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It's a surreal film that, in a way that simulates a game, takes Laura through three 20 minutes. In these three gradual processes, Lola kept running, and in order to send Manny 100,000 marks to save his life, she made different choices in the process of three runs, and thus had different endings. The first time, she ended up desperate and became Manny's ** when he robbed the supermarket, and was finally shot dead on the street; The second time, she took the initiative to become the perpetrator of violence, robbed her father's company and successfully obtained 100,000 marks, but when she was about to give the money to Mark, Mark was hit by a car and died; And the third time, Laura gave up violence and went into the casino, using his special ability to shout and earn money, while Manny, who met the beggar who took his money, did not use violence against him, but after thinking about it, he got back his 100,000 marks in exchange for the gun in his hand, and the two of them finally got a happy ending.
The setting of the film is interesting, a cowardly man and a bold woman come together, and this man happens to need the woman's help urgently. In the first time, Lola passively became a violent **, losing her basic characteristics as a woman, and was killed because there was no need to exist, and the second time, Lola seemed to take the initiative to bear the violence of men, making Manny's existence an ornament, so Manny died, and in the third time, Lola returned to her feminine essence, and Manny also made a judgment and choice in a relatively feminine way of thinking, so everyone was happy.
In Lola's last run, both Laura and Manny gave up the violent way and chose a feminine thinking, and the kind of thinking they showed was also advocated by director Tom Tykway, which also touched on the issue of gender culture to a certain extent. In the director's view, violence cannot be the way to solve problems, and only harmonious coexistence, non-violence, and overcoming rigidity with softness can fundamentally resolve contradictions and conflicts and solve long-term problems.
Note: This movie review is from Zhihu.
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Well, yes, poke my avatar to see.
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Although "Lola Run" is composed of three independent sections, the themes, characters, plots and other elements between these sections are actually closely related and logical. The first is the relevance of the theme, the theme of the three major sections is "love", and Laura's three runs are all to rescue her boyfriend.
Then there is the relevance of the transition, in the three rescues, the first two Laura deaths and the death of her boyfriend Mannie are all transitioned with "underworld talk", explaining the different fates of various characters.
The structure of time plays an important role in the whole film, the director does not exaggerate and amplify time, but reflects the speed and slowness of time through many time-related elements, sounds and changes in the lens, such as the pendulum that appears at the beginning, the clock in Lola's room, the clock at the door of the supermarket, the watch in the hand of the old woman at the bank, the clock in the casino, the football at the opening, etc.
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This movie is very good, and the plot is very compact, and the storyline is relatively complete, and then the theme of such a movie is also very good.
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I think the logic of this movie is particularly confusing, the storyline is not coherent at all, and I don't like to watch it.
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This movie is very meaningful, and it will tell us a lot of truths, and it can also meet some of our requirements.
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Movie Review:
The film does not succumb to the classic Hollywood narrative model, but adopts a three-stage layout. Tikway slowed down the final shot. In the years of the downturn in German cinema, the tradition of expressive innovation disappeared.
And the hypothetical nature of this film, the unpredictable ending of fate, makes people constantly take care of themselves. The subtle expression of the true meaning of the butterfly effect, mixed with the electronic ** and the crazy footsteps of Lola, makes people feel relieved and refreshing.
Plot: Laura (played by Franke Potente) and Manny (played by Moritz Credo) are a pair of young lovers, in which Manny is a gangster who does not do his job, and Lola is a love supremacist who believes that "love is on top of big things".
One day, Manny completes a diamond deal for the boss and waits for Lola with a money bag containing 100,000 marks, but Lola's bicycle is snatched away, delaying the agreed pick-up time for the stool defeat, and Manny has to take the subway back.
In the subway car, Manny picked up the beggar next to him, and at the same time, he saw two policemen walking towards him. In a panic, Manny got out of the car and forgot his money bag in the car. Apparently, the money bag was taken by the beggar.
At this time, there are only 20 minutes left before Manny and the boss agree to meet and pay the money, and if 100,000 marks are not raised within 20 minutes, Manny will be killed by the boss.
Desperate, Manny asks Lola for help, and if Lola can't arrive within 20 minutes, Manny can only take the risk and rob the supermarket opposite the kiosk.
When the time comes to test Lola's love, she rushes to her banker's father for help in order to raise 100,000 marks in 20 minutes and rescue Manny.
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Lola Runaway is a 1998 film about criminal love directed by Tom Tykway. The film uses a German speculative style and creates a new cinematic model of loopback, making it a classic. The movie uses a looped narrative to tell us three stories with different endings.
The film tells the story of Lola who wants to get 100,000 marks in twenty minutes in order to save her boyfriend, so she keeps running. Most of the film is running shots, fast-paced and colorful, giving the viewer a different experience, as if they are in the middle of it. Among them, the dynamic background** and Lola's crazy footsteps coincide, so that the movie is not so boring, but brings a tense atmosphere to the audience.
The use of montage in the movie is also very good. First, the use of psychological montage, the hero's reminiscences and the beggar's beautiful fantasies; second, the use of recurring montage, Lola's running after each choice, highlights the theme of the film; Third, the use of cross montage and parallel montage, the male and female protagonists each complete their own things. This technique makes the film richer.
Three different choices, different lives. The first time, Lola didn't raise money, she chose to rob the supermarket with her boyfriend, and was shot dead by the police; The second time, Laura used her father as a threat to force the bank staff to take out the money, but her boyfriend was hit by an ambulance; The third time, Laura chose to sell the casino and won 100,000 marks with 100 marks, and her boyfriend also met the beggar and recovered his own money, and finally the two finally got together.
There are many choices in life, and different choices have different endings. Every choice we make, every decision we make changes our destiny. Our lives are like Lola's twenty minutes in the movie, and although there is only a glimmer of hope, we all have to fight for it with all our power. Congratulations.
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