The top ten monsters in Jingwei Reclamation are:

It seems that there are only two of them, namely the Bright Demon Beast and the Earth Demon Beast One of the top ten Demon Beasts, the Heavenly Demon Beast:

The name of the legendary ancient monster. There is no class, and the eight wings of the rib are ominous things, and they were born in the ancient flood era.

With Pangu fighting force for three days and decapitating the bones to Mount Tai and the town, Fang Ping.

Two of the Top Ten Warcraft: Warcraft:

Spirits, formless and colorless, are born of the Heavenly Demon Yuan Spirit, and the Emperor of Heaven uses the fiefdom of the Golden Black Strike to Demon in the Stygian Mountain. Death.

The earth monsters are not allowed to come out of the Stygian Mountain.

Three of the Top Ten Warcraft:

The wolf is the form of the heavenly demon spirit attached to the wolf, to Yin Mountain.

And Juin is not afraid of the light of the sun and the moon with the body of a wolf. Sexual addiction.

Four of the Top Ten Warcraft: Dark Warcraft:

Naipangu opened the sky, was born in the flood wilderness, wandering in the underworld for fear of the golden crow, and the king of the earth.

Divide the land and control the ghosts. Five of the Top Ten Warcraft: Flame Warcraft:

It was Pangu who opened the world.

The earth is turned into flames, and the golden crow is not suitable for its edge. He lives in the extreme south of the Yan Valley. There is no dispute with heaven and earth.

Six of the Top Ten Warcraft Hatred Warcraft:

It is a demonic beast composed of hatred gathered by the unjust souls of the underworld, not afraid of the spirit of the sun and the spirit of darkness, and its body is special and cannot be controlled.

The Seven Wind Demonic Beasts of the Ten Great Demonic Beasts: It was the hurricane that turned into a hurricane when Pangu opened the sky, ascending to the sky and entering the earth, crisscrossing the Three Realms. There are different races, such as the god of heaven and wind. The theory of the wind and demons in the world.

Eight of the Ten Great Demonic Beasts: Ice Demonic Beasts: It is the era of the flood and famine, transformed by the water element, and is born in a place where the spirit of the sun in the extreme north cannot shine.

Nine of the Ten Demonic Beasts: It is an evil demon betrayed by the ancient gods, who pursues power too much, but is bound by power and is violent and rebellious.

There is the vicious nature of demons and the noble temperament of gods.

The Ten Bright Demonic Beasts of the Ten Demonic Beasts: It is the transformation of the primordial spirit outside the Three Realms of the ancients, pursuing peace and love. Fearing the Golden Crow, he dwells in the northern Stygian Sea.

Jingwei's Top Ten Demonic Beasts of Sea Reclamation are Jingwei who threw the Holy Spirit Stone into the sea, dissolved his own Yuan Spirit into the body of the Blue Bird, and carried the Holy Spirit Stone through the fog and threw it into the sea, so that the Ten Great Demonic Beasts were destroyed.

The spirit of Jingwei reclamation:

1. Jingwei Reclamation celebrates the spirit of knowing that it cannot be done. Even if you know that it will not help you to go all out, but you still have to do it persistently.

2. This kind of thing, ordinary people regard them as fools. But the sages pointed out that this is a bloody road, a road of no return.

3. Just like Wen Tianxiang, Yu Qian, Yue Fei, Lu Xiufu, Luo Bingwang, Jing Ke, Su Wu, Lin Juemin, Sun Yat-sen, Chen Jinnan, Li Dingguo. They are all such people, who know that they can't do it. can do what is not to be done.

4. She is not only a mythical story, but also full of pictures like a poem. There is the sea, there is vastness, there are living beings, there is life, there is birth, old age, sickness and death, there is renunciation. In fact, I don't think it matters why Jingwei wants to reclaim the sea here, the most important thing is her performance art itself.

She repeats the same act day and night, sometimes with faith, sometimes with faith, sometimes forgetting it, day after day, year after year.

5. Tao Yuanming, a poet of the Jin Dynasty, wrote in the poem: "Jingwei Weimu will fill the sea", and warmly praised the tragic fighting spirit of Jingwei Bird who dared to fight against the sea. Later generations often used "Jingwei reclamation" as a metaphor for the arduous and outstanding undertakings engaged in by people with lofty ideals.

Two hundred miles further north of <>, there is a mountain of fat dove, and dense trees grow on the mountain. There is a bird in the mountains, shaped like an ordinary crow, but with a flower head, a white beak, and red claws, and its name is Jingwei, and its call is the pronunciation of its own name. Jingwei Bird was originally the youngest daughter of Emperor Yan, named Nuwa.

The girl went to the East China Sea to play. Drowning in the East China Sea and not returning, it becomes a Jingwei bird, often holding branches and stones from the West Mountain, which is used to fill the East China Sea. Zhangshui originates from this mountain and flows eastward into the Yellow River.

The myth of Jingwei reclamation shows the most essential and eternal things of human beings: the panic of survival, and the eternal and unique spiritual temperament of human beings expressed on top of it.

These archetypal themes are all expressions of the cultural consciousness of the ancestors due to the most basic survival. Survival here is simply a cherishing of life. Because of this initial instinct to preserve life, this sense of crisis in later generations has gradually been extended to a deeper and broader level.

1. Jingwei in Jingwei reclamation is a mythical bird in ancient Chinese legends. It was originally the youngest daughter of Emperor Yan, named Nuwa, drowned in the East China Sea one day, and turned into a bird after death, with a white beak and bare feet, the first flower line hail preparation pattern, named Jingwei, often go to the West Mountain to fill the East China Sea.

2. Jingwei reclamation is a story narrated in the "Classic of Mountains and Seas", which tells the story of a bird called Jingwei in ancient China who worked hard to fill the sea. The "Classic of Mountains and Seas" describes a kind of bird. Its name is Jingwei.

Jingwei turned out to be the favored daughter of Emperor Yan, and one day she went to the East China Sea to play, but suddenly a storm hit and destroyed the file, and she died. The girl turned into a bird, and her name was "Jingwei Bird". Jingwei Bird went to the West Mountain to bring stones and branches, and threw them into the sea again and again, trying to fill in the East China Sea.

Tao Yuanming, a poet of the Jin Dynasty, wrote a poem saying: "Digging up the micro wood of the Jingwei title will fill the sea." Later, people often used the idiom "Jingwei reclamation", which is a metaphor for perseverance and perseverance according to the established goal.

Refers to the East China Sea.

Jingwei reclamation is one of the ancient Chinese myths and legends. According to legend, Jingwei was the youngest daughter of Emperor Yan Shennong, named Nuwa, and one day the girl went to the East China Sea to play and drowned in the water. After death, its uneven elf turned into a kind of sacred bird with a flower head, a white beak shell, and red claws, and brought stones and plants from the mountains every day, and threw them into the sea in Dongzai, and then issued a mournful cry of "Jingwei, Jingwei", as if calling to himself.

Based on different research perspectives, people classify the myth of "Jingwei reclamation" into different myth types. Obviously, the myth of "Jingwei Reclamation" belongs to a typical metamorphosis myth, and it belongs to the myth of "posthumous life" in the metamorphosis myth, that is, a substance that entrusts the soul to real existence.

Not only that, "Jingwei reclamation" also belongs to the myth of revenge, the girl had no grievances with the sea before her death, but she accidentally drowned, so she formed a hatred with the sea, and incarnated as a bird for a lifetime of revenge for reclamation.