English fingering flute bass 6 5 how to blow

When it comes to British fingering, it should refer to the Baroque fingering in the recorder, not the bamboo flute fingering in our country. The Western recorder flute and the bamboo flute in China look quite similar, it seems that only the mouthpiece is different, but the fingering is also very different.

Different tones have different presses. The common G tone is bass 5, and the fingers are held down on the back hole and the upper (left) and lower (right) fingers, and the little finger is not pressed down. Well, this tube sound is the saying I borrowed from my country's bamboo flute fingering, because the bamboo flute only has six holes, and it doesn't use the little finger, and the six fingers are full of the tube sound.

As for 6, it is to press and hold the index finger and middle finger of the back hole and the upper (left) third finger and the lower (right hand), that is, release the lower ring finger on the 5 press.

In the flute, bass 5 and alto 5 use the same fingering, there is no difference, bass 5 blows slowly, and alto 5 blows strongly.

In order to play a beautiful flute sound, you need the correct breathing method and mouth shape. In order to play the high, low, strong, and weak tones of the flute, it is necessary to coordinate the breathing and the changes in the shape of the mouth.

The first thing that comes into contact with each sound hole of the flute is the coordination between the slow and rapid blowing of each sound hole of the flute, the breathing and the shape of the mouth. When playing the lowest seven tones of the flute, the speed is relatively slow and steady from the full press of the cylinder tone up to the sixth hole. When blowing an octave higher than the seven fundamental notes, the method of rapid blowing is used, and the exhaled air flow is rapid and powerful.

When blowing a note more than two octaves higher than the keynote, the contraction of the respiratory muscles is strengthened on top of the rapid blowing.

Breath control is an important part of the bamboo flute's expression of various feelings, which requires the player to make the mouth strength, mouth style, damper and its position change in front and back on the blowing hole and the volume, timbre and pitch to achieve a comprehensive, subtle, skilled and perfect coordination when performing the content of the music. Their interrelationship and natural law are as follows: 1 When the mouth is strong, the volume is strong, the tone should be high, and the timbre should be solid; 2. When the mouth is loose, the volume is weak, the tone should be low, and the timbre should be soft; 3. When the wind is urgent, the volume should be strong, the sound should be high, and the sound is easy to make noise; 4. When the breath is slow, the volume is weak, the tone should be low, and the timbre is more beautiful; 5. When the damper is large, the volume should be strong, the sound should be high, and the timbre should be full; 6. The damper is small, the volume is weak, the sound should be low, and the timbre should be delicate; 7. The position of the damper is inward, the volume is weak, the sound should be low, and the timbre is pure; 8. The position of the damper is outward, the volume is strong, the sound should be high, and the timbre is noisy.

The requirements for breath control are: 1. The volume can be strong and weak; 2. The pitch should be strong but not high, weak but not low; 3. The timbre should be strong but not noisy, weak but not false.

There are several reasons for inaccuracy in playing the flute: 1. Low listening ability and poor concept of pitch; 2. Unskilled playing technique; 3 The flute itself is not sounding accurately. If it is a problem of listening ability, it is necessary to learn sight-singing and ear training to improve the ability to distinguish pitch.

If the playing technique is not strong, it is necessary to strengthen the basic practice. If there is a flute problem, ask an experienced person to test and repair it.

1. Blow 5: Don't press the hole with the little finger of the right hand, and all the other fingers should press the hole is bass 5, that is, you should press all the bass as bass 4; 2. The recorder generally has F key and C key, treble, tenor, high treble is C key, super treble, bass, and alto recorder is F key. The alto recorder is full press F4, so it can play bass 4, 5, 6, 7.

2. Blow 6: Blow in F key, which is equivalent to C key 2. Press all the left hand and don't press the little thumb of the right hand.

The other fingerings are: F bass 5 is equivalent to C key 1; F key 1 is equivalent to C key 4; F key 2 is equivalent to C key 5; F key 3 is equivalent to C key 6; F key 4 is equivalent to C key 4, but the middle finger of the left hand is not pressed; F 5 is equivalent to C treble 1; F 6 is equivalent to C treble 2.

I have answered questions like this ... 1. First of all, we must choose a high-quality recorder to learn to use, the pitch must be guaranteed, and it must be easy to play without noise. 2 Playing bass 4, 5, 6, 7 with a recorder is easy to pay.

3. The recorder generally has F key and C key, treble, tenor, high treble is C key, super treble, bass, and alto recorder is F key. 4, the alto recorder is full press F4, so you can play the bass 4,5,6,7... You can also play the treble recorder, and if you press the treble recorder as f is 4, you can play the bass 4, 5, 6, 7, but the actual key is G major.

