The little finger of the violin does not press the fretboard 20

You just don't get used to it, maybe the 4 4 piano is a bit big for you, in fact, you just need to let your left hand tangle a little more, and it doesn't matter if your wrist sticks out. That's how I practice, the index finger is relatively flexible, and it's easier to get back to the original position Nervousness is just a psychological effect, and you can only overcome it yourself. Actually, my left hand is much wider than my right hand now, and my friend said that my bones are deformed...

But it doesn't hurt! I can only say that if you want to learn, you must endure hardships, and if you practice more, you will naturally arrive... And you must know how to be flexible, everyone's specific situation is different, you can't change the violin because of yourself, you must know how to change yourself.

4 4 The piano, I think you should be quite small.

When I first started playing the violin, it was hard to get my little finger on the spot. One is because the child's fingers are not fully developed, and the other is that my little finger is naturally short... Other people's little fingers are up to 2 3 of the ring finger, but my little finger is just half the length of the ring finger...

Anyway, I'm not suitable for playing the violin under this condition.,But.。。 (Isn't it a bit off-topic?) My teacher said that now I am young and my hands are not big, so if I want to pull.

In the high position of the third and fourth strings, it is necessary to change the entire hand shape, and the whole note cannot be pulled wrong because the fingers are short and it hurts when the fingers are pulled apart.

You know, the sound of the violin must be very accurate to be able to sound pleasantly.

Besides, if you go deeper, you should also change the posture of your hands completely when you change the handle.

The posture of the left hand should not be rigid, otherwise it is easy to get nervous.

The so-called straight line is usually the case, when it comes to the high position or the 4 fingers or something like that, you don't have to pull it so much, after all, the most important thing is to pull the sound right.

If the little finger itself is short, I don't think you need to feel guilty. As long as you play the piano, as soon as you encounter 4 fingers, you can quickly remind yourself to stretch your fingers, and slowly, you will get used to it.

Moreover, the posture of playing the piano must be natural, the most important thing is the two arms, the right arm is omitted first, as long as your left arm is relaxed, and the small arm naturally supports the piano, how can you be nervous?

Hehe, it's not a mistake for beginners to be very serious.

As long as you finish pulling the 4 fingers each time, you can adjust the gesture slightly. But don't be too obtrusive!

This thing is all to explore by yourself, and sort out a set of methods that are most suitable for you.

fighting~！

I didn't study for a long time, just over 3 years. Hope it helps.

If there's anything you don't understand, feel free to talk to me.

I've been studying for 10 years, and there are several possibilities for your question:

1. It may be that your piano is too big.

2. You don't practice your basic posture well, so that even if you press your little finger to the right note, you can't press the other sound when you turn around.

3. Turn your left elbow towards your stomach. Practice your posture well, and you will not press the wrong note when you change positions in the future, and it will be easier for you to install the 4th string.

4. In fact, when you can't press the tone, turn your elbow to the right, and it doesn't matter if you stretch your fingers apart, if you keep pressing the hand shape of a position, then you will press the 5, 6, 7 and other positions of the G string in the future, and you will not be able to press it at all.

How old are you? With 4 4 piano, is it a bit big, try to use 4 3 piano, can only practice slowly, violin is very difficult to learn, I have been practicing for 10 years, hehe, my sister has a small hand, she is very hard, now studying in Germany. Don't say that you have small hands, as long as you pay more than others, I believe you will succeed. :-

The left forearm is too high, and the hand is turned up on the fretboard, if this situation has been present, it should be that the left hand has fallen too low.

Regarding bow movement, there is a "violin bow companion", which is a tool specially used to practice bow movement, and is currently the lowest. The rubber clamp does not hurt the piano, has certain constraints for beginners, and the standard of bow handling has been improved. Give a link that is about the introduction of this product.

It's actually quite simple

Just press the little finger again at the same time.

Press the fingers together and you'll be done

That's what my teacher taught me

Very good and convenient method

I was like this at the time, just put it in the second position, that is, you can loosen your left hand a little and keep the hand shape moving a little in the direction of the body, and then retreat when you pull other notes, this is a test of your pitch.

If you have something to do, you can break your fingers and stretch your hand open.

I'm coming of age soon, and I'm still using a 3 4 piano, and I'm small, hehe.

Maybe you're not used to it just after changing the piano, but it's okay to practice diligently, don't ......worry

Violin playing on the fretboard? Okay?

When playing the violin, you must press your left finger against the fretboard, otherwise the sound will be overtones. There is a lot of attention to when practicing the violin, especially for the left and right hands. The method of holding the bow in the right hand, the method of carrying the bow, these all determine the quality of the early nuclear sound.

The grip of the fingers of the left hand is also related to the movement of the fingers, including the pressing of the left fingers. Therefore, the height of the liquid chain piano saddle and the distance between the strings and the fretboard are very important.

Agree to the ground floor.

Do two things:1Check that you are not pressing the strings too hard. Because like you said, the thumb has a counterpart to the other fingers.

force, so in general, if the thumb is pinched too tightly, it means that you are pressing the string too hard and pressing too hard.

2.If not case 1, do an exercise --- 1234 fingers pulling the scale (one bit is sufficient) while the thumb is along.

