What is the style of the famous Ming Dynasty painter Zhang Hong s works?

Zhang Hongzi Jundu, known as Hejian, was a master of painting in the Ming Dynasty and a native of Suzhou, Jiangsu. Good at painting landscapes, attaching importance to sketching, the pen is steep, the ink is moist, the mountains are stacked, the autumn ravines are deep, and there is the ancient meaning of the Yuan people; He paints stone surfaces with a combination of dyeing as its characteristics. The freehand figures, the shape and spirit are good, the scattered is appropriate, it is the backbone of the Wumen painting circle in the late Ming Dynasty, and the scholars of Wuzhong respect it.

Zhang Hong, a famous painter in the Ming Dynasty, alias Hejian Daoren, can be seen from the name Zhang Hong's artistic pursuit advocates Lao Zhuang thought, otherworldly, ethereal artistic conception, and free from the world. From the Wanli of the Ming Dynasty to the Chongzhen year, there was a new turning point in the field of painting in the Ming Dynasty, among which the Suzhou painters with Zhang Hong as the main representative created another world in literati landscape painting, and on the basis of inheriting the Wumen painting style, they injected the inspiration of life into the painting, returned to nature and human nature, and made landscape painting be endowed with a new soul. Therefore, the late Ming Dynasty was the flourishing period of the Wumen painting school, in this period emerged many excellent painters with vivid painting style and rigorous brushwork, and Zhang Hong, as one of the leaders, is to portray the essence of literati landscape painting to be machine and smart, Zhang Hong's painting has always adhered to a meticulous attitude, not a fine product but not out, his painting style on the basis of inheriting the tradition, into the innovative sketching, so that the overall picture of his works looks far-reaching and elegant, so that the concrete landscape has reached an unparalleled realm.

Zhang Hong's works in the more finishing touch is to combine the artistic conception in the Yuanqu Song lyrics, the aesthetic poetry and the artistic conception of the landscape are combined naturally, Zhang Hong in the description of the pine forest, the courtyard villa of the mountain arch guard, in the blank inscribe poem "The village path around the mountain pine leaves are dark, and the chaimen flows the fragrance of rice flowers", which can be described as sincere and sincere, and the form and spirit are good. Zhang Hong is the most famous landscape painter in the late Ming Dynasty, and he also pushed the style of the Wumen school to its heyday. <>

Zhang Hong's paintings inherited the literati painting style and characteristics of the Wumen School, and engaged in creation on the basis of sketching. The perspective method he used in his painting coincided with the Western three-dimensional painting method, and experts from the Palace Museum also said that Zhang Hong's landscape painting brush and ink were exquisite, which was rare in the world. He once climbed up to paint a bird's-eye view, which was rare at the time.

Zhang Hong often brought pen and ink into the mountains and forests to paint, in that era, it was rare to go to the famous mountains and rivers to sketch, it can be seen that Zhang Hong is a very rare painting master who attaches importance to sketching. The texture of the mountains and rocks he painted is hard, as if there is a sound of percussion, between the clouds, mountains and smoke trees, the flowing water is clear, trickling down, making people immersive, as if they are in another world. His landscape paintings use the technique of rendering to set off a far-reaching and elegant atmosphere, with strange peaks and strange stones, dense ancient trees, clear springs and waterfalls together forming a fresh and elegant and vivid picture.

In the middle of the Ming Dynasty, the Wumen painting school in Suzhou was at its peak, among which Zhang Hong was one of the representative figures, he created an original way, as the backbone of the Wu school and innovated, his paintings are extraordinary and dusty and have a life atmosphere, both form and spirit, and have a deep sense of meaning.

The Ming Dynasty reached its peak in the middle of the Ming Dynasty, because of its rise in Suzhou, named after the old Wu. At that time, Suzhou had many outstanding painters, such as Ming Sijie, etc., and Zhang Hong was the representative painter of the Wu School with his name, a native of Suzhou. Zhang Hong is good at painting landscape paintings, focusing on copying landscapes and sketching paintings, Mu Yanling's pen is strong and vigorous, the color is incisive, the mountain peaks and rocks are layered on top of each other, the autumn is strong and full of deep meaning, and the painting style has some characteristics of the painters of the Yuan Dynasty.

Zhang Hong's landscape painting techniques often combine outline and ink dyeing, not only depicting the outlines of strange rocks, cliffs, trees and other materials in the mountains, but also embodying the texture of the picture such as mountains, clouds, and vegetation, and combining electricity, lines and surfaces. In addition, Zhang Hong is good at capturing lines in figure paintings, and the shapes and expressions of the characters are not vivid and vivid, and the portrayal is vivid and very smart, and the use of ink and pen is appropriate to grasp the appropriate, which looks unique and interesting. Zhang Hong borrowed the techniques of his predecessors in the style of painting, mainly studied under Shen Zhou, Wenbi, the more ancient Yuan Dynasty four masters, as well as Mi Fu, Dong Yuan, in addition to a certain extent in the Northern Song Dynasty Li Cheng, Guo Xi and the Southern Song Dynasty Li Tang, Xia Gui, integrated and learned from others, based on the style of the predecessors and gradually formed their own style, and on this basis continue to innovate, breakthroughs, is the painting more personal characteristics.

