Why is Wang Changling s Out of the Stopper rated as the top work of the Seven Masterpieces of Tang

Wang Changling's "Out of the Stopper" was rated as the finale of the Seven Masterpieces of Tang Poetry. In fact, for poets, Wang Changling is not as famous as Li Bai, Du Fu, and Wang Wei. When it comes to poetry, we think of Li Bai, and poets think of Du Fu.

However, Wang Changling is a groundbreaking figure in the importance of the seven-word quatrain. <>

Poetry was the hallmark of the literati in ancient times, and every literati had more or less representative works. Since the Wei, Jin, Southern and Northern Dynasties, poetry has always been the mainstream, and five of them are the mainstream of poetry. As for poetry, its development history depends on several key poets, and Wang Changling is one of the representative poets.

For Wang Changling, he was in an era from the early Tang Dynasty to the prosperous Tang Dynasty, and he also had a place in the poetry arena at that time. Poetry was abundant in that era, especially during the Tang Dynasty, when poetry reached its peak. But in fact, the poetry at the beginning was mainly based on five words, and there was also a seven-word quatrain at that time, but the seven words at that time were not taken seriously, and people still mainly used five words, until the early Tang Dynasty, when the music of the Hu people entered the Central Plains on a large scale, and the seven-word poems began to be valued, and Wang Changling created an era for the seven-word quatrain.

Poetry and poetry, poems and songs have always been accompanied by each other, poems with songs, catchy, endless aftertaste, in the seven-word quatrain, the frequency of parting poems is very extensive, Wang Changling is a self-proclaimed seven unique holy hands. In the Tang Dynasty, Wang Changling contributed more than 70 of the more than 400 seven-character quatrains, and it can be said that he single-handedly laid a corner of the Seven Quatrains of the Tang Dynasty. <>

Wang Changling is good at seven-word quatrains, which is undoubted, he himself has also raised the seven-word quatrain to a very high height, and has made a lot of attempts to write, use, and realm of the seven-word quatrain, which has been used by future generations to this day, but basically no one can surpass it, and Wang Changling's "Out of the Stopper" is even more superb. As a result, Wang Changling's "Out of the Stopper" was rated as the finale of the Seven Masterpieces of Tang Poetry.

Some of the scenes described in this poem make people very memorable, and they have a strong sense of picture, and they have seen the scenery outside the plug, the scenery outside the plug, and also seen their own mood and understanding, so they can have such a good evaluation.

Mainly because Wang Changling was an era from the early Tang Dynasty to the prosperous Tang Dynasty. In the poetry world, the four heroes of the early Tang Dynasty, Chen Ziang, Li Bai, Meng Haoran, Du Fu, Wang Wei, and Gao Shi, were born. It's the best of times. At the same time, it took over the regulation of court poetry and began to develop into rhyme poetry.

Seven Absolute and Yuefu Poems.

The judgment is not contradictory, the seven must look at the rhythm, and the music house looks at the style, so Wang Changling's "Out of the Stopper".

It is also a poem of Yuefu.

1. Wang Changling's "Out of the Stopper" is one of the seven uniques.

There are a total of four quatrains in seven words, each sentence is seven characters, and the rhythm is strict and cannot be arbitrary. Wang Changling's "Out of the Stopper" conforms to the Seven Absolute Rules. Wang Changling's "Out of the Stopper" has a total of two poems, two of which are seven uniques, but one is a near-style poem and the other is an ancient style poem.

In the Qin period, the bright moon and the Han period, the Long March has not been returned. But to make the dragon city fly will not teach Humadu Yin Mountain.

From the number of words, level, rhyme, you can clearly see that this is a song of seven uniques. Seven Absolute Poetry is a common poetic style in Tang poetry, which is a basic skill for poets to write poetry, and the number of popular Seven Absolute Poems is also very large.

2. Wang Changling's "Out of the Stopper" is also a Yuefu poem.

The word "Yuefu poem" is related to Han Yuefu.

Yuan Zhi and others once launched a new Yuefu movement, imitating the past and writing the present, Wang Changling's "Out of the Stopper" is the old title of Han Yuefu's "Horizontal Blowing Song", so it also belongs to Yuefu poems.

