Who is the writer who puts forward the literary proposition based on application, and the creation o

Wang Anshi. Wang Anshi was not only an outstanding politician and thinker, but also an outstanding writer. In order to realize his political ideals, he closely linked literary creation with political activities, emphasized that the role of literature is first of all to serve society, emphasized the practical function and social effect of articles, and advocated the unity of literature and Taoism.

His prose generally implements his literary ideas, and most of his writings are related to the indoctrination of government decrees

A text suitable for the world. He objected to the vague and weak literary style of Yang Yi, Liu Yun and others of the Xikun School, and believed that "the so-called literati are just to make up for the world." The so-called rhetoric is also engraved and painted.

Sincerity is clever and gorgeous, and it does not have to be applicable; It is true that it is applicable, but it does not have to be clever and flashy. It should be based on application, and it should be accommodated by engraving and painting. It is precisely because Anshi regards the "application" viewpoint of "doing things to make up for the world" as the foundation of literary creation, and his works often expose the evils of the times and reflect social contradictions, which have strong political overtones.

Today, there are "Linchuan Collection", "Linchuan Collection", "Mr. Linchuan Song", "Mr. Linchuan Anthology" and so on. His book "Wound Zhongyong" was included in the first textbook of the People's Education Edition; "Ascending the Flying Peak" is included in the second volume of the seventh grade of the People's Education Edition of Chinese.

Bai Juyi, a poet of the Tang Dynasty and an advocate of the New Yuefu Movement, advocated that "articles should be written for the time, and songs and poems should be written for things." "Highlight and express the realism and popularity of poetry.

**Use simple and modern Chinese to describe the love story, showing a strong melancholy color. He is the author of "The Legend of the Broken Hung and the Wild Goose". Literary scholar of the early Qing Dynasty. The word 澹心, alias the old man, Putian (now Fujian) people. Lives in Nanjing. Poetry.

Poetry is one of the earliest literary genres, and it has characteristics that are very different from other genres. It boils down to five aspects:

1. Lyricism is the most basic characteristic of poetry. Poetry always expresses strong emotions. Qu Yuan's "Yu will Dong Dao without hesitation, and he will be dizzy and lifelong for life", which shows Qu Yuan's noble sentiments and unswerving spirit; Du Zimei's "Ande Mansion Tens of Millions" shows a broad mind; Tao Yuanming (picking chrysanthemums under the east fence leisurely see Nanshan), showing his yearning for the pastoral life in Sheung Shui.

The reader can always feel the thoughts and emotions of the protagonist during the appreciation. Words are the voice of the heart, and poetry is the result of true feelings, which are naturally revealed.

2. Poetry typically reflects life through images. The emotions of poetry can often be gathered and contained in artistic images. Compared with other literary works, poetry reflects life more intensively and typically.

Poor years and sorrowful Li Yuan, sighing for intestinal heat" shows us the image of a poet who is still worried about the country and the people all the time despite being in trouble, which makes future generations admire.

3. Poetry expresses thoughts and feelings through artistic conception. Wang Changling said in "Poetry": "One is the realm of things.

If you want to be a landscape poem, then the realm of Zhangquan Shiyun Peak. Second, the situation, entertainment and grievances, are all open to the mind and think in the heart, then it is true. "The artistic conception of poetry is a poetic artistic realm formed by the fusion of the life picture depicted by the poet and the thoughts and feelings expressed.

Wang Guowei said: "All scenery is love language. However, the objects and scenes created by the poet's pen are no longer exactly the same as the appearance of life, but are integrated with the poet's subjective colors and scenes.

It is the condensation of the poet's unique feelings and thoughts and feelings, and it is also the expression of the poet's temperament and personality. Moreover, writing scenes is for the sake of lyricism, and scenes and feelings are inseparable. The infinite harmony is the realm pursued by the poet.

4. Classical poetry has the characteristics of refinement and subtlety. The language of poetry is actually a special and mysterious symbol system, which not only contains an abstract and systematic rational meaning, but also contains emotional beauty. Ancient Chinese poetry is the best at expressing the richest content and ideas in the least language, which is the extremely refined characteristic of ancient poetry.

