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It can be seen from the process of circulation and collection of "Chu Ci" that there are not only Qu Yuan's works in "Chu Ci", but also the works of Chu people Song Yu, Jing Cha and others, and even the works of Han people Jia Yi, Dongfang Shuo and others are also included in it, and there are many opinions on which are Qu Yuan's works, Qu Yuan's works, according to Liu Xiang, Liu Xin and his son's proofreading and Wang Yi's annotations, there are 25 articles, namely 1 article of "Lisao", 1 article of "Tianwen", 1 article of "Nine Songs", 9 articles of "Nine Chapters", 1 article of "Far Travel", "Buju" and "Fisherman".
Some scholars believe that "The Great Move" is also Qu Yuan's work; However, some people suspect that the following chapters of "Far Travel" and some chapters in "Nine Chapters" are not written by Qu Yuan.
In terms of content, the sense of distress and patriotism in Chu Ci are in the same vein as the Book of Songs.
In terms of expression, Chu Ci inherited the poetry and the Fubixing, but on this basis, it made a major development and also applied it to the extreme.
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There are these chapters: Lisao, Nine Songs, Tianwen, Nine Chapters, Far Travel, Buju, Fisherman, Nine Debates, Spiritualism, Great Moves, Oaths, Hermits, Seven Admonitions, Mourning Time, Nine Huai, Nine Thoughts.
Chu Ci is not the work of Qu Yuan alone, it is a collection of works.
Later generations called the "Book of Songs" and "Chu Ci" together as wind and coquettishness. The wind represents the Book of Songs, which is full of the spirit of realism; Sao refers to "Lisao", which represents "Chu Ci", which is full of romanticism.
Chu Ci is a product of Chu culture
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The author of Chu Ci is Qu Yuan, which is also the first collection of romantic poetry in the history of our country, and it is also a new poetic style.
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The author is Qu Yuan, which is also a new kind of poetry created by Qu Yuan, and it is also very important in the history of Chinese literature.
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The author of this work is Qu Yuan, and it also uses a new poetic style. It is also Qu Yuan's original work. It has nothing to do with Liu Xiang.
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The author is Qu Yuan. Moreover, "Chu Ci" is the first romantic poem in China, which is particularly valuable.
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Chu Ci is Qu Yuan's poetry stool core Sun collection.
Chu Ci, also known as "Chu Ci", is a new genre of poetry created by Qu Yuan in the Chu dialect. Chu Ci is originally the lyrics of Chu Di. During the Warring States Period, Qu Yuan of Chu absorbed its nutrients and created jujube chains to produce huge masterpieces such as "Lisao", which were imitated by later generations and followed by famous articles, becoming a kind of literary work with romantic characteristics, commonly known as Chu Ci.
It is unrestrained in emotion, peculiar in imagination, and has strong local characteristics and mythological colors of the Chu State.
Chu Ci, whose original meaning refers to the lyrics of Chu, was gradually fixed into two meanings: one is the genre of poetry, and the other is the name of the collection of poems (to a certain extent, it also represents the literature of Chu). Chu Ci's creative technique is romantic, it is emotional, the imagination is peculiar, and it has a strong local characteristics and mythological color of the Chu State.
Feelings. Features:
Chu Ci is developed on the basis of Chu folk songs through processing and refinement, and has strong local characteristics. Due to the differences in geography and language environment, the Chu region has its unique place since ancient times, which was called Nanfeng and Nanyin in ancient times; It also has its unique folk songs, such as "Chu People's Song", "Yueren Song", and "Canglang Song" recorded in "Shuo Yuan".
More importantly, the Chu country has a long history, the witch style of Chu is prevalent, the Chu people entertain the gods with singing and dancing, so that a large number of myths are preserved, and poetry develops rapidly, so that the folk songs of Chu are full of primitive religious atmosphere. All these influences make Chu Ci have the unique tonal rhyme of Chu State, and at the same time have a deep romantic color and a strong Wu cultural color. It can be said that the production of Chu Ci is inseparable from the influence of local folk songs and cultural traditions of Chu State.
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Qu Yuan's "Nine Songs" has a total of 11 articles, namely "Donghuang Taiyi", "Yunzhongjun", "Xiangjun", "Xiang Lady", "Liangchun Si Ming of the Greenhouse", "Shao Si Ming", "Dong Jun", "Hebo", "Mountain Ghost", "National Martyrdom", and "Ritual Soul".
"Nine Songs" is the title of "Chu Ci", which was originally the name of an ancient song in Chinese mythology and legend, and Qu Yuan, a Chu man of the Warring States period, recreated it. Most of the passages describe the attachment between the gods, showing the sadness of deep longing or attempted request; The article "National Mourning" is to mourn and praise the soldiers who died in the battle for the Chu State.
Wang Yi believes that it was made by Qu Yuan when he was exiled to Jiangnan, when Qu Yuan was "bitter and bitter, and his thoughts were boiling", so he made a song to worship the gods to express his thoughts and emotions. However, most modern researchers believe that it was made before exile and was only used for sacrificial purposes. The Nine Songs consists of 11 chapters, and the predecessors have made various improvisations in order to make them conform to the number of "nine".
For example, Jiang Ji of the Qing Dynasty advocated that "Xiang Jun" and "Xiang Lady" should be one chapter, and "Da Si Ming" and "Shao Si Ming" should be one chapter.
The origin of the creation of "Nine Songs".
Nine Songs", Qu Yuanzhi also made it. In the south of the former Chu country, between Yuan and Hunan, its vulgar belief in ghosts and good shrines, its shrines will be made to sing and inspire to entertain the gods. Qu Yuan was exiled, wandering in his domain, with sorrow and bitterness, sorrow and depression, out of the ritual of sacrifice of the laity, the joy of singing and dancing, his words were ugly, because of the song of "Nine Songs", the respect of the gods on the state, the grievances of their own injustice, and the irony of the confession.
Judging from the mood of "National Mourning", "Nine Songs" should be a song to mourn the soldiers who died in the Battle of Danxi, the specific time is in the seventeenth year of King Huai (312 BC), after the Battle of Danxi, and before the Battle of Lantian. "Nine Songs" is different from Qu Yuan's other works in a gloomy style, but is written fresh and poignant, and the feelings are deep. Obviously, because of the use of the materials of the folk chain and the integration of folk songs, the style is somewhat unique compared to his other works.
The above content reference: Encyclopedia - Nine Songs.
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