Honestly, who are the pianists you admire the most?

Alfredbrendel, second to none, is undoubtedly him. The only one alive among my favorite gods. It's been ten years since he retired from the music scene (old).

His Schubert was the pinnacle, and I never thought that Schubert could be so beautiful until I heard his version. Recommended**Instant and improvisational song that set of decca double CD, in which D946 second song, as if floating in the misty forest in the middle of the dream! It's a performance that the music blind will fall in love with.

His Piano Concerto with St. Martin's Piano Concertos in the Sixties and Seventies is the most convincing version I have ever heard, especially Nos. 9, 17, 20-25, 27. Pianists who can play Mozart well, starting from a recording a hundred years ago, in my opinion, Brendel is the top three. His Haydn sonatas are also impeccable style interpretations, and his Beethoven sonatas, for me, are too preppy but recognized as the benchmark in the world.

Grigory Lippmanovich Sokolov is a master trained by the Russian school, but he is not a Russian school, Solokov is Solokov, genius, rigorous technique, superb ten-finger skill, infinite timbre beyond the limit, steady and wild Solov is not good at running his own business, so he is not so famous, but you may wish to listen to his rigorous technique, not extravagant, but there is an innate sense of power in piano music.

I think Aarau's ** achievement is the highest. His skills in his youth were unparalleled. His use of the wrist and fingertips is very reasonable and is one of the "most ideal" techniques.

The degree of his Brahms, Liszt and Beethoven classics also needs no resonance. The most touching thing is his timbre. He is one of the very few pianists who can play a tone on the piano that cannot be imitated.

He cares a lot about the use of muted pedals. He also has a unique grasp of harmony and musical phrases. The main thing is that his technique is very skillful.

As a young man, Aarau practiced scales for three hours a day. He also practiced the piano through meditation and labor. His height is actually difficult to evaluate.

Pianist Vladimirashkenasy!!Maybe there are too many recordings of Ash, and everyone doesn't know where to start. Some people say that Ashkenazi's ** is decent, I think that's just right, his ** and his personality are very consistent, not arrogance, not deliberately highlighting personal style to please the audience.

Alfredbrendel, the perfection of Schubert and Mozart. But I don't like his Beethoven very much, although he is also an authority.

Emilgilels, with its golden timbre, prefers the splendor and grandeur of Giels to Richter's magic and neuroticism. Walstein's farewell to the enthusiasm was speechless, and the perfect Beethoven was nothing more than that. It's a pity that he died a little earlier, and Beethoven's steel performance was not recorded, which is a pity.

Lipatti, the word genius, should not be overstated. Listening to his recordings is love at first sight, and you can know it after only listening to it for ten seconds, and you don't need to listen to the rest anymore, and it doesn't hinder his status as a master.

The foreign Zimmmolman, the Gould of the "Goldberg Variations", the Horrowitz, Kissin, Argerich, the Chinese-Japanese mixed race is called Alice, and the Chinese Li Yundi, Lang Lang, Wang Yujia ......I can't name a lot of people at once.

Maxim Mlvica, Li Yundi.

Christian Zimmermann of Chopin.

Lang Lang's Liszt.

Beethoven of Barenboim.

Schubert of Blundel.

Yin Chengzong's Yellow River, Wu Yili's Liang Zhu.

I admire anyone who plays better than me