What are the four dreams of Linchuan? Linchuan Four Dreams, which four do they refer to?

The Four Dreams of Linchuan, also known as the Four Dreams of Yumingtang, refers to the "Peony Pavilion", "The Story of the Purple Hairpin", "The Legend of Handan" and "The Legend of Nanke" by Tang Xianzu (1550-1616), a native of Linchuan, Jiangxi Province (present-day Fuzhou City, Jiangxi).

"The Peony Pavilion" and "The Story of the Purple Hairpin" are children's dramas, and "The Story of Handan" and "The Story of Nanke" are social dramas. Perhaps the "Four Dramas" all have dreams, so there is the saying of "Four Dreams of Linchuan", or perhaps the "Four Dramas" themselves are the dreams of life condensed by his life's painstaking efforts. Tang Xianzu's "Four Dreams" is a kind of original truth, containing profound ideological connotations, and expressing a distinct value orientation in an illusory way of remembering dreams.

There is also a contemporary, Wang Siren, who uses "The Story of the Purple Hairpin", Xia Ye; "The Peony Pavilion", love; "The Legend of Nanke", Buddha also; "The Legend of Handan", Xian also "summarizes the "Divine Decree" of the "Four Dreams". It should be said that this comment is quite insightful, and perhaps points out the wonderful situation of Tang Xianzu's dream culture.

For hundreds of years, why has the "Four Dreams of Linchuan" been performed? Perhaps the "Four Dreams" summarize the complicated things in the world, or perhaps the "Four Dreams" reveal that all kinds of love is always love, Tang Xianzu once said in the "Peony Pavilion Inscription": "Love does not know what to do, and it goes deep."

The living can die, and the dead can live. Those who are born but cannot die, and those who die but cannot be resurrected, are not lovely. Whenever I wake up in a dream, and then walk into a new dream, I will always reminisce about the colorful dreams of immortals, Buddhas, or chivalry, or love, and the dreams in love, the love in the dreams, is even more heart-pounding.

What are the four dreams of Linchuan? 2017 Jiangxi Civil Servant Test Questions.

Linchuan Four Dreams, also known as the Four Dreams of Yumingtang. The "Peony Pavilion" by the modern playwright Tang Xianzu

The Story of the Purple Hairpin" and "The Story of Handan".

The collective name of the four dramas of "The Legend of Nanke". The first two are children's dramas, and the last two are social dramas. Perhaps the "Four Dramas" all have dreams, so there is the saying of "Four Dreams of Linchuan", or perhaps the "Four Dramas" themselves are the dreams of life condensed by his life's painstaking efforts.

From the perspective of subject matter, "The Story of the Purple Hairpin" and "The Peony Pavilion" belong to children's dramas, and "The Story of Nanke" and "The Story of Handan" belong to officialdom dramas or dramas about political issues. Children's amorous dramas mainly depict one-way or two-way people in love, such as Huo Xiaoyu.

is a very strong one-way love for Li Yi, Du Liniang.

and Liu Mengmei are fantastical and unified two-way love. In amorous opera, women are in a dominant position, while men are in a relatively subordinate position.

In feudal society.

Women's social status is relatively low, and their confinement is more tight. Because Huo Xiaoyu is the daughter of the late King Huo, she often has eight years of love or would rather be a concubine. And Du Liniang is in girlhood.

I could only see the two men, Father Yan and Master Yan, who had never had the least right to walk outside the boudoir and in the garden. But this harsh, closed harsh environment cannot extinguish their pursuit of love and beauty, once the opportunity comes, all their youthful energy will inevitably be unstoppable. In the political drama, men occupy the main and absolute position.

Although Chun Yu Di and Lu Sheng.

They all climb up with their wives' crony, but the crony is just a lead to the male-centric world.

From the perspective of aesthetic tendency, the main basis of amorous drama is the heartfelt affirmation of the characters and the enthusiastic praise. The process of Huo Xiaoyu's love for Lang, Pan Lang and even hatred of Lang is to establish a positive image and valuable demeanor of this infatuated girl. Du Liniang and Liu Mengmei's life and death love.

is like a golden boy and a girl, and it can be called the idol of youth and the embodiment of love. The basis of political drama lies in the overall denial of the main characters and their environment. From top to bottom in "The Legend of Handan", all the powerful are greedy, and all the pioneers are corrupt, so political dramas always use exposure and criticism as a means of judging ugliness.

The Story of the Purple Hairpin", "The Peony Pavilion", "The Story of Nanke", "The Story of Handan", etc., are these 4 works, and these 4 works are very good.

refers to 4 plays, namely "The Peony Pavilion", "The Story of Handan", "The Story of the Purple Hairpin", and the last one is "The Story of Nanke", the author of these 4 books is Tang Xianzu.

The four dreams of Linchuan refer to the Purple Hairpin Record, Handan Record, Nanke Record, and the Peony Pavilion. These 4 works are all 4 plays by Tang Xianzu.

The Purple Hairpin Record, Handan Record, Peony Pavilion, Nanke Record, these 4 works were written by a person named Tang Xianzu.

Handan Ji, the story is very bizarre and twisty. The Peony Pavilion, the love described in the story is very great. Nan Ke Ji, the story conveys a very good truth. The love described in the story is very poignant.

Linchuan Four Dreams refers to"The Peony Pavilion"."The Story of the Purple Hairpin", "The Story of Handan", "The Story of Nanke".

Linchuan Simeng was an outstanding playwright Tang Xianzu in the late Ming Dynasty.

