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Farewell My Concubine is about the story of Xiang Yu and Yu Ji, the overlords of Western Chu, and about the poignant love between two people.
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It's about the story of Yu Ji and the overlord Xiang Yu, this story is really poignant, I like this story very much, and I like to listen to this excerpt.
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The historical allusion of Farewell My Concubine tells the story of Xiang Yu, the overlord of Western Chu, who was arrogant and simple-minded, and finally parted with his beloved wife and defeated Liu Bang. Xiang Yu killed himself after angrily beheading hundreds of Han soldiers.
There is a beauty name, and I am often fortunate to follow; The horse is famous, and it is often ridden. So Xiang Wang sang a sad and generous song, and said in his own poem: "Pull out the mountain and cover the world, and the times are not good."
If you don't die, you can't help it, and you can't help it! "The song counts, and the beauty is there. King Xiang cried a few lines, crying left and right, and couldn't look up.
There is a beauty named Yu", but there is no name of "Yu Ji" that has been passed down in later generations; It was not until Tang Dynasty's "Kuodi Zhi" and other books that the name "Yu Ji" appeared. Of course, "Ji" is just a pronoun, not Yu Ji's real name. During the Five Dynasties period, the name of the word plate was simply called "poppy".
Ban Gu said in the "Hanshu Sima Qian's Biography": "Sima Qian, according to the "Zuo Clan" and "Chinese", adopted the "Shiben" and "Warring States Policy", and described the "Chu Han Spring and Autumn", followed his aftermath, and died in the Tianhan. Among them, the book "Chu and Han Spring and Autumn" was written by Lu Jia in the early Han Dynasty and died in the Southern Song Dynasty.
There is no doubt that Sima Qian referred to the book "Chu and Han Spring and Autumn" when he wrote the "Historical Records": "Gai Sima Qian's "Historical Records" is based on the "Chu and Han Spring and Autumn Period", so his words about Qin and Han affairs are particularly detailed. However, the harmony song of "Beauty and Harmony" recorded in the "Spring and Autumn Period of Chu and Han", Sima Qian, who paid attention to details and was curious, did not record it in the "Historical Records".
Tang Zhang Shoujie's "Historical Records of Justice" quoted this waka from "Chu and Han Spring and Autumn":
The song said: The Han soldiers have been slighted, the Quartet Chu is singing, the king is exhausted, and the concubine is not alive.
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1, Peking Opera "Farewell My Concubine": At the end of the Qin Dynasty, Chu and Han fought, Han Xin ordered Li Zuoche to deceive Xiang Yu in front of the laughing book, and Xiang Yu entered the army. He laid an ambush on ten sides of Jiuli Mountain and trapped Xiang Yu under the wall (southeast of present-day Lingbi County, Anhui Province).
Xiang Yu couldn't break through, and he heard the songs on all sides, suspecting that the Chu army had surrendered to Han, and said goodbye to Yu Ji in the camp. Yu Ji killed herself, Xiang Yu fought her way out of the encirclement, got lost, and went to Wujiang, feeling faceless to see Jiangdong's fathers and elders, and killed herself by the river.
2. "Farewell My Concubine" is a long story created by contemporary writer Li Bihua, which was first published in June 1985.
The ** is set in Beijing from the 20s to the 80s of the 20th century, and tells the sad and tragic story between Cheng Dieyi, Duan Xiaolou, and Juxian. The author uses the background of regime change and unfortunate national fortunes to interpret the emotional entanglement of obsession and betrayal of the little people, and at the same time uses the complex and gorgeous traditional Liyuan Peking Opera as the keynote, describing the true fate of the low-level characters in the turbulent era and historical events such as the Cultural Revolution, which contains historical and social, aesthetic and philosophical implications.
770-476 BC.
During the Spring and Autumn Period and the Warring States Period, he was the overlord of Western Chu. >>>More
At the end of the movie, Dieyi sang: I am a man, not a woman. In a trance, he was out of the play. >>>More
According to their age, Juxian should not be Dieyi's mother, Juxian just has maternal love for him because of sympathy for Dieyi sometimes.
Zhang Fengyi went from an invincible little bully to a middle-aged man who was submissive, and his performance was very layered. Moreover, Zhang Fengyi has studied Peking Opera, and he has the kind of Jianghu and ruffian spirit of the red horns of Peking Opera in the past, and he is not lacking in shrewdness and sophistication. There is a period when Xiaolou is clear about Cheng Dieyi's feelings for him, but he repeatedly avoids it, and reluctantly explains it with brotherly love. >>>More
Through the description of Cheng Dieyi's persistent pursuit of national art, the film projects the evolution of history and culture in the great era, and shows a turbulent picture of life. The film contains profound cultural connotations, magnificent momentum, strong feelings, delicate plot ups and downs, and the whole story has far-reaching implications.