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This is because the octave of the piano itself is not accurate! You didn't pick it when you bought it, and the octave inaccuracy is almost a congenital disease of the piano, and it's not easy to repair! If you can make do with it, you can make do with it, and if it's really uncomfortable to play, change it!
When you buy it again, you must pick it well, there will be no such serious problem with a good piano, and when you buy a general brand of piano, you must see if the neck has changed or not, and the octave (that is, 12 pins) is not accurate, which is the most basic!
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Most of them are problems with the piano. That is, the octave is not accurate. It could be a bent neck, or it could be a bridge tune. But it's a bit outrageous to be half a note off. Find a professional tuner to tune it, I don't know if it can be tuned back if it's so serious.
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The landlord's piano is not a quality problem, no matter how bad the domestic piano is still fine, unless it is damaged. I've been in this situation before, in fact, it's time for you to change the strings, your guitar strings are getting old, hurry up and buy a new set and replace it, make sure the strings are sick, and if you run again, you will find me.
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There was something wrong with the piano
If you're not playing the main note
You can blur the past when you play the rhythm''
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Don't still, open can sell three hands! >
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You can tune the strings just by listening, which is difficult for ordinary people to do, but as long as your pitch is more accurate and your hearing is better, it should be no problem (that has to be learned!). )。
It is still necessary to use a standard pitch to tune the strings, which can come from tuning a flute, harmonica, piano or another tuned guitar, etc.
1: If you still feel that your tone is not too strong, you can use these simple notes 1234567 to tune, so that the problem should not be too big, and it is very accurate.
2: Buy a 6-hole bore speaker and tune it down.
3: When you pick up the beep of **, it is the international standard tone 6=440hz, adjust it to the same pitch as the guitar's three-string second fret, and then push out the pitch of the rest of the strings.
4: Tune 1 string.
Then press the 2nd fret of the 5th string.
Play 12 strings. That's right.
Then press the 4th fret of the 3rd string.
Play 23 strings. That's right, the rest is to press 5 frets, so it's easiest to tune the strings.
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Slow down, slow enough that you can carefully feel the subtle movements of the left and right hands of each note that pops up, observe these movements, which action details are causing you to make noise, change it, and slowly increase the speed.
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It's not as simple as changing the effect.
Let's start with distortion.
The distortion effect is to amplify the signal output of the guitar to overload, and then ** out. In other words, the principle of the distortion effect is to amplify the sound. As a result, when the guitar volume knob is used to adjust the output volume of the guitar to a smaller level, the sound can still be less overloaded, even after the distortion effect treatment.
So it doesn't sound so distorted.
Second, about wah.
Strictly speaking, the effect of wah sound can only be achieved through effects. I guess it's possible that you're not hearing a wah effect, but a fade-in effect controlled by the guitar volume button.
Third, master guitarists, there will usually be assistants who are responsible for switching effects. It's possible that they're standing in the audience and we can't see it.
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There are several kinds of artificial overtones, the most common one is to use the pick to play a tone first, and then at the same time, gently bring the strings with the edge of the fingertips to produce a kind of overtone, this overtone point to experience it yourself, each piano is different, because the string length of each piano is different, to show you a picture, it should be clearer.
Another is the production of overtones with a fixed spacing, which is used in fingerstyle and electric guitar. For example, if you play the sound "c" of the 3rd string and 5th fret, in the process of this sound still continuing to be pronounced, gently touch the 17th fret of the 3rd string with your right hand, and the 17th fret is just the overtone point of the "c", because the difference between them is an octave, which is equivalent to the overtone of the empty string and the overtone of the 12th fret
Timmons' electric
This is the technique used in the B segment of gypsy.
There is a way to combine the first two, and the combination has the same effect, you can take a look at Eric
John usually has this technique
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The first volume of Kobayashi Katsumi has a detailed explanation in it, and you will study it.
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It's the skill of the pick, use the tip of the film, broadcast it, use your hand in an instant, stop the vibration of the string, I don't understand, you ask the people around you, it's very simple.
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Practice speed, the simplest, most common way, is to climb the grid, but the climb grid can not be urgent, otherwise the fingers can not be separated more troublesome, now to deal with the performance, it is recommended that you practice the interlude of those few fast notes, do not practice the whole interlude, otherwise to get there the heart is empty, you will be stuck, those few fast notes practice a few more times the hand is smooth, the speed will go up. If you want to play fast songs, you have to slowly practice climbing, and then practice the fingers, which is 1234, 1243, 1324, 1342, 1423, 1432....It's very useful, when my speed didn't go up, there is no problem with no more hesitation, you have been playing for 3 years, no problem, I wish you a successful spring performance!
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