The four legendary plays "The Story of the Purple Hairpin", "The Peony Pavilion", "The Story of Nanke" and "The Story of Handan", known as the "Four Dreams of Linchuan" or "The Four Dreams of Yumingtang", completely show the author's "love" theory. They reached the peak of contemporaneous theatrical creation.

Implications for future generations.

The most influenced by Tang Xianzu's drama creation was the Linchuan School, represented by Zhang Jian.

Hong Sheng et al. Hong Sheng is creating "The Palace of Eternal Life".

In the preface, he mentioned Tang Xianzu's influence on his drama creation, not only in terms of style, but also in terms of subject matter.

Even Shen Jing, the leader of the Wujiang faction, although his theatrical theories were contrary to Tang Xianzu's, he also adapted plays such as "The Peony Pavilion" into new plays. Tang Xianzu's influence on future generations is not only reflected in the dramatist, but also has a profound impact on the actors. First of all, many drama late-rotation genres are honored to stage Tang Xianzu's plays.

During the Qing Dynasty, staging Tang Xianzu's drama has become one of the important criteria for measuring strength.

The Four Dreams of Linchuan, also known as the Four Dreams of Yumingtang, is a classic masterpiece of Linchuan literature, indicating the collective name of the four dramas of the playwright Tang Xianzu, "The Peony Pavilion", "The Story of the Purple Hairpin", "The Story of Handan" and "The Story of Nanke". The first two are children's dramas, and the last two are social dramas. Perhaps the "Four Dramas" all have dreams, so there is the saying of "Four Dreams of Linchuan", or perhaps the "Four Dramas" themselves are the dreams of life condensed by his life's painstaking efforts.

Tang Xianzu, a famous dramatist in the Ming Dynasty, was born in the 29th year of Jiajing of Ming Shizong (1550 AD) and died in the 44th year of Wanli (1616 AD). His life has experienced three eras: Jiajing, Longqing, and Wanli.

Literary evaluation is old.

It is a well-established fact that Tang Xianzu (1550-1616) was the greatest writer and dramatist of the Ming Dynasty. His four legendary plays, "Four Dreams of Linchuan" (The Story of the Purple Hairpin, The Story of Handan, The Story of Nanke, and The Peony Pavilion), can also be regarded as the most outstanding works of Chinese literature, which can be compared with the works of Qu Yuan, Li Bai, Du Fu, and Su Dongpo.

From the perspective of opera literature and stage performance scripts, the status of "Four Dreams of Linchuan" is even more prominent, and its artistic attainments are high, the depth of exploration of life situations, and the meticulous portrayal of the characters' hearts can be said to be unparalleled in the Chinese Kunqu opera tradition. To make an appropriate analogy, Shakespeare's place in Western theatre is almost as close as that.

refers to "The Peony Pavilion", "The Story of the Purple Hairpin", "The Story of Handan", and "The Story of Nanke". And these works are very popular with people, and the manuscript cover is dry and these works are very allegorical key holes.

Handan Ji, Nanke Ji, Peony Pavilion, Zi Hai Ji, these four works can be said to be particularly excellent, and they are also literary classics at that time.

The Peony Pavilion, The Purple Hairpin, the Nanke Chronicle, and the Handan Chronicle refer to these four works respectively, showing the darkness of officialdom.

Linchuan Four Dreams, also known as the Four Dreams of Bipai Jade Tea Hall. The classic masterpiece of Linchuan literature is the collective name of the Shenhui Bureau of the four dramas of the playwright Tang Xianzu's "Peony Touring Pavilion", "The Story of the Purple Hairpin", "The Story of Handan" and "The Story of Nanke".

"The Story of the Purple Hairpin", "The Peony Pavilion", "The Story of Nanke", "The Story of Handan".

The plot of "The Legend of the Purple Hairpin" is based on the Tang Dynasty** "The Biography of Huo Xiaoyu", Tang Weng retains the main characters and plot of "The Biography of Huo Xiaoyu", while recreating the image of the hero and heroine, and interprets the beautiful and tortuous love story of Li Yi and Huo Xiaoyu in a unique way.

The Peony Pavilion depicts the story of Du Liniang, the daughter of the official family, who fell in love with Liu Mengmei, a scholar in her dreams, and died of grief, turned into a soul to find her lover in reality, fell in love with people and ghosts, and finally came back to life, and finally married Liu Mengmei forever.

"The Legend of Nanke" is a legendary script written by Tang Xianzu, an opera artist in the Ming Dynasty, which tells the story of Chun Yudi's dream of entering the Huai Anguo of the ants and being the Taishou of Nanke County. "The Legend of Handan" is an opera script written by Tang Xianzu in the Ming Dynasty, which originates from the legendary "The Story of the Pillow" by Tang Shen Jiji.

Rating:

From the perspective of philosophical propositions and ideal conversion, Tang Xianzu's amorous dramas always hold high the banner of truth and affection, while political dramas reflect the abomination of hypocrisy and ruthlessness. Not only does the amorous drama embody abundant ideals in the main characters, but this ideal is consistent with the final authoritative verdict.

Huo and Li's reunion was finally achieved with the help of the authority of the Holy Decree, and Du Liniang also let the emperor play the role of a witness. This shows that Tang Xianzu still has certain illusions about the supreme ruler.

The bureaucratic society in the political drama as a whole is corrupt and unclean, and Tang Xianzu has largely linked the birth ideals of the two immortals and Buddhas with the ultimate authority. However, neither the feudal dynasty nor the Immortal Buddha Kingdom could make Tang Xianzu really happy. He also saw the decline of the times and the illusory reputation of the Immortal Buddha.