What is the difference between a portrait and a portrait in painting? 10

In painting, there are some differences between portrait painting and figure painting. Portrait painting mainly focuses on objective objects and pursues resemblance and godlikeness, while figure painting pays more attention to expressing the state and humanistic spirit of the character.

Specifically, portraiture is usually based on accepting customer orders, focusing on reproducing the image of a person, revealing his or her full spiritual essence, rather than just superficial physical features. In the strict sense of the word, the object of portraiture is an absolute subject, a subject that retreats from all externalities. The French philosopher Jean-Luc Nancy, in his book The Gaze of Portraiture, argues that portraiture is an idealized creation after a refined investigation of the essence of "man".

On the contrary, figure painting pays more attention to the state and humanistic spirit of the characters, and more reflects the attention and care for "people". Although figure painting also involves the depiction of human figures, it focuses more on expressing deeper things such as the inner world, emotions, and destiny of the characters.

To sum up, portrait painting mainly focuses on objective objects and pursues resemblance and resemblance, while figure painting pays more attention to the state and humanistic spirit of the character. These two have different characteristics and emphases in painting.

Portrait painting focuses on the pursuit of "Xiao" to pursue the resemblance and resemblance of objective objects, and portrait painters usually mainly accept customer orders.

Attention"people".

1.Composition Chinese painting is not bound by the focus perspective in terms of composition method, and mostly adopts scattered perspective, which makes the field of vision broad and vast, the composition is flexible and free, and the objects in the painting can be arranged at will, breaking through the limitations of time and space. Chinese painting likes to leave blank space, and is accustomed to using blank space in the picture, and the area of the figure is often very small, so as to achieve the coexistence of virtual and real.

2.Modeling Western painting is based on modeling, which requires scientific and rigorous shape shaping, and pays attention to "writing form with form", so it pays more attention to the use of realistic techniques. At the same time, through the expression of color matching.

to highlight the theme and connotation of the work. The shape of Chinese painting is not confined to the superficial resemblance, and the shaping of its image can convey the demeanor of the object.

Sight and portrait are two different concepts. Scene refers to the natural or human environment in reality, including landscapes, buildings, people, etc., which exist objectively. Portrait, on the other hand, refers to the image of a character that is expressed through painting, photography, etc., which is subjectively created.

The difference between a scene and a portrait is that a scene exists objectively and is the real world as we see it; Portrait, on the other hand, is a form of artistic expression that the artist or photographer expresses through his own creation. The spectacle is the environment we live in, and the portrait is our expression of that environment.

In addition, the way in which the scenes and portraits are represented is also different. Sight is seen through our eyes, as a direct way of perceiving; Portraits, on the other hand, are created by artists and are an indirect form of expression. Scene imitation boism exists objectively and can be perceived directly; Portraits, on the other hand, are created subjectively and need to be perceived through the artist's work.

In conclusion, the scene and the portrait are two different concepts, and their difference is that the scene exists objectively, while the portrait is created subjectively. The spectacle is the environment we live in, and the portrait is our expression of that environment.

Sight and portrait are two similar words but with different meanings.

A scene refers to a view or scene depicted in a drawing. It usually refers to the combination of forms of specific objects, natural landscapes, buildings, people, etc., in a specific context, and is usually expressed as a form of visual art.

Portrait refers to a portrait painting, which is generally said to be the expression of a person's or animal's portrait, facial expressions and other characteristics by painting and searching. Usually the portrait emphasizes the characteristics and images of the subject.

Thus, in the literal sense, a scene emphasizes the depiction of the entire scene, while a portrait focuses more on the depiction of local details and specific objects.

The words "sight" and "portrait" are used interchangeably in some cases, but in some contexts they have some different meanings.

In general, scenes are often used to describe scenes, landscapes, or phenomena in the physical world, such as "This ** captures a beautiful mountain view of Mitsuno", "The night view of this city is spectacular".

Portraits, on the other hand, are often used to depict portraits of a specific person or animal, such as "The portrait of the spine is a famous leader in history" and "She painted a lifelike portrait of a horse".

Thus, depending on the context and usage, sights and images may differ slightly in meaning, but they are both words that describe the appearance and characteristics of things.

1. Determine the basic framework and the proportion of each part in the whole.

2. Carefully outline the outer outline. Don't go into detail, outline the basic structure of the head or even the face.

3. Delicate facial structure. The structure of each skeleton and muscle.

4. Start with details and focus on drawing. (Personally, I started with the bridge of the nose and the dark parts.) Not only the shape, but also the light and shade. It is recommended to start from the dark part, otherwise it is difficult to grasp the distinction between light and dark.

Follow 4 steps to gradually refine the face to the head and neck.

The clothes and body mainly grasp the form of the figure, and can be sketched in a sketch way, without drawing it in a meticulous way. (Of course, if you want the overall shading effect to be fine.) ）

That's how it's drawn below. = =

Anyway, this kind of thing is better to demonstrate. It's not easy to understand just by talking.

Hello, glad to answer your questions.

Painting is not practiced in a day or two, although the assault will have a certain effect, it is recommended that if you are painting the head, whether it is a plaster or a model, first look at the proportion to grasp the overall size and position to be depicted on the paper, the head can be a little bit higher, how much to draw to the neck of the character with a little collar effect will be good, (anyway, I have always painted like this) optimistic about the relationship between the black, white and gray of the character first to the overall large, not necessarily have to listen to the teacher, everyone has their own method, As long as the effect is good in the end. No one cares where you started or how you draw, if you can erase it with a brush. After the large one comes out, you can go a little deeper into the facial features first (of course, the premise is that you have to be accurate, otherwise it will be troublesome to change it later), and the light and dark lines on the cheeks and the face of the characters can be slightly given some tone.

In particular, male northerners have higher cheekbones, and the chiaroscuro boundary can sometimes be seen, while southerners are worse. Then go deeper and deeper, and don't always paint in one place. Otherwise, you'll find out that the painting is dead in a moment!

It's best to draw for a while and look at your painting a little farther away, because the authorities are obsessed! This is also what our teachers used to hand in. Then there is the hair, the short hair is fluffy, you can use a proper brush, the effect is good.

Long hair is particular about the contrast between light and dark, straight hair and curly hair are also different, be careful when painting curly can appropriately draw a few strands of obvious points to see the level, don't look back and draw the whole piece, the head of the character can be flattened. Then there is the ** on the **, pay attention to the age and skin color of the model, grasp the depth of the tone under your hands.

Okay, that's all I can think of for now!! You alright!!! Hope you can be useful o(o haha