf again, and I was slapped again: "Let you wear a hat." ”
If so, I was beaten several times. The fox thought, it's not a problem to be beaten so much, no, I have to complain to the tiger.
As soon as I arrived at the door of the tiger's house, I heard the tiger talking in the house: "You can't always be so unreasonable and beat the fox, and the fox will complain to me when I turn around, and I won't be able to cover you." Let's get by on the face.
I'll teach you a trick, and the next time you see the fox, tell him, "Get me some laundry." He brought you soap, and you beat him up, saying I want laundry detergent, who told you to take soap.
He brought laundry detergent, you can also fight, saying I want soap, who told you to take laundry detergent. Or you tell him, 'Go, find me a woman.'" He finds you a fat one, and you beat him up and says I want to be thin; Find you a thin one, and you will also beat it up, saying that I want to be fat.
If you don't end it like this, you can beat him, and I can talk about it in my face. ”
When the fox heard this, he said, let's stop complaining and go home.
The next day, the fox ran into the old wolf again in the street. The old wolf shouted, "Go, find me some laundry."
The fox was not in a hurry: "Do you want laundry detergent, do you want soap?" ”
The old wolf listened, huh? There's a hand. And he said, "Go, find me a woman." ”
The fox was still unhurried: "Do you want to be fat or thin?" ”
The wolf was stunned, and there was no reason to hit it. But the wolf only hesitated for a moment and beat the fox again, and said as he beat back, "Let you not wear a hat!" ”
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