Refinement and subtlety are always relevant. However, refinement is not the same as subtlety, and direct expression of the mind is not implicit, and the poetic language that does not directly express emotions mostly expresses the meaning of the language through metaphors, synaesthesia, puns, allusions, symbols, etc., so that people feel subtle and hazy.

5. Ancient poetry has the best beauty. Some of the ancient poems were originally sung to music.

The beauty of ancient poetry is even more reflected in its language. If language has the law of rhythmic beauty, it will undoubtedly increase the beauty of poetry. Among them, the quatrain and the rhythm of the poem are roughly the same, that is, the number of words is certain, the number of sentences is certain, the level has a fixed format, and the general principle should rhyme, and the poem uses this language factor to start from all aspects, for example, pay attention to the neatness or change of sentence structure, pay attention to rhythm and battle, pay attention to flat and rhyme, so as to form a rhythm and rhyme.

The concept of "poetry" has been used in the poetry field in popular literary circles for a long time, and so far it has been blurred and not clearly identified. Undoubtedly, "poetic" points to the root of poetry and the core of poetic theory. Because of its basic penetration, the inside and outside of the poem include the whole of the poem.

Commentators use word thinking to promote word poetry and clarify the definition of "poetry"; Briefly explain the internal structure, mechanism, mechanism and function of "poetry". From the perspective of basic theory, it provides a cornerstone for modern poetics. It also attempts to construct and establish the core concept of the Chinese native theory of "character poetics".

From the perspective of poetic theory, the most important, fundamental, basic and original concept is "poetry". All poetry and poetic theories are born from poetry, positioned by poetry, and governed by poetry. Poetry is the most fundamental attribute of poetry.

It is the most fundamental and fundamental central concept of poetry and poetics. Poetry not only indicates the universality of the production mechanism of poetry, but also determines the particularity of a certain poem and the individuality of a certain poem. Individuality differences are manifested while expressing commonalities.

Poetry and the ontology of poetry are one, and poetry is connected with all the qualities of poetry, and must have its special nature, characteristics, structure and function. The clarity of the connotation of poetry is undoubtedly helpful to grasp the many conceptual terms derived from the word poetry; Effectively promote people's understanding of poetry. To construct China's local modern poetics, "poetics" should be the first theoretical cornerstone.

Without a real theoretical understanding of the issue of "poetry", the confused cognition of poetry will not stop, and the various random miscellaneous theories of poetry criticism and poetry theory are bound to be impossible to clarify in terms of academic theory and legal rationality. The paradox is that when it comes to poetry, the understanding of poetry theory is still vague and ambiguous. In the past, when scholars talked about poetry, they often slipped and turned into talking about poetry, or they were entangled with foreign terms such as poetic wisdom and primitive thinking.

The literary proposition based on application was put forward by Wang Anshi.

Wang Anshi put forward a literary proposition that complements the world and is based on application! Wang Anshi struggled all his life to realize his political ideals, and he closely linked literary creation with political activities; He believes that the writer should only make up for the use of the world, and should be based on application; It is precisely because Wang Anshi regards the applicable viewpoint of doing business as a supplement to the world as the foundation of literary creation, so his works mostly expose the evils of the times and reflect social contradictions, which have a strong political color.

Wang Anshi devoted himself to the study of scriptures, wrote books and lectures, created "Jinggong New Learning", and promoted the formation of the Song Dynasty's doubtful scriptures and ancient learning style. Philosophically, he used the "Five Elements Theory" to explain the generation of the universe, enriching and developing the ancient Chinese thought of naïve materialism. His philosophical proposition "dividing the old with the new" pushed ancient Chinese dialectics to a new level.

Wang Anshi Profile:

Wang Anshi (December 19, 1021 – May 21, 1086), the name Jiefu, the number is Banshan. A native of Linchuan, Fuzhou (now Fuzhou City, Jiangxi Province). He was a politician, writer, thinker, and reformer during the Northern Song Dynasty of China.

In literature, Wang Anshi has outstanding achievements. His prose is concise, concise, short and concise, with clear arguments, rigorous logic, and strong persuasiveness, giving full play to the practical function of ancient texts.

