Eileen Chang s article on readers, is Eileen Chang s love prose?

The original text of Zhang Ailing's "Love" is as follows:

It's true. There is a girl from a well-off family in a village, who is born beautifully, and many people come to be matchmakers, but they don't say it. She was only fifteen or sixteen years old, and it was a spring evening, and she stood in the back doorway, holding on to the peach tree.

She remembered that she was wearing a moon-white shirt. The young man on the other side of the door had met her, but had never said hello before, and he came over. Not far away, he stood still, and said softly:

Oh, are you here too? She didn't say anything, he didn't say anything more, stood for a moment, and went away.

That's it.

Later, this woman was abducted by relatives and sold to other counties to be concubines, and was resold several times, after countless thrilling turmoil, when she was old, she still remembered the old thing, and often talked about that young man on that spring evening, under the peach tree at the back door.

Meet the people you meet among thousands of people, in the endless wilderness of time for thousands of years, there is no earlier step, no later step, just catch up, then there is nothing else to say, only to ask softly: "Oh, are you here too?" ”

Zhang Ailing's prose stylistic characteristics have been systematically studied, and it is pointed out that the monolingual individual context, the rich penetration of loneliness and desolation, the worldly spirit towards the world, and the unique way of expression not only constitute another style different from the mainstream context in the literary world at that time, but also constitute the distinctive characteristics of her prose style. Ideological realm: In the prose, Zhang Ailing has a warm and sincere love for the current details of the lives of thousands of families, as well as the sophistication of human feelings.

As Maugham once got an enlightenment from Whitman's poems: "Poetry doesn't have to be found in moonlight, ruins, and the sorrow of a lovesick girl." Poetry exists in the streets and alleys, in the train station, in the car, in the labor of craftsmen, in the monotonous work of peasant women, in any moment of work and leisure.

In a word, poetry can be found in whole life, and in all ways of life. [6] This is true of poetry, and so is prose, and this is especially true of Eileen Chang's prose. She always looks for happiness in secular life, and her whole person is a secular petty citizen.

Writing style: From the perspective of the selection and treatment of aesthetic objects in Zhang Ailing's prose, she pays attention to the realism, precision and credibility of the details of the scene. Reality refers to the fact that the detailed scene itself is real to life, not an illusion.

The kind of existence that is clearly imaginary processing. Accuracy and credibility, the representation of the original ecology of the happy life, is a strong imitation of reality, rather than exaggerated deformation. This gives people a real sense of objective reality.

Zhang Ailing writes about apartment life, which is realistic and delicate, living a picture of the old urban life landscape, and at the same time, it also makes people feel her spiritual tendencies and feelings for secular life; Explanations of quilt costumes, reviews of film and drama art, and confessions of reading experiences; From the discourse records of relatives and friends, what runs through Zhang Ailing's prose is always her attention to daily life, her unique view of history and her unique perception of life. Zhang Ailing has always insisted on using a realistic style to deal with the subject matter, and the meaning is relatively deep in it. Summarize the narrative of daily life in the prose, the non-fictional inner true monologue, and the unique psychological way of observing the troubled times, which most directly cut into and reflect Zhang Ailing's outlook on life; At the same time, the first fictional art technique has a strong modern consciousness, more profoundly reveals the social significance, and has great social value.

Zhang Ailing's prose reflects her feelings for the bleak times, a sad desolate desert mood. "Even if individuals can wait, the times are rushed, and destruction is already underway, and there are even greater disruptions to come. One day our civilization, whether sublimated or flashy, will become a thing of the past.

If the word I use most often is desolation, it is because there is this melancholy threat in the context of the mind. ”