In the back text, it is used twice and again again, some fathers, and two sons, what is the role of

Paper-cutting is one of the treasures of folk culture and art in China. These are colorful. The image is vivid.

The style is very different. I love the beautiful paper cutouts! Behind every vivid cut-out, there is a mysterious and wonderful story.

Today, I saw a beautiful paper cut-out, which looks like this: a young girl in a colorful dress with three delicately carved ceramic bowls on her head, dancing happily in a vibrant wheat field, as if there was a great joy. I stared blankly at this beautiful paper cut-out, and I couldn't help but swing my white wings and fly towards the realm of imagination.

In a small village in the middle of nowhere, there lived a group of poor villagers, and the Himalayan girl was one of them. The people in the village liked her very much, because she was a good girl with integrity, beauty, kindness, and high moral character.

In fact, this village was not poor before, but a rich and civilized place. However, in the middle of summer five years ago, it suddenly snowed so quickly that the entire village was wiped out in just five seconds. The next morning, the snow slowly melted, but the people were amazed to find that all the brick houses they had worked so hard to build had been turned into filthy and smelly thatched huts; They went to plant the land, and as soon as they sowed the seeds into the soil, the seeds rotted.

The Himalayan girl knew that all this was done by the snow ghosts.

So, after a lot of trouble, she finally found the snow ghost one day five years later and asked him to change the village back to its original state. Because the snow ghost is bent on taking the Himalayan girl for himself, so she said: "Of course, but I have a request, you must marry me."

If you get three bowls of divine water and turn the village back to its original state, but don't return to me within 50 minutes, then you will die in the same place and become a snowy mountain. Hahaha. The Himalayan girl glared fiercely at the smiling snow ghost, turned around and took the water away.

She ran to the highest hillside in the village, carefully sprinkled the divine water into every corner of the village, and in an instant, the village returned to its original appearance. The Himalayan girl was so excited that she stacked the three bowls together, put them on her hat, twisted her waist, and danced a cheerful "top bowl dance". Jumping, jumping, she forgot the time, fifty minutes were up, she fell to the ground like a flower withered, and slowly, she became a towering, towering snow-capped mountain.

She is the highest Himalayas in the world, because the Himalayan girl's noble character of self-sacrifice touched the gods of heaven and earth, and God gave her higher than the sky; The earth has given her more than the earth, so that no mountain has surpassed her sacred height.

For the first time, it shows the care and concern of the father for his son.

For the second time, he showed his son's determination to go alone and longed for independence.

Function: From the perspective of content, the author takes the "back" as the symbolic point of father's love, the intersection point of father-son affection, and the trigger point for the improvement of father-son relationship; From the perspective of structure, the "back" is the entry point for the clues of the narrative of the article, the entry point for the expression to convey the meaning, and it is also the turning point for the emotional change of "me". <>

The title of the article is "Back", and the back of his father is written four times in the text, and the back of Youbi is a description of the character image, and it also shows the spirit of the character. "Back" is a clue throughout the whole text: doubt at the beginning - point out the back, hope that the father buys oranges - portray the back, father and son break up - regret the back, and miss at the end - reproduce the back, so that the "back" is used as a clue to organize the content of each part.

It is also where the theme of the article is reflected. With the theme of "Back" as the theme, it is subtle and timeless, and "Back" is not only a sketch of the character's image, but also a portrayal of the character's spirit, and a trigger point and condensation point of the author's feelings. The author puts the strong gratitude and bitter longing that have been stuck in his heart for a long time, and the good answer is completely pinned on the image portrayal of his father's back.

The article is titled "Back", which is one of the best footnotes.

1. In the passage of "Back", the author depicts his father's back from four aspects. It expresses my father's care and love for "me".

1. For the first time, the opening topic is "back", and there is a strong emotional atmosphere that envelops the whole text.

2. In the second farewell at the station, the author made a specific description of his father's "back".

3. The third time was after the father and son said goodbye, and the son watched his father's "back" disappear in the crowd, parting with tears.

4. At the end of the article for the fourth time, the son read his father's letter, and his father's "back" resurfaced in the tears.

2. Appreciation of "Back".

Back is a reminiscence essay written by modern writer Zhu Ziqing in 1925. This prose describes the author's departure from Nanjing to Peking University, and his father sent him to Pukou Railway Station, took care of him to get on the train, and bought oranges for him.

The author uses simple words to express the father's love for his children in a profound and delicate way, sincerely moving, and shows the father's care and love from ordinary events.

The main feature of this prose writing is the white stroke. The whole text focuses on the back of the father who moved the author extremely on specific occasions. The author writes about his father's posture and dress at that time, and more importantly, about crossing the railway while buying oranges.

It doesn't rely on any embellishments, foils, etc., but only reproduces the scene at that time. This kind of white text reads light and simple, but it is true and ambiguous, and contains a deep affection.

3. About the author.

Zhu Ziqing (1898-1948), formerly known as Zihua, was known as Peixian and Qiushi. A native of Yangzhou, Jiangsu. An early member of the "Literary Research Society", he is a modern essayist and scholar.

In 1919 he began to publish poetry. In 1928, the first collection of essays, The Back, was published. In July 1932, he was appointed head of the Department of Chinese Literature at Tsinghua University.

In 1934, he published "Miscellaneous Notes on European Travel" and "Miscellaneous Notes on London". In 1935, he published a collection of essays, You and Me. Many of his works have been selected into Chinese textbooks, such as:

Spring", "Green", "Back", "Moonlight on the Lotus Pond", "Hurry", etc.

Zhu Ziqing's prose is rigorously structured and meticulously written, and whether it is lyrical or lyrical, it can euphemistically express his inner feelings about natural scenery through careful observation or in-depth appreciation. Express his sincere feelings, with a strong sense of poetry.

In the passage of the back, the author depicts the back of his father from 4 aspects, writes the back of his father's departure, and writes it in **, from near to far, from obvious to hidden, and uses his own feelings to set off. Writing this back can show such feelings: I am so moved by my father's love, once I break up, I am extremely attached and melancholy, and I think of my father's difficult future, and I am extremely sad and bitter.

Deep love for his son. and a sense of responsibility as a father.

Wanderer's Groan

The line in the mother's hand, the wanderer's shirt.

Before leaving, I am afraid that I will return late. Whoever says an inch of grass in his heart will be rewarded with three springs.

Sunshine.

Translations

The mother used the needle and thread in her hand to make the clothes for her son, who had traveled far away.

Before leaving, a stitch was tightly sewn, afraid that his son would come back late and his clothes would be damaged.

Who dares to say that the weak filial piety of children like Xiaocao can repay the kindness of a mother like Chunhui Puze?

Before leaving, I am afraid that I will return late.