5. You can come to my space to learn about the Baroque recorder, and you are welcome to learn the recorder.

Blow in the key of F, which is equivalent to the key of C 2 and 1. Bass 6: Press all the left hand and do not press the little thumb of the right hand; Bass 5 full press.

The other fingerings are: F bass 5 is equivalent to C key 1; F key 1 is equivalent to C key 4; F key 2 is equivalent to C key 5; F key 3 is equivalent to C key 6; F key 4 is equivalent to C key 4, but the middle finger of the left hand is not pressed; F 5 is equivalent to C treble 1; F 6 is equivalent to C treble 2.

First of all, 5 and 6 (add a little below) are the representation of the bass. Then you have to make sure that the recorder you are using is not an eight-hole one, because if it is an eight-hole one, you will not be able to play a true bass, and you can only play a piece with a bass note by transposing the original score.

Press all 5, let go of a hole 6, don't slow, just breathe normally.

It's just blowing like that, but the sound is different because the tune is different.

5 or

Black means hold and white hole means let go.

Hello, first of all, thank you for liking the flute. Flute alto blowing method: the angle between the lips and the mouth of the flute is about 75 degrees....(The lips are at 90 degrees level with the flute) The breath is slightly slower, and the damper is slightly looser....The strength of the mouth is small....In the flute, the fingering cylinder sound is commonly used as 5 1 2 respectively:

The six holes are all closed (or the sixth hole is opened; Note: The order column of the flute holes should be counted from the tail of the flute) is the middle 5 (the bass is also this fingering) The first hole is open, and the rest are all closed as the middle 6 (also this fingering bass) Tube sound 1: the fifth and sixth holes are closed, and the rest are all open for the middle 5 (bass) The sixth hole is closed, and the rest are all open for the middle 6 (bass); Cylinder tone for 2:

The first, two, three, and three holes are open, and the rest of the holes are all closed for alto 5 (bass) The first, two, three, and four holes are open, and the rest are closed for alto 6 (bass) I wish you a happy flute lesson!

Blowing the recorder lightly, the sound (the so-called cylinder sound) is the 5 of the original tune of the flute, and the next hole is 6, and the next hole is 7.

There is a difference, the bass 5 is full press, the midrange 5 is open 6 holes, of course, you can also press all the holes, but the sound of open 6 holes can be released.

Upstairs is right.,Open 6 holes and don't open it.,I want to add a point.,It's that the sound of opening 6 holes will be more slender.,Suitable for playing the treble 5,If it's a more euphemistic piece or all press it well.,The key to the difference with the bass is luck (of course, the 5 of the bass can't open 6 holes),The landlord can try to open 6 holes and don't open 6 holes to play respectively,And then feel their difference。

Bass 5 full press midrange 5 is open 6 holes. In fact, it is okay to press all the holes, that is, it is more accurate to open 6 holes than to press the pitch of the whole press!

With breath control, the higher the tone, the more rapid the airflow.

The sound of the flute is to control the high and low pitch by controlling the exhalation volume and speed of the breath. Personal understanding, for reference only, hope to help.

I'll give you a fingering chart, and you can blow it with a tube note 2.

According to the range of the flute, there is no bass mi, only change the fingering, the lowest on the 5 fingering table is only to the bass 5, the barrel tone is 2 bass mi, the blow is bass 6, the tube tone press 1 bass mi is bass 7, the tube tone is 3, that is, the full hole bass 3, it is best to find this flute textbook to see the fingering table is more clear.

If you want to play bass mi, you can't use the fingering of boulette 5, you should use the fingering of bob 2.

This is also a very common fingering, and you should try to master it well.

Good luck!

There is no bass mi in the flute range, and you have to transpose it to play mi, for example, you can use the la in c key and the main palace key instead.

The tube sound is bass, and the fingering of the tube note as 5 does not have a bass 3

Cylinder sound 2 open the first hole (right ring finger) with a slow blow.

Make 1 instant in the tube tone (full press).

1 full press 2 to open the first hole.

3 openings. One and two holes.

4 openings. One, two, three holes.

5. One, two, three, four holes.

6 openings. One, two, three

Four or five holes. 7 is fully open in the cylinder sound as 5, that is, the third hole is made 1 (usually new scholars use this fingering):

1. Open the first, second and third holes.

2. Open the first, two, three, and four holes.

3. Open the first, two, three, four, and five holes.

4. Open the first, two, three, and six holes (hold down four or five holes).

5 full press or open the sixth hole (bass 5 must be full press).

6. Open the first hole.

7. Open the first two holes.

If you want to learn more, please see here.

Generally speaking, if you take the third hole (counting from the tail upwards) hole on the flute as 1, then the sound of the front hole is bass, and the sound of the back hole is ; If it's the second hole, then it's only in front of it, it's back in it, and so on!

If you are still unclear, you can hi me and we will talk slowly!

Don't press the first one from the top, and press all the others.