Celebrity Biography Michelangelo, Celebrity Biography Michelangelo

The great sculptor of the Renaissance, his life was sacred and painful. He believed that as long as his soul could be bold, he would be able to break through the shackles.

Michelangelo was influenced by the fact that he was a stonemason when he was a child, and after reading Michelangelo was only interested in drawing, but his father and uncle and his relatives were very opposed to the profession of artist, and it was because of this that Michelangelo experienced the cruelty of life and spiritual loneliness since he was a child.

After a year, Michelangelo slowly got tired of painting, and he began to sculpt again, and Michelangelo's painting foundation laid a good foundation for his sculpture style and design. Michelangelo was very short-tempered as a child, and at the age of 15, Michelangelo was very afraid of God because of the Pope's fierce attacks on him. When he grew up, Michelangelo sculpted "Sleeping Eros", "Drunken Bacchus", "Dying Adonis" and the giant "Eros".

His family pestered him for money, and he didn't have that much money. But his pride could not make him refuse them, and he preferred to sell himself in order to send money to their families" It can be seen from this passage that Michelangelo was a very dignified person and he was very responsible. When Michelangelo's "David" was finished, a powerful person said that the nose of the sculpture was not very good and asked for a revision.

Michelangelo just sprinkled a little Dali powder and said that he had modified, and it can be seen from his modification that he was a man who was afraid of power. Michelangelo and Beethoven were just as hot-tempered, but Michelangelo was afraid of the powerful and cowardly in front of the powerful, while Beethoven was not afraid of the powerful.

Later, a story between Michelangelo and Leonardo da Vinci was interjected, highlighting Michelangelo's irritability.

Michelangelo's work was very arduous and very bearable, but he still did it seriously. The Pope asked him to paint the frescoes, but Michelangelo did not learn it, but Michelangelo took the risk of accepting the task, although he did not set foot in this field, but Michelangelo still accepted the task. It shows his artistic genius and courage.

Although Michelangelo is a person who does not know how to take care of himself, he is very filial to his father, and the letters he wrote to his father contain respect and love, and the three younger brothers blindly ask for it, so that Michelangelo is under great pressure mentally, but he is still persuading his ungrateful brother, and the prodigal son looks back to see that he has a broad heart as a brother.

Heaven is always jealous of talent, He can give you genius creativity, but also give you merciless destruction; He has blessed you with infinite brilliance and also upon you endless tribulations. Michelangelo, on the other hand, was the one who had been tricked by the heavens, and so he went through his whole sacred life of suffering with the talent of genius, and his suffering was the product of his weakness. He resented the Pope, but out of cowardice he spent his life enslaving himself to work for the Pope endlessly; He loved those who deserved love, but he was never loved.

Those people could not bear his unusually hot love, and his innate pathological sensitivity and suspicion always hurt the poor people whom he regarded as mediocre. His extraordinary talents allowed him to rise above or even surpass his time, but because of this, he could only be admired but not understood. He was so remarkable, and what he did was out of step with the "mediocre" people around him, so he looked down on them, and he seemed so cold and ruthless.

He was wealthy, but he had to support every member of his extended family, so he lived an ascetic life. He loved his home so much, but the family members who disappointed him often brought him to the brink of a mental breakdown. He loved art, but the overload of work made him tired again and again.

In the mouth of being forced to work by the Pope, his hard work was smashed countless times, and he never had the opportunity to create a work that he really liked. His life was too painful, so he eagerly awaited death.

But he was Michelangelo, and his work was still famous even if he didn't like it. His life has been made more sacred by the suffering he has experienced, and his weaknesses still cannot stop the brilliance of his hero, nor can he annihilate the gospel he has brought to the world. Heroes are also human beings, how can there be no weaknesses?

His weaknesses make his image appear more real and fuller. Therefore, a hundred years later, his legend is still sung and praised by people, and his soul is still immortalized in his immortal works.

After the death of Pope Clement VII, who had taken care of him the most, Michelangelo left Rome. He asked for nothing, and at this time, he fell in love with a man named Cavalieri. This kind of love is platonic spiritual love, that is, pure love without any selfish desires.

Later, he put this love on Victoria. He finally returned to Rome at the will of his lover, and was driven by Pope Paul III to drag the body of a seventy-year-old man to work.

Michelangelo was driven all his life until old age, and the reason for this was not how harsh the Pope was, he could have hailed and refused, but he did not, he succumbed to the majesty of the Pope. In particular, the mausoleum of Julius II imprisoned him for the rest of his life, and was eventually slandered by Pope Julius' heirs. But in this life, although he did not leave a significant work trace, he was still much more famous than his popes, he was the last man of the Italian Renaissance, and all the glory was concentrated on them.