The question of guzheng and new zheng, has the new zheng been widely recognized?

The new Zheng is only recognized by the group of people from Huludao Wang Tianyi. It's not promoted anywhere else. And the new zither does not have the value of being widely promoted.

Basically, except for Wang Tianyi's group of people, everyone else does not approve of it.

The new zither is developed on the basis of the guzheng and is much more advanced than the guzheng.

He said the opposite. It is easy for those who know the guzheng to get started, but it is difficult to learn the new zither first.

Like the piano and the electronic organ, the electronic organ does have more functions than the piano, but it is difficult for people to learn the piano correctly if they play the piano first...

In fact, the new zither is not bad, and it makes up for the shortcomings of many guzhengs.

The new zither is a new type of musical instrument developed on the basis of the guzheng. It has two relatively independent but closely related performance areas, which can simultaneously have all the semitones of the pentatonic scale, the seven-tone scale or the twelve equal temperaments, and can play works with complex keys, and make up for the functional defects of the guzheng under the premise of being fully compatible with the guzheng, and the expressiveness has been greatly enriched. If the guzheng is beautiful black and white**, then the new zither is a colorful color**.

Actually, I've been playing the guzheng for n years and haven't seen a new one (hey

。But it should be good to look at the introduction...

As for** look at the quality, but if the technical aspect is more difficult than making a zither, maybe** it is not cheap I remember seeing the half zither before. . . That's embarrassing.。。。

There are 21 strings in the guzheng, and the effective use of strings in the new zither reaches 50, which you say is difficult to learn? It is certain that the new zither is more complicated than the guzheng, and it will be much easier if you learn the new zither to play the guzheng first.

Surely the guzheng is good, and it can be timed and classic left after the tempering of time. It seems that very few people have heard of the new zheng, and many schools have not heard of this major. Let's not popularize it. But if you want to be the first to eat crabs, you can learn that too.

Personally, I think the guzheng is more difficult than the new zheng. It's better to learn guzheng.

Personally recommend Guzheng! Because the new zither is a very unpopular instrument-

What is this neo-ancient concept? To figure it out.

As for **, there are high and low, depending on the manufacturer, the material of the piano, the timbre and so on.

This landlord, the new zither is the same ...... as the guzhengYou say that the guzheng and the new zheng, are they the ancient guzhengluo? The fingering is all the same.

As a newly developed musical instrument, the new zheng has passed the appraisal of the national national instrumental music production authority in 2000. At present, almost all provinces (municipalities) and autonomous regions in the country have new Zheng training institutions, and many state-run art colleges and universities have also opened new Zheng majors. Our Oriental Women's Guzheng and Xinzheng Orchestra have performed with Xinzheng many times when they have accompanied national leaders or been sent abroad by the Ministry of Culture to perform abroad, and have been greatly welcomed by audiences from all over the world and Chinese and foreign leaders.

The new zither is a newly developed musical instrument based on the complete inheritance of the guzheng, aiming at the defects of the guzheng and taking into account the needs of modern times. Since Mr. Wang Tianyi, the father of Xinzheng art, creatively put forward a scientific and systematic theory of Xinzheng performance and teaching, compiled an etude from shallow to deep and a large number of excellent Xinzheng works, Xinzheng has been widely welcomed by the society. Many guzheng players and a large number of guzheng enthusiasts have begun to learn the new zheng, and the popularity of the new zheng is becoming more and more widespread.

The new zither has obtained a number of national patents and passed the national appraisal. At the authoritative expert appraisal meeting held in Beijing, the experts fully affirmed the new Zheng and praised the function of the new Zheng.

At the beginning of 2001, our Oriental Women's Guzheng Xinzheng Orchestra recorded a national Xinzheng art TV lecture and published a supporting CD and tutorial. The systematic theory and demonstration repertoire used in this lecture were completely composed by Mr. Wang Tianyi. The lecture was repeated by national television and many local television stations, which made Xinzheng have a great impact on the whole country.

After the lecture was broadcast, countless experts and enthusiasts wrote letters and played ** to various TV stations, all of which were affirmations and praises of the new zheng, and many experts and scholars wrote articles to give the new zheng art lecture a very high evaluation.

In August 2002, our Oriental Women's Guzheng New Zheng Orchestra held the "Wang Tianyi New Zheng Works Meeting" in Beijing Zhongshan ** Hall, and held a seminar on Wang Tianyi's new Zheng works at the same time. Peng Peiyun, vice chairman of the Standing Committee of the National People's Congress, attended the meeting and met with the performers, Wu Yanze, Qin Yongcheng, Tie Yuan, Feng Guangyu and many others attended the meeting and participated in the work seminar, and unanimously highly praised the new Zheng and the new Zheng works.

