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Anonymous users2024-02-12The Pujiang bench dragon retains the folk cultural tradition of "dragon faith" in China, especially in central Zhejiang and the coastal areas of the south of the Yangtze River, integrates the folk forms of folk arts such as calligraphy and painting, paper-cutting, etc., inherits the art forms of mass sports and square dance, and has the functions of folk customs, historical research value and folk craft inheritance, and has had a far-reaching and extensive influence in the Pujiang River, central Zhejiang and the coastal areas of the south of the Yangtze River. However, the impact caused by the changes of the times inevitably befell the Pujiang bench dragon, making its inheritance in an embarrassing situation and in urgent need of rescue and protection.
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Anonymous users2024-02-11Pujiang Eastern Han Xingping two years (195) to establish the county, prehistoric civilization has a long history, the Western Han Dynasty Emperor Wu Emperor has the rise of "diffuse fish dragon, paper corner play" group literary activities. Since the beginning of the Tang Dynasty, "Dragon Lantern Dance Lantern Festival" has become a folk custom in Pujiang, and the county chronicle is called "Lantern Festival".
The Tang Dynasty was the gestation period of the Pujiang bench dragon, the Song and Yuan dynasties were the maturity period of the Pujiang bench dragon, the Ming and Qing dynasties were the heyday of the Pujiang bench dragon, and the reform and opening up was the promotion of the Pujiang bench dragon.
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Anonymous users2024-02-10In 2006, the Pujiang bench dragon was included in the first batch of national intangible cultural heritage by the Ministry of Culture.
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Anonymous users2024-02-09The dragon dance, also known as the "dragon dance", is also called "playing the dragon", "playing the dragon lantern" or "dancing the dragon chain to dismantle the lantern", which is widely distributed throughout the country and among the various ethnic groups, and its forms and varieties are diverse, which is incomparable to any other folk dance. As early as the oracle bone inscriptions of the Shang Dynasty, there have been several people collectively sacrificing dragons to pray for rain; In the records of Dong Zhongshu's "Spring and Autumn Dew" in the Han Dynasty, there are clear records of various dragon dances and rain; Since then, it is not uncommon for the poems of all dynasties to record the dragon dance of the court or the people. Until now, the dragon dance is still one of the dance forms of the socks that are commonly used in folk festive occasions.
The most basic means of expression of the dragon dance is its prop shape, composition changes and movement routines. According to the different materials of dragon-shaped props, they are divided into cloth dragons, yarn dragons, paper dragons, grass dragons, money dragons, bamboo dragons, brown dragons, bench dragons, hundred-leaf dragons, lotus dragons, fire dragons, chicken hair dragons, meat dragons, etc.; The production of the Northern Dragon Dance is generally tall and heavy, and the style is simple and strong; The Southern Dragon Dance is delicate and delicate, lively and agile. The dragon dance can be divided into yellow, white, blue, red, black, etc. in terms of color, with the yellow dragon being the most noble.
The composition and movements of the dragon dance generally have the characteristics of "round curve", "tumbling", "twisting", "interspersed", and "leaping". The traditional performance procedures of the dragon dance are generally as follows: "Invite the Dragon", "Exit the Dragon", "Dance the Dragon" and "Send the Dragon".
There is a folk saying that "seven or eight years old play grass dragon, fifteen or sixteen play small dragon, and young adults dance big dragon". The number of dragon dancers is as small as one person dances two dragons, and as many as 100 people dance one dragon.
The dragon is the totem and ancestor of the Chinese nation; The dragon dance is a symbol of the Chinese spirit, it embodies the spirit of the Chinese nation's unity and strength, and the cultural connotation of benefiting mankind contains the cultural connotation of harmony between heaven and man, benefiting mankind, and is the most common entertainment mode in the auspicious and blessed seasons of the Chinese, the atmosphere is warm, inspiring, and is the extremely precious cultural heritage of the Chinese nation.
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