The judgment of the three and seven absolute poems and the Yuefu poem is not contradictory.

The Seven Absolute looks at the rhythm, and the Yuefu looks at the style, so the same poem can be both the Seven Absolute and the Yuefu poem, which is not contradictory. In addition to the above two aspects, there are other aspects, such as poems that describe landscapes and pastorals, describe the history of the family and country, describe love, describe mood and feelings, etc., which is also a category of poetry, and is an important basis for appreciating the author's emotions, which cannot be ignored.

All in all, not only Wang Changling's "Out of the Stopper", the rhythm and style of many poems are not consistent, and the poet's creation is not rigid and restrictive. In the splendid Chinese poetry library, so many splendid poems have their charm, and their themes and genres are judged in many aspects.

This poem should be regarded as a Yuefu poem, because it has been received in the Yuefu poetry collection, and Wang Changling's poem has the basic catchy characteristics of Yuefu.

The poem is seven uniques, because there are seven words in a sentence, and the last word of each sentence has a common descending tone.

It is a Yuefu poem, because the Yuefu poem generally shows the scenery of the side plug, but the seven uniques are generally 7 sentences, and the exit is not 7 sentences.

The reason why Wang Changling's "Out of the Stopper" was rated as the final work of the Seven Masterpieces of Tang Poetry: because Wang Changling mentioned the theme, main purpose, and life realm of the Seven Masterpieces to a very high level. He has made many attempts on the yoga postures, writing, construction, and artistic techniques of the Seven Uniques, which have been used by future generations, and have hardly been surpassed.

Wang Changling is proud of his "Seven Wonderful Hands", and the farewell poems account for about a quarter of all his works, and there are more than 400 poems in the Tang Dynasty, and Wang Changling alone has contributed more than 70 songs, nearly one-sixth.

The poems of the late Tang Dynasty were dominated by five words, after all, they came out of the period of the Northern and Southern Dynasties, which was also popular poetry, and although the seven words happened a long time ago, there were seven words "Bailiang style" in the period of Emperor Wu of the Han Dynasty, Zhang Heng and Cao Zhi also read the seven words, but they have not been taken seriously, and they are considered to be "small and vulgar", until the late Tang Dynasty Hule entered the Central Plains on a large scale, and the lyrics of the singing developed greatly, and the seven-word poems were gradually taken seriously, and Wang Changling and Wang Zhilian were extremely important pioneering roles in the seven-word quatrain.

Appreciation: Poetry was the mark of the literati in ancient times, and every literati and ink writer had more or less representative works. From the period of the Northern and Southern Dynasties to the present, poetry has always been popular, and five of them are the mainstream of poetry.

But for poetry, its development lies in many important writers, and Wang Changling is one of the symbolic writers.

For Wang Changling, he was in an era from the late Tang Dynasty to the prosperous Tang Dynasty, and he also had a place in the literary world at that time. Poetry was produced in that era, especially in the Tang Dynasty, when poetry reached its peak. But in fact, the beginning of the poetry was dominated by five words, and there was also a seven-word quatrain at that time, but the seven words at that time were not taken seriously, and everyone was still dominated by five words, until the late Tang Dynasty, when the Turkic people's songs entered the Central Plains on a large scale, and the seven-word poems were taken seriously, and Wang Changling opened up a period for the seven-word quatrain.

Wang Changling is good at seven-word quatrains, it is undoubted, he himself has raised the seven-word quatrain to a very high relative height, for the writing of the seven-word quatrain, the main use, and the state of life have done a lot of attempts, and it has been used by future generations to this day, but most of them can be surpassed, Wang Changling's "Out of the Stopper" is also perfect. As a result, Wang Changling's "Out of the Stopper" was selected as the key work of the Seven Masterpieces of Tang and Song poetry.

It is because there are a lot of scenery in it to express the magnificence of the plug, such as the waves and sand, as well as the desert soldiers and horses. It can be appreciated through verbal or figurative descriptions.

Because the desert in the middle of the plug is lonely, and the sunset over the long river is really beautiful, and the scenery of the entire side plug has been written.

Because it is indeed very good, the artistic conception inside is very good, and you can feel Wang Changling's mood at that time from the poems inside, and you can interpret it from the creative background at that time.