The new zither has more strings than the zither and is denser than the zither, that is, the 7 and 4 tones are added, and both the left and right hands join in the play.

Do you want to ask about the difference between the new zither and the old zither, the general guzheng needs to play for a while before the timbre comes out. If it's not a particularly good qin, the timbre is like a parabola, and the timbre of the old zither will slowly go downhill, but if it's just a beginner, there is not much difference.

The new zither can play piano music, etc., and the sound is more brittle than the guzheng compared to the complex point.

Mainly in the left hand, it can play the seven-tone scale.

The presence or absence of 4 and 7 is the difference.

The expressive power of the new zither is stronger than that of the guzheng, and the difficulty at a higher level is significantly greater than that of the guzheng. To say that the new zither has lost the charm of the guzheng is a very wrong concept. There are several possibilities for those who hold this view.

The first possibility is that there will be no new kite at all, and everyone will talk nonsense. The second possibility is that he doesn't know how to use a new zither, and Wu Dalang opened a shop and hated people who knew how to use a new zither, so he had to close his eyes and scold. The third is that the new zither is not proficient enough to control it.

The fourth is bad luck, catching up with a new zither of inferior quality, the sound is very poor, and the charm is gone.

Guzheng is now more popular, it is relatively easy to get started, there is no problem with self-study, there are many guzheng manufacturers, the threshold is low, and it is cheap, which is the advantage of Guzheng.

The new zither is fully compatible with the guzheng, simply put, the guzheng has all the new zither, in addition to the new zither has its own characteristics, which greatly strengthens the harmony ability. By analogy, the guzheng is like black and white, and the new zither is color.

The process of the new zither is more complicated than the guzheng, so it will definitely be more expensive.

New Zheng: There are 51 strings and two notes. It can play the piano feel, and it has three playing areas.

Guzheng: There are 21 strings and no two tones. There are only two playing areas.

If you like the simple timbre of the guzheng and the classical beauty of the music, you still have to choose the guzheng.

The new zither has 4 or 7 tones, and now it seems that the development has hit a bottleneck...

The new zither is a new type of modulation kite, which was developed by two brothers, Pan Haixin and Pan Haiwei, in 1991, and has the twelve equal laws of modulation zither. The new zither retains the five-tone string column on the right side of the traditional guzheng, and adds a seven-tone scale string column on the left side, and the two performance areas on the left and right are arranged like the black and white keys of the piano, so that the zither has 12 equal rhythms, and uses the sliding truncated strings for transposition, which solves the two major problems of "lack of tone and less rhythm" and "difficult modulation" of the traditional zheng. As a brand-new musical instrument, whether the new zheng can be recognized by the society, whether it can be recognized by the masses, and whether it is powerful is not the most critical element.

What is more important is whether there is a suitable piece for it, and a virtuoso who can control it.

In 2000, Professor Wang Tianyi, a master of Zheng music and a national first-class composer, composed a series of etudes and repertoire according to the characteristics of the new zheng, and the beginning of the new zheng gradually had a predictable prospect. In 2001, Wang Tianyi produced dozens of episodes of large-scale TV lectures "Chinese New Zheng Art" for ** TV station and China Education Television. This marks the beginning of the new zither as an independent instrument with real practical application value on the artistic stage.

In 2002, Wang Tianyi's new Zheng works will be held in Zhongshan, Beijing, and will be conducted by Wang Tianyi himself, and the Oriental Women's Guzheng New Zheng Orchestra will perform, which is the first time since the emergence of the new Zheng that it is a real high-standard, completely new Zheng works. Peng Peiyun and other national leaders, as well as the secretary of the China Federation of Literary and Art Circles, the chairman of the China Music Association and other authoritative figures in the art world, performed and met with all the actors of the Oriental Women's Guzheng and Xinzheng Orchestra, and the leaders and experts spoke highly of the new Zheng and its works. This indicates that the new zither has become a mature musical instrument with high artistic value and has entered the artistic stage.

In 2003, nearly 1,000 players signed up for the first National New Zheng Competition, which even exceeded many large-scale national guzheng competitions. This indicates that the new zither has become a relatively popular musical instrument. In 2005, **TV successfully held a large-scale "Oriental Symphony" for the Oriental Women's Guzheng Xinzheng Orchestra, which set off an upsurge of new Zheng learning in the country.

