Why is it stipulated that some cultural relics are prohibited from being exhibited abroad, and how r

Because there are some cultural relics that are of great historical significance, it is forbidden to go abroad for exhibition. The first batch of banned cultural relics is very rebellious.

Every country has its own national historical relics, and as a country with a history of thousands of years, the cultural relics in the collection are naturally rich in historical value and cannot be measured by money. Cultural relics in China can be divided into two kinds, one can be exhibited abroad, and the other is not allowed to be exhibited abroad. A discerning person can see that what is not allowed to be exhibited abroad must be priceless cultural relics that are not allowed to be damaged in any way.

So, why does the state stipulate that these cultural relics cannot be exhibited abroad? <>

The protection of cultural relics is a key factor affecting the policy In fact, a few decades ago, basically all cultural relics in our country can get the opportunity to be exhibited abroad, but in recent years, the policy has gradually tightened, through layers of selection, a total of 195 cultural relics are listed as cultural relics prohibited from leaving the country, the main purpose is to protect these cultural relics. We all know that there are two risks of exhibiting abroad, one is to encounter accidents during transportation, resulting in the loss or damage of cultural relics. The second risk is that the exhibition site is accidentally damaged by visitors due to improper protection.

China attaches great importance to the protection of cultural relics, and China's historical relics are vast, but due to the insufficient material conditions in the past, many cultural relics have suffered this or that damage, and some royal tombs have even been stolen and destroyed, which is a huge loss for our historical protection. Therefore, in the case of a strong country and strong economic strength, we began to attach importance to the protection of cultural relics, the purpose of which is to protect the integrity of our history and culture, because cultural relics are the accessories of history and culture, and among the cultural relics, we can get a glimpse of the style of society, country and people at that time. <>

For foreigners, they can't see these cultural relics because they don't have a blessing for their eyes, but for Chinese, as long as we have the reason, we have the opportunity to see these precious cultural relics in person.

The main reason is that these cultural relics are national treasures, and our country has regulations that cultural relics at the national treasure level are not displayed to the public.

Because these cultural relics belong to the non-renewable and non-reproducible treasures of our country, they must be well protected, so they choose not to display them to the public.

Because these things are our own things in China, and we don't choose to display them to the outside world for the sake of protection.

Because this is very important for our country, and not making it public is also for protection.

The cultural relics that are prohibited from leaving the country for exhibition include the mother Wuding, crystal cups, copper galloping horses, golden jade clothes, and cash cows, which have strong historical research significance.

1.The golden jade clothes can be said to be the ultimate dream of the ancients after their deaths. Today, 10 pieces of Han Dynasty jade clothes have been unearthed and repaired in China, the most representative of which is the golden jade clothes of Liu Sheng (the mother and brother of Liu Cheyi, Emperor Wu of the Han Dynasty).

This jade dress is long and meter, with a total of 2,498 pieces of jade, all of which are made of gold wires, about 1,100 grams of gold wires, which are extremely exquisite. Da Keding, also known as Keding and Shanfu Keding. Along with this tripod, there are seven small tripods, two bipods, and six clocks.

One is all the tools made by Zenfuke.

2.The original vessel is 126 centimeters high, the mouth is centimeters long, and the width is centimeters, and the wine or water device is made of bronze Lazheng Zen. The main part of this jar's wheel dust is the square jar shape that has been popular since West Weekend.

It has a lid, two ears, a circle, and the center of gravity is on the lower abdomen. It was decorated with a variety of additional decorations, which were decorated above and below the body of the machine, which not only produced an unusually spectacular decorative effect, but also reflected an important change in the aesthetic concept of bronze art in the Spring and Autumn period.

3.Among the artifacts unearthed at the Hemudu cultural site, this is very rare. The excavation of the pottery stove shows the progress of the Hemudu people in terms of cooking utensils.

The earliest special equipment for boiler cooking was discovered, which was the predecessor of the cylinder furnace used by the residents of the south, and it is of great significance for the times. In 1977, the site of Hemudu in Yuyao, Zhejiang Province was unearthed and is now stored in the Zhejiang Provincial Museum. The overall design of the pottery stove is reasonable, and the open fire door is convenient for firewood to be thrown inward; The three dings on the inner wall can support the cookware stably.

4.Yangshao culture painting stone axe picture pottery jar is an outstanding representative work of Yangshao culture. It marks the development of cutting-edge painting art in Chinese history from decorative painting to object image painting, and demonstrates the creative concept of combining realism and romanticism by cutting-edge painting artists in Chinese history.

This is by far the most discovered polychrome pottery painting from the primitive period. In 1978, it was unearthed in Linru County, Henan Province (now Ruzhou City), and is now in the Qingzhi National Museum in China.

The cultural relics that are forbidden to be exhibited abroad include ancient corpses unearthed in previous dynasties, statues of the main statues of religious sites in the Ming Dynasty, cultural relics with the texture of ivory and rhino horns, calligraphy and paintings before Yuan Bangjiao, and works of silk and laughter. These cultural relics can be a good study of ancient Chinese history, well, for the archaeological research of our country is of great significance.

The cultural relics of the forbidden canopy cover are as follows: painted stork stone axe, Tao Yingding, stepmother Wu copper tripod, Ligui, Yu Jizi white plate, Ming Dynasty phoenix spike and crown, etc. It is of far-reaching significance for the study of the ancient culture of the country.

Tao Yingding, stepmother Wu copper ding, Li Gui, Yu Jizi white plate, Ming Dynasty phoenix crown, these are all characters who are prohibited from leaving the country for exhibition. These cultural tourism and land objects represent the history of our country, represent our country's research on history, and also represent the dismantling status of our country and the progress of history.