What is a flat and sharp stave, a brief explanation, about 100 words to summarize

7,3,6,2,5,1,4 for flats and 4,1,5,3,6,2,7 for sharpsHere's the order. As for the rest!

You should be able to figure it out! That is, press the right button (including the black key) for the ascending and the left key (including the black key) for the descending. If you don't understand, I can give a picture.

The sharp sign is a flat sign is b The sharp sign is a rising semitone on the basis of his tone, and the flat sign is a flat semitone on his basis.

A sharp sign indicates that this note is raised by half a note.

A flat B indicates that this note is half a note lower.

Sharp, flat, rising, flat, and reducing are all diacritical marks on the staff, which are signs that indicate the increase, lowering, or reverting of the tone.

Sharp: Indicates raising the tone by a semitone. For example: f rises by a semitone; C raises semitone to c. A rising g semitone is a rising g and so on.

Flat: Indicates a lower tone by a semitone. For example: B lowers a semitone is B flat; Reducing the semitone of e is falling e; A lowering a semitone is a flat a; Wait a minute.

Accent Accent: Indicates that the tone is raised to the whole tone. For example, if e rises in the whole tone, it is a heavy rise in e; Raising the whole tone of g is raising g again; Wait a minute.

Flat Sign: Indicates that the tone is lowered to the whole tone. For example: f lowering the whole tone is emphasizing f flat; b lowers the whole tone is a heavy drop b; Wait a minute.

Reduction number: Indicates the restoration of a tone that has been raised (including re-ascending) or decreasing (including re-descending). For example, after the reduction of B is the restoration of B (i.e., B); After the reduction of F is the reduction of F (i.e. F) and so on.

When a tone is restored, whether it is raised (or lowered) whole tone or semitone, the tone is reduced to the time when it is neither rising nor falling (i.e., it is reduced to the original sound of that tone).

In the simplified notation, the reduction mark is written as ( ), the rising mark is written as ( ), and the falling mark is written as (b).

The diacritics are as follows:

1) The ascending sign ( ), which indicates that the basic scale is raised by a semitone;

2) a flat sign (b), which indicates a lowering of the cardinal tone by a semitone;

3) The accent mark ( ) indicates that the basic scale is raised by two semitones (one whole tone);

4) Falling mark (bb), which indicates lowering the basic tone by two semitones (one whole tone);

5) The reduction mark ( ) indicates that the tone that has been raised or lowered will be restored.

No. There are two types of ascending and descending notations in the staff:

One is the key signature, that is, the one or a group of sharp (flat) signs immediately after the clef, which indicates what key the piece is, and its actual effect is of course valid for the whole piece.

The other is the temporary sharp-sharping sign, which is not valid for all measures, but only for "the same roll call after it" that has a sharp (flat) sound in the same measure, and will remain until the end of the measure unless it is encountered on the same subsequent roll call in this measure.

The rising sign in staff is the "flat" sign in diacritical marks. There are five types of diacritical marks in staff:

1. The sharp sign ( ) indicates that the pitch of the basic scale is raised by a semitone;

2. Flat mark (b): It means that the pitch of the basic scale is reduced by a semitone;

3. The re-rising mark ( ) indicates that the pitch of the basic scale is raised by two semitones (one whole tone);

4. Falling mark (bb): It means that the pitch of the basic tone is lowered by two semitones (one whole tone);

5. Reduction mark (x): It means that the tone that has been raised or lowered is restored.

The sharp sign ( ) or flat sign (b) written after the clef at the front of the staff is called a key signature and indicates the tonality of the piece.

If the rising and falling marks (including the re-rising, re-falling and reverting marks) appear in front of a note in the middle of the music, they are called temporary diacritical marks. Indicates that the pitch of the note is to be changed temporarily, and the note of the same name within the measure is to be changed accordingly. This temporary diacritical mark is only valid within the same measure (i.e. only works on the same note within the same measure).

The sharp sign ( ) indicates a semitone increase in the basic scale.

A flat sign (b) indicates a lowering of the cardinal scale by a semitone.

The sharp-rising mark ( ) indicates that the cardinal scale is raised by two semitones (one whole tone).

A falling mark (bb) indicates that the basic scale is lowered by two semitones (one whole tone).

The restore mark is"mutual"Removing the upper and lower horizontal rests indicates that the tone that has been raised or lowered is restored.

Trill mark tr

PP (very weak), P (weak), MP (moderately weak), MF (medium-strong), F (strong), FF (very strong), SF (very strong).

It's called an inhalation mark. It usually appears between two bars, but there are also some between two notes. When singing a song, when you encounter this sign, you should inhale to sing the next line.

The first floor is also right, when playing the piano, when you encounter this mark, you should raise it with your wristband hand and then drop it to continue playing.

It is called an accent mark, but this mark should be upside down, pointing downward, above a certain note, indicating that the note should be sung forcefully and emphatically to express the mood of the song.

It's called a crescendor. It often appears at a certain musical phrase, and the mark is longer than this to show that the phrase is gradually weakening, and there are also individual expressions of a certain note, which is rare.

The moving octave is marked with 8-- on the top of the staff, indicating an octave higher within the dashed range; 8-- is written below the staff to indicate an octave lower.

Repeat octaves Write the number 8 above or below a note to indicate that the note is repeated an octave higher or lower. If an octave is repeated over a longer period of time, the use of con8-- above the note or con8-- below the note, indicates that the note within the dotted line should be repeated an octave higher or lower.

The inverted s written on the top of the note is called the echo mark. The echo is made up of four tones. The top note of the lead is played first, then the lead note, then the lower note of the lead note, and finally back to the main note.

There is a vertical wavy line on the left side of the note, called the arpeggio, which indicates that it should be fast and coherent from the bottom up.

lz doesn't say if you're talking about a temporary sharp sign or a sharp sign at the front of the sheet music that indicates a key signature.

If it's a temporary rise mark, remember 3 points:

1. It is only valid for one section in which it appears.

2. It is only valid for sounds from the time it appears.

3. It is only valid for notes in the same position as it (the above 3 points must be fully satisfied) If it is the key signature in front of the score: it is all the notes in the music (the tone at the position of the sharp mark) Take fa as an example, the sharp sign is on the fa, that is, all the fa in the score are raised.

Hope it helps.

** and Composition Technique (Team) — Stinky Rats and Pig Tails.

1.Diacritical marks: Symbols that raise or lower musical notes are divided into sharps, flats, reductions, rising marks, and falling marks according to the different pitch changes.

1) Sharps,"#"Written to the left of the note head, it indicates that the note is raised by half a note.

2) The flat sign, "" is written to the left of the note head, indicating that the note is lowered by half a note.

3) Restore notation, "" is written on the left side of the note head, indicating the reproduction of the note that will be raised or lowered.

4) The accent mark, "" to the left of the note head, indicates that the note is raised by one whole tone.

5) The falling notation, "" to the left of the note head, indicates that the original note is lowered by one whole tone.