Is there a simple division between poems and words, for example, the battle is neat is poetry, and t

The biggest difference is between long and short sentences.

The standard of the Seven Laws is that the three and four verses, the five and the six verses should not only be opposed, but also neatly opposed. But quatrains of ancient poetry also belong to a type of rhythmic poetry. Its needs are more flexible.

Some are like the first four sentences of the Seven Laws, and the last few sentences are opposed. Some are like the last four sentences of the Seven Laws, and the first two sentences are opposed. Some are like the middle four sentences of the Seven Laws, and the two groups are fighting.

Others, like the first few verses and the last two verses of the Seven Laws, are also not opposed. If the sentence structure is similar to the seven rules, and the four sentences in the middle are not right, it can still be a poem, or even a classic poem, but it cannot be named a rhythmic poem.

The standards of the poems are all uniform, and you must play according to the rules. At the level of peace, in order to be better at memory, aren't there a lot of verbal decisions? For example, Ping ......PingVerbal duels like that.

Strictly speaking, the beginning or end of a single sentence cannot occur three flats or three thousands. In addition, one, three, and five refer to the first, third, or fifth word of the poem, which allows you to ignore the ordinary. That is to say, you don't necessarily want to write correctly from the flat in the previous sentence (that is, he is flat, you have to be right).

And not referring to the first, three, five lines of the poem! It refers to the first in each sentence.

One, three, five words.

There are four basic prerequisites for poetry, adhesion, rhyme, leveling, and battle. There are only four quatrains in ancient poems, which are not necessarily battled, but the rhythm of eight sentences or more than eight sentences of rhythm stipulates that Zoomlion needs to fight. There is also a more unique situation, and the questioner may have asked a question for this reason, for example, some of the five laws are not in line with the whole text.

Meng Haoran, "Luoxia Sends Xi San Back to Yangzhou". The whole poem is not right, and there is also a famous work by the poet fairy Li Bai "Night Park Niu Zhu Feelings". Some poems have the first couplet of the battle, and there is a couplet in the middle of the battle, which is called stealing the spring body.

In general, it is a prescriptive battle, especially when the lyric poetry is mature. Poetry is the expression of intention, and the way to listen to the content, if the first and last couplets are against each other, the jaw couplet or the neck couplet is not right. Wang Bo's "Send Du Shaofu to Shuzhou" is the first couplet, and the jaw couplet "parting with the king, the same eunuch traveler" does not reconcile.

There is also the first joint battle of the Changjian "Title Poshan Temple Hou Zen Courtyard", and the jaw joint "winding path leads to the secluded place, and the flowers and trees in the Zen room are deep" is not the right battle. Sometimes I feel that I am not rigid, I have a sense of dynamics, but it is stronger.

Yes, in general, poetry requires neatness, but there are special ones.

It has to be neat. If it is not neat, it will actually be very difficult to read, and it does not conform to the ritual that ancient poems should have.

Indeed, because this is in line with the characteristics of the poem, it must rhyme evenly, and the battle must be neat, so it is more artistic to read.

When analyzing poems from the perspective of battle neatness, it is necessary to make full use of the basic knowledge of battle. For example, sentence structure, parts of speech, parts of speech, flattening, and so on.

Let me analyze Meng Haoran's "Sujian Dejiang" for you

This couplet of the poem "The wild sky is low and the trees are low, and Jiang Qingyue is near" is used as an example.

Let's take a look at "wild sky and low trees": "wild", wild, noun; "open", open, adjective; "Wild", subject-verb structure, pronunciation. "Heaven", noun, "low", adjective used as a verb, meaning verb usage, "tree", noun. "The sky is low and the tree is low", subject-verb-object.

Structure, pronunciation mediocre. "The wilderness is low and the trees are low", the wilderness is open and the sky is low and close to the trees, and the whole sentence structure is subject-verb-subject-verb-object, and the pronunciation is flat. There is a higher-level structural relationship here, which is "wilderness" and "sky and low trees".

