What are some common mistakes male writers make when portraying female characters?

After all, there are personality differences between men and women, that is, many writers do not know enough about women's psychology. Even if he portrays female characters, he still portrays female characters with male labels, but he can't describe women's inner activities truly and vividly, because he doesn't understand that he is a man at all, and he hasn't had too much contact with women's psychology, so he doesn't understand this aspect of things, and sometimes it's a little unnatural. One of the most common mistakes is to always express women's psychology clearly and directly through words, but in the actual process of reality, women's psychological activities are very complex, and they may flash 10,000 thoughts in their hearts in a second.

And then there was no reaction.

Different male writers will make all kinds of mistakes when creating female characters, but one of the things that is often made is sexism against girls, in many hero dramas, the heroes are men, and women are always just a person behind them, not a very important role, I feel that this is the male writer will look down on women.

Women are very complex animals, or there are always songs that sing about girls' thoughts, don't guess, guess in vain. Men can't guess women, men are more rational, women are more emotional, and male writers always start from a male perspective when creating female characters, and it is easy to simplify women or favor one character.

It is difficult for women to be characters who are not oppressed and rescued. There are very few female characters who can go straight to the male characters, and there is a clear line between men and women.

In addition, I think that a good female character should conform to the ** plot arrangement and show a distinct personality, promote the plot, and promote a clear theme.

It doesn't have to be the one mentioned above.

The female protagonist needs to be redeemed by the male protagonist. In "It's All Good"**, Su Mingyu struggled alone and lived the life she wanted. I didn't choose to forgive, I just let it go, and I didn't want to continue to torture myself with my past failures.

In the TV series, there is a Shi Tiandong to redeem Mingyu.

The women described in male writers are all beautiful, and most of them will fall in love with the male protagonist after they have been saved by the male protagonist. In reality, there are so many beautiful girls, and there are not so many heroes who love the United States at first sight, many beautiful girls are cold and not so easy to move true feelings.

I won't name who it is, it's just that a certain writer writes that his male protagonist is particularly powerful, saving the world or something, and the villain has become his second wife. Most girls are selfish in love, and it is impossible to be with you because you are powerful, and you are second.

The first is: What are some misconceptions about male heterosexuality by female writers?

Herd mentality. A lot of the answers talk about what women writers do wrong when writing about men, especially when writing about heterosexual men. Some people are talking about relationship dynamics.

I'm going to talk briefly about sex, a simple aspect that a lot of women writers misunderstand because it's subtle. I recently saw another example of Bridgerton on Netflix.

The two characters above, Daphne and Simon, pretend to be in love with each other. It stands to reason that this would accomplish two things: first, it would cause true suitors to start slamming down Daphne's door because someone was stealing the limelight.

Second, it would allow the mothers to stop pestering Simon not to marry their daughter.

This is not how male heterosexuality works.

Heterosexual women tend to find other women more attractive to a man when they see him being attracted to him. Men who have girlfriends or wives are more attractive to many women. Female heterosexuality tends to be heavily dependent on social identity, social status, and social relationships.

The fact that other women are interested in a man is a testament to his qualities. Divorced men are more likely to get married than unmarried men (or divorced women) of the same age.

This is a real phenomenon among women; Romantic writers often make the mistake of infiltrating luck and generalize it to men in a variety of different ways.

On the other hand, this is not the case with male heterosexuals. If anything, having a boyfriend tends to avoid men's attention. Men often want to be a woman's first love.

They are more likely to be interested in virginity and innocence, and less likely to be interested in sexual experiences and social status. (This is not to say that men are immune to groupthink or trends about what is considered attractive — but, unlike women, men's imitation in mate selection is not always obvious.) )

In fact, Simon and Daphne's strategy should have backfired. Daphne's other potential suitors should be shunned, rather than immediately re-interested in her. Who would want to compete with a duke for the attention of a woman who is already obsessed with him?

Simon's genuine interest in pursuing a Jane woman rather than kicking him out of the market should have led to the other daughters looking at him, and their mothers constantly sending him invitations and hints.

First, too much emphasis is placed on the description of feelings, and the description of his career is neglected; Second, too much attention is paid to the shaping of their appearance, and the description of the inner world is neglected.

A common mistake is not being able to create characters from a purely male perspective. In terms of thinking, women are naturally very different from men.

They imagine male characters in the minds of women, and they usually use template creation to solidify men.

They always consciously or unconsciously devalue male characters and make them the kind of half-hearted people, despite their strength.

will always write male characters very attentively, not single-minded, like the new and hate the old, which should be caused by the fact that many women do not have special trust in men.

Don't make any mistakes, it's just a matter of whether the character succeeds or not, whether you can establish the character world, and you won't be old-fashioned.

When female writers write their works, they often write their own understanding of men and their own experiences into the life of the male protagonist, which is both an advantage and a mistake. And the logic is relatively poor.

Different female writers will make all kinds of mistakes when creating male characters, but one of the things that is often made is sexism against girls, in many hero dramas, the heroes are men, and women are always just a person behind them, not a very important role, I feel that this is that men will look down on women.

It is impossible to correctly describe men's psychology, and many female writers' descriptions of men's psychology are imagined from a female perspective, not the real inner thoughts of men.

Over-idealization. In fact, no one is perfect, everyone has shortcomings, and there is no completely ideal personality.

When describing women, write more about the beauty of women, don't criticize the ugliness of women for no reason, and show the aspect of women's maternal love to readers, which will not only gain a group of female fans.

Don't always describe the figure, pay more attention to the description of the character, and have more heroic sisters.