Ranked among the "Eight Masters of the Tang and Song Dynasties"; His poems "learn Du Deqi thin and hard", good at reasoning and rhetoric, in his later years, the poetry style is subtle and deep, deep and unhurried, with the style of rich and far-reaching rhyme in the Northern Song Dynasty poetry circle of its own, known as "Wang Jing Gongti"; The words and writings are nostalgic and ancient, the artistic conception is vast and vast, and the image is distant and simple. There are works such as "Linchuan Collection" that have survived.

Answer]: B Ai Hao Split Qing, one of the representative poets of modern Chinese poetry, his main works include Yuan Chong's "Dayan River, My Nanny Orange Socks" and "Selected Poems of Ai Qing". c

Ai Qing.

Ai Qing (March 27, 1910-May 5, 1996) male, formerly known as Jiang Zhenghan, was Haicheng. He used the pen names Zhu Jia, Kea, Lin Bi, etc. Graduated from the National Hangzhou West Lake Art Institute.

Born in Jinhua, Zhejiang, he is a modern and contemporary writer and poet. In 1934, he published the long poem "Dayan River - My Nanny" for the first time under a pen name. In 1935, he published his first collection of poems, The Great Weir River.

In 1957, it was wrongly classified as a rightist Weida. He has lived and worked in Heilongjiang and Xinjiang, and has been standing up his fingers for more than 20 years. After his rehabilitation in 1979, he served as vice chairman of the Chinese Writers Association and vice president of the International PEN Center.

In 1985, he was awarded the highest medal of the French Order of Literature and Arts. He is considered one of the representative poets of modern Chinese poetry.

Poetry is a literary genre that highly concentrates on summarizing and reflecting social life, it is saturated with the author's thoughts and feelings and rich imagination, the language is refined and vivid, with a distinct rhythm, harmonious rhyme, rich in beauty, sentences are generally arranged in lines, and the architectural beauty of the structural form is emphasized.

Features: 1. Highly concentrated and generalized reflection of social life. 2. Lyrical speech, saturated with rich thoughts and feelings. 3. Rich imagination, associations and fantasies of this good god. 4. The beauty of socks and words.

Summary. Five characteristics of China's "poetic culture.""The traditional Chinese "poetic culture" was born in the "precocious" state of "ancient Asia" in which man and nature, man and society, sensibility and reason were not completely differentiated, and its main characteristics are:

1) Among all the artistic products, poetry has a dominant and diffusing position.

2) Among all cultural products, art has a dominant and diffusing position.

3) The code of conduct of "ritual culture" makes people's speech and behavior have the characteristics of art.

4) The belief gap in "secular culture" gives art a quasi-religious function.

5) There is a natural affinity between the ambiguity, ambiguity and ambiguity of the ethnic languages belonging to the Sino-Tibetan language family and the expression of art.

What are the main aspects and characteristics of the poetic existence of literature?

Five characteristics of China's "poetic culture.""The traditional Chinese "poetic culture" was born in the "precocious" state of "precociousness" in which man and nature, man and society, and sensibility and rationality were not completely differentiated, and its main characteristics are as follows: (1) Among all artistic products, poetry and dismantling songs have a dominant and diffusing position. 2) Among all cultural products, art has a dominant and diffusing position.

3) The code of conduct of "ritual culture" makes people's speech and behavior have the characteristics of art. 4) The belief gap in "secular culture" gives art a quasi-religious function. 5) There is a natural affinity between the ambiguity, ambiguity and ambiguity of the ethnic languages belonging to the Sino-Tibetan language family and the expression of art.

The traditional Chinese "poetic culture" arose from the "precocious" state of "ancient Asia" in which man and nature, man and society, and sensibility and reason were not completely differentiated. 2) Among all cultural products, art has a dominant and diffusing position.

3) The code of conduct of "ritual culture" makes people's speech and behavior have the characteristics of art. 4) The belief gap in "secular culture" gives art a quasi-religious function. (5) There is a natural affinity between the ambiguity, ambiguity and ambiguity of the national languages belonging to the Sino-Tibetan language family and the expression of art.

The analysis of the above characteristics not only helps us to re-understand traditional culture from the perspective of structure and function, but also has certain enlightening significance for aesthetic theory and artistic practice in China today.