Zhang Hong travels in the mountains and rivers, attaches great importance to his own personal feelings with nature, and is good at finding creative inspiration and sources from them, so as to constantly open up new directions from the subject matter, painting style, etc., and feel the core of art.

Zhang Hong (1577-1652 AD) was a famous painter in the Ming Dynasty and a native of Suzhou, Jiangsu. Good at painting landscapes, attaching importance to sketching, the pen is steep, the ink is moist, the mountains are stacked, the autumn ravines are deep, and there is the ancient meaning of the Yuan people; He paints stone surfaces and combines them with dyeing. The main patriarchal Shen Zhou, Wen Zhengming, and chasing the Yuan four and Mi Fu, Dong Yuan, Juran, and also learn the Northern Song Dynasty Li, Guo and the Southern Song Dynasty Li, Xia fusion into their own style.

He can also paint freehand figures, the shape and spirit are good, and the scattered gathering is appropriate, and he is the backbone of the Wumen painting circle in the late Ming Dynasty, and the scholars of Wuzhong respect it (recorded in the "Ming Painting Record"). He took a different path in literati landscape painting, going to the mountains to sketch and learn from nature. On the basis of inheriting the style and characteristics of the Wumen School of painting, he innovated and created paintings full of life, which reflected the otherworldly spiritual realm in the paintings.

The picture is fresh and elegant, and the artistic conception is ethereal and clear.

Zhang Hong (1577-1652 AD) was a famous painter in the Ming Dynasty and a native of Wuxian (now Suzhou, Jiangsu). Good at painting landscapes, attaching importance to sketching, the pen is steep, the ink is moist, the layers of round orange mountains are stacked, the autumn ravines are deep, and there is the ancient meaning of the Yuan people; He paints stone surfaces and combines them with dyeing. The main patriarchal Shen Zhou, Wen Zhengming, and chasing the Yuan four and Mi Fu, Dong Yuan, Juran, and also learn the Northern Song Dynasty Li, Guo and the Southern Song Dynasty Li, Xia fusion into their own style.

He can also paint freehand figures, the shape and spirit are good, and the scattered gathering is appropriate, and he is the backbone of the Wumen painting circle in the late Ming Dynasty, and the scholars of Wuzhong respect it (recorded in the "Ming Painting Record"). Throughout his life, Zhang Hong likes to travel to the famous mountains of Dachang and Jingchuan, paying attention to the creation of foreign teachers, and absorbing the nutrients of painting from nature, so as to broaden his creative vision and realize the true meaning of art. He blazed a trail in literati landscape painting, innovating on the basis of inheriting the style of the Wumen school of painting, and created paintings full of life, which reflected the otherworldly spiritual realm in the paintings, the picture was cautious, fresh and elegant, and the artistic conception was ethereal and clear.

The middle and late Ming Dynasty was the period when landscape painting flourished. After the "Four Families of the Ming Dynasty", some people of insight of the Wumen School attached importance to inheriting the brush and ink tradition of the ancients, and regarded the pursuit of style as an important purpose of art. Moreover, because they have profound cultural cultivation and have their own aesthetic pursuits, they also have a certain degree of creativity.

Their brushwork and expression techniques had a great influence on the later painting world. There are excellent painters who criticize nature and attach importance to sketching, and Zhang Hong is one of them.

Zhang Hong, a painter of the Ming Dynasty, was good at rendering the atmosphere of the picture, and his landscape paintings were clearly layered, between the virtual and the real, and the mountains and trees were full of aura.

Zhang Hong is one of the stamina of the Wu School and the backbone of the Wumen painting circle in the late Ming Dynasty.

Historical records: Zhang Hong taught Shen Zhou and surpassed it. He attaches great importance to sketching, and his brushwork is steep, the ink is moist, the mountains are stacked, the autumn ravines are deep, and there is the ancient meaning of the Yuan people, and the combination of stone surface and dyeing in the painting is its characteristics.

In fact, Zhang Hong's artistic style had distinctive characteristics in the late Ming Dynasty. He sketched and painted while traveling to famous mountains and rivers, and found artistic inspiration from them. In the end, he found a realistic style of painting that was closer to nature, and how to attract the viewer into the painting became a topic for Zhang Hong's thinking.

After a long period of creation and research, his paintings have formed a realistic style with an ethereal realm, and the figurative landscapes he makes have reached the limit of incomparable.

Zhang Hong often takes his paintbrush deep into the mountains and forests to experience the majesty and magnificence of nature, and to create on the basis of sketching, learn from nature, and realize the true meaning of painting. The perspective he uses in his paintings coincides with the Western three-dimensional painting method. According to historical records, he once climbed to paint a bird's-eye view, which was even more rare at that time.

The overall view of his landscape paintings is far-reaching and elegant, with the prosperity of the trees near and the undulations of the mountains in the distance; The clouds and mountains are smoky and the trees are quiet and quiet; Xiqiao pavilion house, the mountain is majestic; The peaks are towering, the white clouds are horizontal, and the trees are green cages; The brushwork is clear and dignified, and the ink color is hearty; The mountains and rocks are sonorous, and the trees are rendered; Push a unique painting method, and place feelings between the mountains and rivers.