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Su Shi's genius achievements, of course, are still rooted in the depths of his thoughts and feelings, which form his character and style. Su Shi must be a writer with a gratifying personality and style. What is the reason for this "gratification"?
If there isn't something here that we find worthy of affirmation, then it won't make us feel gratifying. And to investigate this reason, we will find that Su Shi is a writer with a distinct romantic temperament, this romantic temperament for the feudal era, is a force for the liberation of individuality, Cao Zhi, Ruan Ji, Tao Yuanming, Bao Zhao, and many poets in the Tang Dynasty have embodied this temperament in different ways. Of course, this kind of freedom and equality is only a thing in the ancient Chinese feudal era, but it is the power of democracy in that era, and these are expressed through the personality of the poets, so this sex is not only personal, but in line with the pulse of the times, which is why people feel gratifying.
For the Song Dynasty, it was the beginning of feudal culture towards conservatism, and this kind of romantic temperament was particularly valuable, but therefore it was even more lonely. Su Shi's style of "flowing clouds and water" and even the arrogance of "going to the east of the great river" illustrate the liberation of individuality, and the comments of the predecessors on Su Shi's "not eating the fireworks of the world" profoundly illustrate his loneliness in that era. The so-called:
When is the bright moon, ask the wine to the sky. It was his arrogance. The so-called:
Dance to figure out how the shadow seems to be in the world. It is "not eating the fireworks of the world". In fact, this feeling runs through many of Su Shi's works, which make us truly come into contact with a feeling of "independence from the world"; Here is clear, but also cold, is full of enthusiasm into a clean image, the so-called "dance to figure out the shadow" is also.
And these images are often expressed through Su Shi's unique "rational taste".
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Su Shi has always been arrogant and thinks that he is the best in the world.
He can't even look down on Wang Anshi, let alone Liu Yong.
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Su Shi spoke highly of Liu Yong's lyrics. Among them, there is a poem that is not only praised by Su Shi, but also known as a monument in the history of words, which has been praised through the ages. This poem is a famous poem "Eight Voices of Ganzhou" in the world of words. Let's get closer to it :
Eight sounds of Ganzhou, to Xiaoxiao twilight rain sprinkled the river sky.
To the twilight rain sprinkled on the river, a wash of autumn. The gradual frost and wind are tight, the Guan River is cold, and the afterglow is the building. It is a place where the red decay and green are reduced, and the things are resting. Only the water of the Yangtze River flows eastward without a word.
I can't bear to climb high and far, look at my hometown, and it's hard to return. Sigh the traces of the years, what is the bitterness to drown. I want to look at the beautiful woman makeup building, miss a few times, and return to the boat in the sky. Fight for me, leaning on the pole, and contemplation!
What is a slow word? In the Five Dynasties and the early Northern Song Dynasty, the word was mostly Xiaoling. It was only in Liu Yong that he began to develop a relatively long word that could be spread out, that is, "slow words".
What is "slow"? It includes both the slowness of the rhythm and the repeated growth of the structure. The appearance of slow words in the entire history of words is a very big change, which affects the development of later opera, because it can be narrated and arranged.
This song "Eight Voices of Ganzhou" is Su Shi's favorite work. He once said: "People think that Liu Yong's words are very vulgar, but the sentence "the gradual frost and the wind are tight, the Guan River is cold, and the remnants are still in the building" does not reduce the height of the Tang people.
It can be seen from here that a first-class creator often appreciates another good creator. Although Su Shi and Liu Yong are very different, whether it is personality or creative style, Su Shi admires Liu Yong very much.
In fact, this "Eight Sounds of Ganzhou" is the most appreciated among Liu Yong's words, and it is known as a monument in the history of words that has been praised through the ages, which has a lot to do with Su Dongpo's evaluation. The first sentence of the last film, "Sprinkle the river sky with the twilight rain and wash the autumn" is very imposing. In autumn dusk, the drizzle from the sky onto the river is very infectious.
And "the gradual frost and wind are tight, the Guanhe River is cold, and the afterglow is the building" is even more exciting.
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The different characteristics of Liu Yong's and Su Shi's lyrics:
First, the content:
Liu Yong's poems mostly write about the life scenes of the citizens at that time, reflect the life aspirations of women and the love between men and women, and describe the scenery and scenic spots, and there are few people who involve current affairs, rotten politics, and people's suffering.
Su Shi's words broke through the barrier of "Yanke", expanded the context of the word, and improved the quality of the word. For example, he used words to express themes such as nostalgia, nostalgia, travel, and reasoning. Su Shi also writes love words, with a clear and beautiful style and sincere feelings.
2. Language and Writing:
Yoo Yong's words belong to the graceful school. He is good at laying out narratives, making good use of white descriptions, whether it is writing scenes, narratives, or lyrics, he writes vividly and tactfully. The language of Liuci does not use allusions, does not emphasize elegance, and does not avoid slang. It's all plain language, but it can be a difficult scene to write, and it is difficult to describe.
Su Shi's words belong to the bold school, creating a new style of boldness, developing the rhythm of words, and breaking the shackles of sound rhythm. The language is fresh and simple, concise and smooth, and it is known for its Qingxiong Shaoxiu. He absorbed the poems of his predecessors into words in many ways, and also picked up the scriptures and history of hunger letters, miscellaneous languages, and spoken language at that time, breaking the traditional atmosphere that only fragrant and soft words can be used in words.
Mother Jia values Zijuan very much and trusts her very much, so she will hand Daiyu over to her to take care of. It's just that even if it is given to Daiyu, she will not be considered in the direction of Baoyu's concubine. How can there be a grandson's aunt-to-be in the granddaughter's room, if so, there is a shortage of candidates in Jiafu?
Maybe I just can't coax girls! Probably. Women need to be coaxed by men. So. A lot of the time. Men don't need to be very rich. It's okay to be able to speak.
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