Qing Dynasty cloisonne identification characteristics, what is the shape of Ming Dynasty cloisonne?

Distinguish cloisonné.

The authenticity is mainly to see the cloisonné, and the more important material in the production of cloisonné is enamel.

The production of cloisonné counterfeits generally does not use enamel, but uses other pigments instead.

The method of forging cloisonné is not complicated, it is to cast the bronze, use the steel wire loop as a pattern, and add pigment to fire. No matter what color cloisonné is fired, it must be added with oil smoke and clay to form sand hole after firing. After burning, it can also be gilded by fire.

Fine stone polishing. Then smear with dried apricots.

porridge to make it rusty. After a few months, the floating rust is washed off, and then rubbed with grease, and the color and luster of the fake cloisonne are almost exactly the same as the enamelled cloisonne.

Among the cloisonne products that have been handed down today, the products of the Ming Dynasty are the best. Most of the products fired in the Ming Dynasty are smooth and translucent, and the glaze color is transparent. The cloisonné and silk tires of this period are all brass.

The gilding, because it is plated with fire, has trachoma.

The cloisonne produced in the Qing Dynasty has some hair cakes in color, and its silk tire is mainly red copper.

The gold plating is also fire plating. The cloisonne fired in the Qianlong period is the best in yellow and white, mainly because the materials and production difficulties of these two colors are very large and not easy to imitate.

The ancient technique of enamelling has been lost, and no matter how realistic the fakes are, they are nothing more than the use of oxalic acid.

Chemicals such as hydrochloric acid work the appearance of aging. When identifying authenticity, one compares the weight and the other looks at the pulp - the "specific weight" is because the thickness of the bottom tire and the specific gravity of the glaze of the fake cannot reach the perfection of the ancient enamel, so it is lighter to start. It is relatively difficult to distinguish the authenticity through the slurry, but it is the most effective.

More than one or two hundred years old, the genuine pulp has a thick, restrained and calm beauty, which is the traces left by history, and the fake glaze is exposed. Irradiated with low light at night, the genuine product is obviously absorbed, and the fake is obviously reflective. In particular, it should be noted that in recent years, there has been a "wave of overseas return" in the enamel market, but these refluxed enamells have hidden mysteries - there are not only genuine products that were lost to foreign countries in the early years of our country, but also many foreign objects made abroad, especially self-striking bells.

During the Jingtai period of the Ming Dynasty, the attention of the court made it famous, and because the glaze color was mostly blue, it was named cloisonne. 1. The color is dark and dignified; 2. The surface of the utensils is covered with sand holes, the reason is that the blending agent in the raw materials is not viscous enough, and the glaze is burst when the heat is high. This technical problem was solved by Japanese experts at the end of the Qing Dynasty.

This characteristic has also become an important evidence for the identification of cloisonne in the Ming and Qing dynasties. 3. The gilt is thick and red; The style of the utensils is solemn, the decoration is mostly the treasure flower pattern, and the engraving method of the style is very similar to the Xuande furnace and the red style. For comparing the above characteristics of the typical cloisonne of the Ming Dynasty The above are the general characteristics of cloisonne in the Ming Dynasty, and the Ming Dynasty can be distinguished into two major stages: the early Ming Dynasty and the middle and late Ming Dynasty.

Early Ming Dynasty (to Xuande Dynasty): The cloisonne of the early Ming Dynasty was made by the imperial superintendent, the materials were extremely exquisite, well-made, the carcass was heavy, the gilt was thick, the filigree was chic and free, the glaze was pure, and the sand hole was also very few, which could often be preserved for hundreds of years as good as new, and it was easy to be used as the back sock god or even the contemporary cloisonne (which deserves special attention). The cloisonné collections from the Yuan Dynasty to the early Ming Dynasty are generally considered to be the best quality and most collectible cloisonne in the world.

At present, its auction** is not comparable.

Summary. Hello.

Hello. The production of cloisonne in the Ming Qihui Dynasty, in addition to Wanli, has been produced in various quiet Nada periods, especially the most refined and famous production in the Jingtai period. The inscription of cloisonné has Xuande, Jingtai, Jiading, etc., the works of Min Zheng Xuande and Jingtai have the characteristics of heavy fetus, pure color and opacity, and the "Double Dragon Bowl" of the Xuande period in the Forbidden City is a representative work.

Here's the answer I found for you.

The cloisonne of the Qing Dynasty has many large works, fine workmanship, richer colors, more cumbersome ornamentation, and pays attention to the processing of gold-plated ornaments, which is very luxurious and rich. The main varieties are furnaces, lavender, tubes, bottles, stationery, smoking bottles, screens, tables and chairs, beds, etc., and there are also pagodas up to more than zhang. In addition to the traditional blue ground, the glaze color also created two kinds of green land and white ground, and the colors are sky blue, royal blue, white, black, green, pink, jade, etc.

The filigree, polishing, gilding and other techniques are more refined, reaching the state of "round and solid, golden brilliance".