How to figure out the emotional ups and downs of Guzheng music

I'm learning guzheng! I took the 10th grade. From my personal experience, if you want to figure out the emotional ups and downs of a good guzheng song, you must first carefully play it according to the symbols on the music score.

The second is to play this piece several times to understand the connotation of the track, and if you are proficient, you will naturally know the ups and downs of the feelings of this guzheng song

You can also watch your teacher play and feel it.

Learn the background of the song.

Or sing it yourself a few more times.

This is mostly manifested in the playing, and the popping up is fast and slow.

The teacher should be able to teach you, but the main thing is your own understanding.

First of all, you should be clear about the song, the feelings expressed, if it is a happy song, then you want to be happy. If it's a sad tune, then think about sad things. In this way, the feelings will naturally be revealed.

I'm going to hum a lot more myself, and before I do that, I want to understand what this song is trying to say. Relate it to yourself. Try to feel the feeling of the song.

This can be seen in the volume and severity of the right hand playing, as well as the coordination of the vibrato and portamento of the left hand, as well as the change in rhythm.

I'm a Guzheng level 10, and I think you need to understand the background of the song first, and then put yourself in their shoes.

The light place plays the left point, and it rings. Heavy place to bounce the right point.

The first song "Fishing Boat Singing Evening" is a traditional guzheng solo song.

The second song "Out of the Water Lotus" is a Hakka Zheng song in Chaozhou, Guangdong.

The third song "Mountains and Flowing Water" is one of the top ten ancient songs in China and a representative work of Zhejiang Zheng School.

The fourth song "Lin Chong Runs at Night".

The fifth song "Dong Dance" shows the customs of Dong village and expresses the joy of the children of the Dong family who love a better life.

The sixth song "Autumn Moon in the Han Palace" is also one of the top ten ancient songs in China.

The seventh song "Jackdaw Playing in the Water" is a masterpiece in the "Hakka Zheng Song".

The eighth piece, "Fishing Song of the East China Sea", was composed by Zhang Yan in the 70s.

The ninth song "Xiangshan Shooting Drums" was composed in 1980 and was rated as an excellent work at the 6th Asian Forum in 1983.

The tenth song, "Battle of the Typhoon", was composed in the mid-60s by Wang Changyuan inspired by the tenacious fighting spirit of the Shanghai dock workers against the typhoon.

"Fishing Boat Singing Evening" vividly depicts the joy and joy of the sunset, the sunset, the fishermen, and the fishermen full of harvest with a singing melody, showing the author's praise and love for the beautiful rivers and mountains of the motherland. In the first half of the piece (the first section), the phrases and phrases are basically a "duet" structure of up and down, giving people a sense of regularity. The second half of the piece (p.

The second and third sections) use the rising and descending melodies and the changes in the speed and intensity of the gradual development to express the enthusiastic scene of the return of a hundred boats. "Out of the Water Lotus" is a "major" tune. The so-called "major" means that the music is an "eight-plate body" piece with an eight-plate structure.

In Chinese folk**, there is a popular national repertoire called "Baban" or "Old Baban". Chinese tradition ** has the habit of taking a certain repertoire as the basis for various changes, and the changes of this "mother song" have evolved into "sub-songs" with different styles and various styles with different regions and different types of music. The relationship between "Eight Plates" and its various variants is such a relationship between "mother song" and "child song".

These "sub-songs" are often given more elegant titles. This poem "Out of the Water Lotus" was written in 1933 by the Chinese music theorist and performer Qian Rechu, and reviewed by Rao Shushu, and was published in the "Music Drama Monthly" of Shantou Public Welfare Society, with the title "The water lotus describes the desolate and cool scenery of the lotus pond, which is full of the meaning of seeing things and hurting the time". The song "Out of the Water Lotus" is actually a scene to express nostalgia and aspirations, and the whole song deliberately expresses the pure and noble sentiment of the lotus "from the sludge but not stained".

Sheet 1

1.The strength of the sound can highlight the expression of emotion.

2.Facial expressions are also closed, which is the most direct and important part of the audience's emotion.

3.Some people play very well, but they can only listen with their eyes closed, because you can't see the performance you want to see, which often reduces the performance effect.

4.Cultivate good psychological quality and improve the ability of high performance.