Moving the neck back and forth, instead of pinching it as usual, will be a little difficult at first, don't worry, you can do it slowly. This exercise is designed to relax the left thumb so that it is controlled separately from the 1234 finger power, which will help you change the flexibility of your left hand in the future.

Addendum: Since you have a teacher, you should ask him why your left thumb is tight (varies from person to person), how to solve it, what exercises to do, why this exercise can relax the thumb, and what effect you can achieve when you practice it yourself.

1.First of all, you have to adjust your posture well, you must maintain the correct posture according to the various parts taught by the teacher, beginners should develop good habits, and then slowly relax and start playing the violin.

2.Practice makes perfect, and it's best to practice until you can hold the piano with your cheeks, but you can't do it slowly. This is more skillful.

3.Then you start to practice playing the scale, from bass to treble or vice versa, making sure that each note is full of 1 or 2 beats and full, then try to make your left thumb bent and relaxed to the side when playing each note, and so on several times until you feel that you can play the violin relaxed with the correct posture, and then you can speed up a little bit.

In fact, you don't need any upward force to balance the string when you press it downward, and you can also practice on the string with your left hand without moving the bow at first, and you can find the feeling when you press flexibly.

The cheek grip piano should use some force, and at the same time, the shoulders and thumbs should be relaxed, and slowly grasp the essentials, there is a process.

Otherwise, it will be very difficult to change the strings in the future.

First of all, the function of the left thumb is that the left thumb and index finger finger form a ring, which is used to share part of the weight of the violin, and form two fulcrums with the clavicle to stabilize the violin,。。 Training method 1, strengthen finger independence training. 2. The fingers and wrists of the left hand should not be stiff and maintain elasticity and flexibility.

3. Training scales, many skill problems can be completely solved through scale training... Good luck with your violin studies.

Practice finger exercises more often. Move each finger individually to enhance finger independence.

The main problem is that you are kneading the strings in the wrong position. The main points to note are as follows:

When kneading the strings, the support point and the focus point of holding the piano are mainly focused on the collarbone, and the support of the left hand is secondary. The headstock direction should be slightly above the horizontal plane.

The essence of kneading the string is to put the fingers on the fulcrum of the fretboard, within a certain range of pitch (generally no more than semitones), so that the contact points of the strings have regular, repeated forward and backward movements, so as to change the pitch to obtain the effect of pitch fluctuations. When kneading the strings, the fingers should be kneading the strings in an acute angle so that the second joint of the fingers of the left hand is bent and extended, like the hinges on a door.

When starting kneading, the first step should be in the direction of the headstock. When kneading the strings with the left hand in positions 1 to 3, the thumb should not leave the neck, and the base joints of the index finger should be slightly away from the neck.

In fact, the arrangement of the left hand of the violin on the fretboard is very scientific, concise and clear, which is very conducive to difficult and fast playing, for example, the finger arrangement of the third D string is the empty string 2, the index finger 3, the middle finger 4, the ring finger 5, and the little finger 6 (you can also use the empty string 6 of the second string).

If it's really Qimeng. It is still advisable to find a teacher.

The four strings of the violin are e, a, d, g. Therefore, the relationship between the 1, 2, 3, and 4 fingers of each string is not fixed.

3 sharp signs in the key of A. 2 sharp signs in D key. 4 sharp signs in E key. So. A up FA, up DO, up SO

D up fa, do up

E Tone Fa, Do, SO, Re

So. Here's the straightforward answer you're looking for.

D key: 1 string and one position. 1, 2 fingers close.

2 strings and one bit. 2, 3 fingers are close together.

3 strings in one position. 2, 3 fingers are close together.

4 strings in one position. 3,4 fingers are close together.

A key: 1 string in one position. The position of the 1 finger is the same as the key of D. And 2,3 fingers are close to the 2nd string position. Same as D.

3 strings in one position. 2 fingers are positioned in the same key as d. And 3,4 fingers are close to the 4 strings. 1 finger against the line pillow. The other is in the same key as D.

E key: 1 string and one position. Same as A.

2 strings and one bit. 2 refers to the position in the same key as d. And 3,4 fingers are close to the 3rd string in one position. 1 finger against the line pillow. The other is in the same key as D.

4 strings in one position. Same as D. Just 4 fingers to stay away from 3 fingers.

At this point, you may find that 4 fingers are not enough when you play the scale. Of course. It's time for a finger change.

This is only a theoretical conclusion. Of course. It is still not recommended to learn the piano like this.

Find a teacher, it's more accurate.

I'm talking about it in layman's terms... The 1 of the first bit is the middle finger of the second string, 2 is the ring finger, 3 is the open string of the first string, 4 is the index finger of the first string, and 567 is the middle finger of the first string, the ring finger, the little finger、、、 e a d g are the first, two, three, and four strings of the lower number... In addition, it is recommended that you do not teach yourself to play the violin...

This posture is incorrect.

You press all 4 fingers on the string, don't move the index finger, middle finger, and ring finger, and practice the movements of the little finger specifically, and be sure to correct the curvature of the little finger. Regardless of which finger is on the string, the other fingers should be on top of the string and in the position of pressing the string.

When pressing the note, the fingers are arc-shaped, and the middle of the finger is firmly pressed on the string. Those with shorter little fingers can be straighter when pressing the strings. To maintain the focus of your fingers, you should have the tips of your fingers slightly erect.

Not cocking will interfere with the other fingers.