Is erhu difficult to practice, and what is that gesture about?

This is quite difficult, mainly because the pitch problem is not easy to solve. You look at the ** on the Internet, many people who have been playing for many years are still out of tune, and the whole tune is out of tune. It is recommended that you learn other fixers. Such as keyboards, blowpipes, etc., as long as there is a scale on it, there is no problem of inaccurate sound.

It's not difficult to practice, and the song goes with your heart. If you know the tune, even if you don't know the score, you can pull out a rough idea. If you have to take the exam, it means to learn. It's going to be hard.

The left hand seems to hold an egg.

It's very simple, it's a little difficult at first, you can read music, and it's easy after level 3. The exam is not too difficult (my experience, not worth mentioning).

It depends on your interests, at first it was fun to practice, and slowly it got boring, but if you stick to it, you still make it a part of your life.

The erhu is more difficult, and the gesture of the left hand should be naturally bent, like putting an egg under the palm of the hand, it must be natural.

Erhu is quite difficult, and it is better for people with five-tone pitch to practice, because its pitch is listened to by their own ears, and they don't want the piano to be tuned well.

Sitting position 1, the midline of the body is oblique to the left, so that the center of gravity falls to the left side of the body.

2. Stand upright with your back and sit upright at one-third of the stool.

The basic fingering forms four hand shapes:

1. [One-one-two] The three or four fingers are attached to form a minor second relationship, and the other fingers are separated into a major second relationship.

2. [One-two-one-type] The two and three fingers are attached to form a minor second relationship, and the other fingers are separated into a major second relationship.

3. [Two-one-one] One and two fingers are attached to form a minor two-degree relationship, and the other fingers are separated into a major two-degree relationship.

4. [One One Type] The 1234 fingers are all separated into a major second relationship, and the empty string and the one finger form a small second relationship.

The fastest way to learn erhu: sight-singing training and listening training.

1. Pitch practice in sight-singing: First of all, you should sing the natural interval and the scales of each key. The pitch between two notes in each sight-singing score is based on natural intervals, and students can grasp the pitch between the scales by singing the scales between the two levels, breaking down chords, or using bridging exercises.

The practice of tonal scales can start from any note and sing upwards in various keys; Special attention is paid to the singing of key changes, focusing on the key prescribed in the syllabus. Second, practice intervals that are more difficult to master, such as ninth, tenth, eleventh intervals, and so on. Professional tutors can find more scores with variable notes for candidates to focus on, first pick out the changes and practice them individually, and then sing the whole piece coherently.

Rhythm practice in sight-singing: In the process of looking at the pitch position, it is necessary to respond to the rhythm type in time and sing correctly, which requires being familiar with all kinds of rhythms, not only being able to pronounce. It also runs through sight-singing.

Sight-singing exercises can be performed according to different rhythmic classifications, such as dotted rhythms, syncopated rhythms, triplet rhythms, etc.

3. Dictation of monophony: monophony is divided into two types: basic tone scale and variable tone scale, candidates can listen to the method of singing the scale up or down from the standard tone A, you can first dictate the basic tone scale, and then dictate the change of the tone level, and the distance between the grades is near and far.

4. Dictation of chords: chord dictation includes the in-situ and inversion of chords such as major and minor third chords, major and minor seventh chords, etc., candidates can listen to the upper note first, then listen to the lower tone, and finally listen to the middle tone, and can also listen to the nature of the chord and the color of the harmony. For example, the harmonic color of the minor third chord is soft, while the harmonic color of the major third chord is bright.

The techniques of the left hand when playing the erhu are as follows:

1. When the erhu is played, it is placed on the inner thigh, and the stem is slightly tilted outward. The left hand is relaxed, and the tiger's mouth is placed 2 cm downwards of the erhu jack.

2. The arm of the left hand should be kept at an angle of about 45 degrees to the erhu rod, and this angle should be maintained, and the palm of the left hand should be suspended downward.

3. When practicing the basic skills of the left hand of the erhu, it is best to practice in front of the mirror, so that Zaochang can correct Liang Yan in time when he finds mistakes.

4. The fingertips are below, and the joints are on the top, not in the same plane, otherwise the angle between the index finger and the string must be very large, and the string must be orthogonal to the tip of the index finger.

5. The first joint of the left finger should be bent and not flattened. But the little finger should be straightened and not bent.

1. Holding the erhu in the left hand is to ride on the erhu pole with the "tiger's mouth", the thumb is slightly bent, not vertically upturned, nor bent downwards to pinch the erhu pole.

2. The palm should be suspended in the air, and the contact area between the tiger's mouth and the erhu rod should be minimized, which is conducive to the accuracy of the finger pressing and the agility of changing the handle or other skill exercises.

3. The whole left hand should be relaxed, and the forearm should hang down naturally, forming an angle of about 45 degrees with the erhu rod. Some people tend to raise their arms very high when holding the erhu, and the entire left hand is almost flat with the shoulder, which is not only ugly, but also the arm is in a stiff state, pressing the strings, changing the handle, etc., it is very passive and rigid, and it is difficult to improve the finger movement technique.

4. The shape of the hand holding the bow in the right hand is similar to "holding chopsticks", and the basic principle is somewhat similar. The whole right hand should neither be tense or loose.

5. Under normal circumstances, the middle finger and ring finger are placed between the bow shaft and the bow hair.

When playing, the movements should be agile and accurate, the manners should be chic and neat, the expression should be natural, and the air should be square, and strive to help the audience understand the content of the music through the skillful performance movements and appropriate facial expressions of the performer, so that the sound of the performer's piano and the audience's heart resonate.