The latter is an explanation and supplement to the former, a feeling of the former, and a subject-verb structure in between. This puts forward legal requirements for the couplet.

Look at "Jiang Qingyue is close to people", "Jiang Qing", the name shape, the subject-verb structure, mediocre. "Jiangqing" vs. "wilderness", the part of speech, structure, and the three best ones. "Near", adjective used as a verb, meaning verb usage, "moon near", subject-verb-object structure, 仄仄平.

"Moon near people" to "sky low tree", but also the part of speech, structure, and the three best of the best. "Jiang Qingyue is close to people", the river water is clear and the moon is closer to people. Subject-verb-subject-verb-object, mediocre.

And "Moon Nearer" is also just an explanation and supplement to "Jiang Qing", which is the feeling of the former, and the subject-verb structure between the two. This kind of strict correspondence in structure can often be read in reverse, such as "Jiang Qingyue is close to people, and the wild sky is low and the trees are low".

There are tears in the pearl of the sea and the moon, and the blue field is warm and the jade is smoking.

The desert is lonely and the sun sets over the long river.

Two yellow orioles singing green willows.

A line of egrets in the sky.

The window contains a thousand autumn snow in Xiling.

The door is berthed in the Dongwu Wanli ship.

Recruit people and complain about Liu Zhongyong.

Years old Jinhe Fuyuguan, towards Ma Ce and knife rings.

The snow returns to the green mound in three springs, and the Yellow River surrounds the Black Mountain.

Ascending Author: Du Fu.

The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

Thousands of miles of sad autumn are long guests, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, frost and sideburns, pouring down a new turbid wine glass.

Ascend Yueyang Tower. In the past, I heard Dongting water, and now I go to Yueyang Tower.

Wu Chu is in the southeast, and Qiankun floats day and night.

Relatives and friends have no words, and the old and sick have a lonely boat.

Rongmaguan Mountain North, with Xuan Si Liu.

The building boat crosses the snow melon island at night, and the iron horse is scattered in the autumn wind.

There is no way out of the mountains and rivers, and the willows and flowers are bright and another village.

Thousands of mountains and birds fly away, and thousands of people disappear.

At the end of the day, the Yellow River flows into the sea.

If you want to be poor, go to the next level.

Helplessly, the flowers fell.

Déjà vu Yan returns.

On this day, the six armies were stationed in Ma.

At that time, Tanabata laughed at the morning glory.

Two yellow orioles are singing green willows, and a line of egrets is in the sky.

The day is at the end of the mountain,The Yellow River flows into the sea. I want to be poor,Better. In the above moderate one or two potato slow prose sentences, the Yellow River during the day, the number of mountains into the sea current; Three or four sentences, want to be poor to go up, thousands of miles to one floor, the part of speech is relative, the battle is even, the meaning is handed in, and each group is a perfect couplet.

"Neat verses" means that the two poems are opposite, the sentence pattern is the same, the syntactic structure is the same, the parts of speech of the corresponding words are the same, and the lexical meaning of the corresponding words also needs to be consistent, and it is also required that the words of the sentence and the words of the sentence cannot be repeated.

Confrontation is one of the manifestations of medieval poetic rhythm. The strict duality in poetry is called a duel. The battle mainly includes two aspects: the mutual confrontation of words and the mutual confrontation of sentence structure. Battles are mostly used in pun.

The bright moon is against the breeze, and the magpie is against the cicada.

Antiphonal neatness is a rhetorical technique of arranging two phrases or sentences with an equal number of words and the same or similar structure in pairs.

The neat sentence structure looks neat and beautiful, and the rhythm of reading is sonorous, and it is easy to memorize.

Many of the couplets of traditional Chinese culture are good couplets.

The strict style has extremely strict requirements for the couple, and the corresponding positions of the upper and lower sentences must have the same part of speech, the tone is relatively opposite, and there can be no same words.

Seven or eight stars in the sky, two or three points of rain in front of the mountain.

It's a poem, it's just 124, it's not all rhymed.