Wang Tianyi is also known as the "father of new Zheng art" in the industry.

The father of the new Zheng should be the two Pan brothers! How did you become Wang Tianyi?

The storage of the guzheng is crucial. Basically, moisture-proof is needed in the south and dry-proof in the north. Do not place in direct sunlight or around heaters, as this can easily crack the bottom plate of the body.

Don't put it in a damp place, it's also very bad for the piano. When you don't play, you can cover it with a piano cover, or find a long enough cloth and bed sheet. If you don't play for a long time, it is recommended to put it in the piano case to avoid collision or friction from the outside world.

In the process of buying a piano, you still have to find a more professional person or your guzheng teacher to accompany you to buy, not to say that every piano of the same model is good. There are many things to look out for when buying a piano, and not everyone likes the same tone.

A good pair of nails is also quite important for playing the guzheng. Basically, for beginners, plastic sheets or horn pieces are used. I advise you to use tortoiseshell nails.

**It will be much more expensive than the other two. But there are also a lot of fake tortoiseshell or secondary tortoiseshell nails. **Compared with plastic, horn will be a little more expensive.

But tortoiseshell nails are tough and elastic, and the sound that pops out will have more charm than the sound that pops out of the other two nails. As long as there is a piano shop that sells guzheng, there will generally be someone who sells nails. You can go to the major piano stores in Xi'an to find out, this thing is still relatively popular and easier to buy.

I haven't heard of the saying that the guzheng has to be changed once every 4 years. Generally, the more you use the instrument, the better it gets. It takes a while to play the new piano when you buy it home, and the conditioning will be easy to use.

I bought my family's previous piano eleven years ago. At that time, I bought less than 2,000 practice pianos, but after using them for so many years, I found that it was easier to learn, and the music I played was also very charming. Now I have bought more than 7,000 new pianos, but I feel that the old piano is still easier to use.

In addition to having students use the old piano and I use the new piano during class, I usually use the old piano when I practice by myself. Maybe it's because I'm used to it

Learning other instruments and then learning guzheng definitely helps. During your learning period, your music theory will not be a difficult problem to overcome. Many students find it boring to solve problems in terms of notes, rhythm, and hands-on coordination when learning the piano, so they get tired of learning the piano and give up learning the piano.

Piano learning is a good foundation for you to play the guzheng with both hands. I studied the guzheng for seven years and then the piano. Although it is a little difficult to overcome in the direction of the finger force, the rest is easy to solve.

I think you must have mastered the dexterity of your fingers after learning the piano and then the flute, so it must be very easy for you to learn the guzheng!

Hope it helps.

1. This kind of two 5s is called a big handful, and it is always an octave apart. The pitch of the ground is an octave lower. Simultaneous bombing. The upper one is with the middle finger (hook). Below with the big finger (support).

2.The fingering on the head corresponds to the hook. The waves are trills. With your left hand, gently press the string up and down3. The left is the flower finger, that is, before playing 5 large handfuls, first use the big finger to scrape a short section from high to low, connect the large handful, do not break

Note when a pinch of bullets 1The two tones should be in unison, and the sound should be pronounced at the same time. 2.The intensity of the tone should be consistent, and not one particularly prominent.

It's a fingering called a pinch, that is, the big finger is 5, the middle finger is a little bit lower, 5, and they are played at the same time, the above symbol is the fingering mark, the L-shaped representation is called "support" with the big finger, the arc is called the middle finger, and the "hook" is the rice shape in front is another kind of fingering, called "flower finger", which is not time-sensing, and is scratched from the treble to the sound.

That's why I don't agree with self-study, I can't figure out the basic questions, can I figure out the direction of force, the method, the position?

It seems to be a big (rubbing), and I play 5 in the midrange area with the middle finger (hook) and 5 in the bass area with the thumb (support) and I want to play it together!!

Both 5 are played 5 and treble 5 at the same time.

The top of the two 5 is a big tremble, which is a vibrato that is a little harder, and the symbol that is a little lower is actually two fingerings, the one that bends down is the middle finger playing, and the one that folds is played with the big finger, that is, telling you to play the treble 5 with the big finger, and the middle finger plays 5, and the two are pronounced at the same time, that is, the big handful.

The one on the left of the two 5 is a small flower, which does not occupy the beat, and the strings in front of the treble 5 are scraped with the big finger before playing the big handful, from light to heavy.