This poem was written about the situation in the Tang Dynasty at that time, and all the good people were driven to the side of the Biansai, and the verses in it are very meaningful.

"Two Songs Out of the Stopper" is a group of poems by the Tang Dynasty poet Wang Changling. The first poem sings a majestic and open-minded theme in ordinary language, with a smooth momentum and a complete sweep. With vigorous brushstrokes, the poet made a high artistic summary of the life of the border war at that time, closely combining the scene, narrative, lyricism and discussion, and casting rich and complex thoughts and feelings in the poem, making the artistic conception of the poem majestic and far-reaching, which is both exciting and intriguing.

The evaluation of "Out of the Stopper" has always been high. The Ming Dynasty poet Li Panlong even recommended it as the work of the Tang Dynasty's Seven Uniques, and Yang Shen's compilation of the Tang Dynasty's quatrains also listed it as the first. The second poem describes the scene just after the end of a thrilling battle, and with a few strokes, vividly depicts the heroism of the soldiers and the pride of the victors.

The whole poem is majestic, the style is high-spirited, and the language is concise and bright.

It is still the bright moon and border pass of the Qin and Han dynasties, guarding the border against the enemy and fighting thousands of miles to recruit people has not returned. If Wei Qing, the flying general of Dragon City, is still there now, the Huns will never be allowed to go south to herd horses to pass through Yin Mountain.

Original text] Qinghai Changyun Dark Snow Mountain, the lonely city looks at Yumen Pass. The yellow sand wears gold armor in a hundred battles, and Loulan will not be returned if it is not broken.

The clouds over Qinghai darkened the snow-capped mountains, and I stood in the lonely city and looked at the Yumen Pass in the distance. The soldiers outside the fortress have worn out their helmets and armor after a hundred battles, and they will not return until they defeat the enemy in the west.

Poetic] This poem reflects the heroic ambition of the soldiers on the border to kill the enemy and defend the country. The first two sentences depict the scenery of the border areas to exaggerate the atmosphere of war. The last two sentences summarize in a concentrated way the fierce war life in which the soldiers of the border have participated for a long time and the pride of their determination to break the enemy.

The magnificent scenery outside the fortress and the grand ambition of the soldiers are blended together, and the spirit is majestic and the style is bold. "Yellow sand wears gold armor in a hundred battles, and Loulan will never be returned if it is not broken" smile album, which is often used to show the heroic spirit and strong will of killing the enemy and defending the country.

The poet Dai Shulun of the Tang Dynasty wrote the heroic poem "I want to serve the country with this length, why should I be born into the Yumen Pass", which is similar to these two sentences.

Wang Changling's "Out of the Stopper" is a poem lamenting the continuous border wars and the country's unscrupulous generals. The translation of the poem is:

It is still the bright moon and border pass of the Qin and Han dynasties, and the people who went out of the customs to participate in the expedition have not yet returned. If the famous generals who were able to resist foreign enemies were still there, they would never allow the Xiongnu to go south to herd horses through Yinshan.

In this poem, the poet uses the bright moon and border passes of the Qin, Han, Ming and Qing dynasties as the background, outlining a magnificent picture. In this picture, the battle of thousands of miles and the long-term parting express the poet's sympathy for the soldiers who have fought for a long time and the mourning for those sons and men who sacrificed for the country. At the same time, the poet also expressed his concern and helplessness that the country has no unscrupulous generals and can resist foreign enemies.

In short, Wang Changchitan's poem "Out of the Fortress" is a tragic poem, expressing worries and worries about the fate of the border war and national affairs, and it is a poem with a strong sense of history and family and country feelings.

When Wang Changling wrote about Cyprus, the northern border of the Tang Dynasty was already in danger. As early as the Wu Zetian period, the Khitan Li Duzhong rebelled against the Tang Dynasty and captured Yingzhou.

The Turks in the Anxi region were rampant, and the Anbei Protectorate of the Tang Dynasty was forced to move south. During the Kaiyuan period, Tang Xuanzong listened to Zhang Shuo's suggestion, reformed the "government military system" and land policy, and after several years of war, gradually recaptured Yingzhou, stabilized the northern border, and made the Anbei capital protectorate back to the road written.