Is the classical sitting position of the guitar more demanding on the left hand?

First of all, could it be that Your Excellency has no teacher and is studying on your own? If there are any, the teacher will naturally explain it to you clearly, so you don't need to come here to ask. The folk guitar is very easy to learn, so I press some chords with my left hand and play the texture with my right hand, my friend worked very hard, and he passed the grade 10 exam in two months, which is not difficult.

Because most of it is only used as an accompaniment. Classical is different, it is much more difficult, and for the average person, it takes ten years, eight years or even longer to do better. Classical is more professional, difficult, and notated with staves.

You can't play the classics by playing folk songs, you can only pretend to be forced in front of those who don't understand. Practicing classical is an all-round training of musical instruments, after learning anything, you can play anything, playing popular is like chopping melons and vegetables, but the process is difficult and requires perseverance, especially in the early days. Regarding the posture, it is relatively strict, and you feel uncomfortable just because you haven't gotten used to it, but it's actually very scientific.

You feel that you are comfortable with it that way, but it may not be completely correct, and during the practice, it may cause some problems due to the posture. After getting started, as you learn more and more, you will be able to appreciate the importance of correct posture. After all, the guitar has been developed for so many years, and it makes sense for players to choose this position, not for nothing.

Small hands are not a problem, diligence can make up for clumsiness, and big hands are as tired as long-term practice to enhance hand flexibility, endurance, strength, etc. When you get to a certain level and all postures are the same, then it's not very important. However, the early learning must be standardized, you must know that everything is developed in the rules first, and after full comprehension, you can find a breakthrough in order to innovate.

Do you see those who play musical instruments in different ways, which one is not at the level of a virtuoso? There are not many people who study the classics, I hope you stick to it, come on, boy! Also, to study classics, a good teacher is very important, he determines the height you can reach, it doesn't matter if it is expensive, the teacher must be quite professional, preferably a teacher or even a professor in a professional college, this is very important!!

Classical relative folk songs require certain regulations on sitting posture and gestures, which are for better orthodox performance. It is recommended that you look at some of these aspects**, and if you have the conditions to go to the piano store to learn it. Posture is very important, and it is difficult to go back to learn classical posture after playing too many folk songs, just like practicing the electronic piano for a few years and then playing piano posture.

1. There are three main support points of the piano: the left leg, the right elbow, and the chest. The case is most concave on the left thigh, and the right elbow is placed on the most convex part of the case.

2. General requirements for sitting posture. The height of the chair is about 45 to 50 cm; Keep your torso straight and don't lean on the back of the chair; The body can be tilted slightly, so that the Zheng Ju position can be seen during playing; The third of the right forearm rests on the resonance box.

3. Flat sitting type. Place your guitar on your right leg next to Sakura and sit upright. The right elbow should be pressed just against the top edge of the panel.

4. Tilt type. your feet and play with your guitar on your cocked feet. The right elbow should be pressed just against the top edge of the panel.

5. Pedal type. Climb your left foot on a footstool about 15 18 cm high and play the guitar on your left leg. Also known as Classical.

1. Two basic requirements for pressing the strings with the left hand: standing up: It means that after forming an arc from the arm, wrist, back of the hand to each finger, the end joints of the fingers should be erected as far as possible in the direction perpendicular to the fretboard, and the top of the fingertips should be pressed down to the strings.

In place: Pressing the strings with the left hand means that every time you press the strings, you should try to get as close to the fret as possible, but do not make your fingers touch the fret or even press it on the fret column, so that the right hand can get the best sound with the least command force.

2. The technical essentials of pressing and leaving the strings with the fingers of the left hand: when pressing the strings and leaving the strings, the fingers should rise and fall vertically, and the Hu is like a vertical take-off and landing plane, and the strings can only be moved horizontally or vertically after pressing or leaving the strings vertically. To be clear:

Finger pressing and releasing the strings should be clearly separated from the finger movements, which are two distinct left-handed techniques.

3. The influence of the size and strength of the left-hand movement on the left-hand technique: The strength used to press the strings of the left hand varies from guitar to guitar, except for some unqualified guitars such as the strings are too high and the fretboard is deformed, generally speaking, the force required to press the strings is very small.

According to their height.

Choose a rice stool.

A 20-35cm high footstool. (Depending on the height, just sit comfortably) with your left foot on the footstool, and the piano is at 45° to the ground

When playing, the left palm is parallel to the handlebar. The right hand is parallel to the strings.

That's about it.

Buy a beginner's instructional guitar book and see, it's there