There is no easy way to press the guitar and spin

There's a simple way to press the full chord according to the score, and then look at which strings need to be played for the splitting of the right hand in the score. If the string is not played, the corresponding fingers of the left hand can be released without pressing.

In this way, sometimes pressing the chord can save one or two fingers.

Play like this first, after all, playing a song can be simpler. Play one more song to give you an extra sense of accomplishment! It's the interest that matters.

When you play a lot and practice for a long time, you will gradually find that it is not difficult to press the complete chord.

Good stuff, take it out and share it with everyone. It is divided into 2 sections, the first section is called "Killer Phrase", and the next section is called "Killer Revenge"!

The talk is for beginners, in fact, veterans have nothing to practice! Here I will talk about the "killer phrase" in the previous paragraph, which involves a large number of qualities, which is 7-10 frets.

1. Right-handed paddle: first dial down, then dial up, then down, then up, and keep playing in this order! (Remember).

2. Left hand: 7 pins are pressed by the index finger, 8 pins are pressed by the middle finger, 9 pins are pressed by the ring finger, and 10 pins are pressed by the little finger (some people think it's nonsense, it's nonsense, anyway, I'm afraid that some people don't understand, wordy two sentences, hehe:).

Now it's time to talk about the playing.,Well...

3. For the convenience of input, everything is in Chinese.

One, two, three......Whichever string represents character.

Section 1: 67, 68, 59, 5:10, 6:10, 69, 58, 57

Section 2: 57, 58, 49, 4:10, 5:10, 5:9, 48, 47

After playing these 2 bars, you will find the pattern of playing, and play it along the way.

Alternate strumming of the first and second strings.

And then the other way around:

Section 1: 10, 19, 28, 27, 10, 29, 18, 17

Section 2: 2:10, 29, 38, 37, 3:10, 39, 28, 27

Again, according to this pattern.

Alternate strumming of the fifth and sixth strings.

Remember: the right hand pick must be plucked alternately, and the notes must be played cleanly, with a xylophone if necessary, or with an electric piano to turn off distortion and other effects!

It's hard to explain ...

You look at your sheet music first. If it's a six-line staff.

When the G6 chord is pressed, it is carried according to the rhythm of the song itself. For example, "dong dada", play 4 strings, 3 strings, and 2 strings respectively. Note!

Immediately after playing the 2nd string, it will be converted to the EM7 chord. Because the breakdown of a chord has already been played. So, all in all, you can change chords after you play a chord breakdown.

And pay attention to your left fingering when changing chords, otherwise it will affect the fluency of your left hand. <>

However, this is relatively complicated. But when you become proficient, it will be easier to understand than the six-line staff.

You can see the beginning of the piece (the intro doesn't count), "Will you tomorrow", but the "will" is fm and the hidden chord, so "will you" is the broken chord of the d9 chord. And "will" is the fm chord below. When playing this notation, there is usually a fingering of the right hand.

For example, this song "You at the Same Table".

The right fingering technique is "5,3,2,1,2,3", which means that after holding the chord, pluck "5 strings, 3 strings, 2 strings, 1 string, 2 strings, 3 strings".

Of course, if it's a double chord, such as.

Just play the front "5 strings, 3 strings, 2 strings, 1 strings" and you're done.

Also note that there are some different chord root tones.

It will be different, and the strings plucked in the bass part will also be different. For example, d9 is "4,3,2,1,2,3" and c is "5,3,2,1,2,3".

All in all, in a word. Chords are the most important part of guitar playing. It's the soul of the guitar.

If the chords are not learned well, it will be troublesome. And the basic music theory must also be learned well, just like we need to know "1 1 = 2" when we learn mathematics. These are the most basic.

You have to know that the right hand is playing the rhythm, there are three beats of the sharp key, four beats... Usually the bright orange is a rhythmic pattern to play the left hand for a chord, such as the most basic right hand to play a four-four-beat broken rhythmic pattern plucked in order 5 strings 3 strings 2 strings 3 strings 1 string 3 strings 2 strings 3 strings, after the end of the silver gear to another chord, and then pluck the strings in the order of the strings above. Then the left hand keeps changing the chords, and a song comes out.

When the right spine is played early, how can the left hand be with the spin?! Flick it for a different spin? I'm a little stupid to count wild numbers! I hope someone understands my words? I wonder if you can answer for my little brother? Thanksgiving is not under it.

Hello lz!

Let me give you a quick rundown: The staff is made up of two parts: the chord diagram (the small box at the top of the six lines) and the staff of the six lines!

Chord Diagram: A diagram showing the fingering and position of the chord pressed by the left hand! The horizontal lines of this diagram represent the 1st fret, 2nd fret and 3rd frets of the guitar from top ......to bottom(1 grade per row); The 6 vertical lines from right to left represent the 1 to 6 strings of the guitar, the numbers 1 to 5 on the vertical line represent the index finger, middle finger, ring finger, little finger, and thumb of the left hand, and the English letters above the chord diagram indicate the type of chord fingering!

Some chords have a "1" on them, which means that several strings covered by " " should be completely pressed by the index finger, this technique is called "big horizontal press"!

Six-line notation: A notation that visually records the strings and frets of the notes played on the guitar fretboard with numbers and six lines! It represents the 1st to 6th strings of the guitar from top to bottom, the number on the line represents the number of frets of the string (for example, there is a number 3 on the top line, which means that the 3rd fret of a string is played), 0 means "no fret" that means the empty string, and if it is a cross, it means that the string on which the fork is played directly (similar to the empty string).

And if it's an arrow up and down, it means "strumming": the direction of the arrow indicates the direction of strumming! The upward arrow in the guitar tabs indicates:

Sweep from 6 strings to 1 strings; The downward indication in the score: sweep from 1 string to 6 strings! It's the opposite of what is in the spectrum and what is actually scanned!

The arrows "sweep" which strings are covered on the staff.

The specific way to play it on the guitar is to rely on the right hand: after the left hand presses the chord, the thumb and index finger of the right hand cross into a figure of "ten" (the intersection point is the first joint of the index finger), and the rest of the fingers are naturally bent (note: the thumb and index finger should not be tightly pinched together, so as not to affect the flexibility of the strumming action)!

The index finger is responsible for sweeping in the direction of the 1st string, and the thumb is responsible for sweeping in the direction of the 6th string (the touch part of the thumb is the place where the nail 1 3 is left to the left; 1 2 places on the right side of the index finger).

And in the process of strumming the string, the wrist joint should be the axis, and the wrist must be elastic (similar to the action of a fan).

A lot of crosses lined up in a row really mean to play together!

We hope it helps!

The word root comes from the English root, which also means the main tone, and the so-called chord refers to the chord produced by different sounds at the same time, so in music theory, the root note does not necessarily have to be the lowest note, but only to emphasize the main tone of the chord.

But when playing the folk guitar, the root note is mostly said to be the lowest note, because the guitar is a single instrument, and the root note is used as the lowest note to be able to hear the ups and downs of the whole background, and when the electric guitar is in a band, it often does not regard the root note as the lowest note, but only according to what I said above, as long as the harmony comes out of the chord and can, because the bass will be responsible for the low part, so the electric guitar often plays the omitted playing! For example, the chord in ** is an e chord (3 5 7), but its lowest note is 5 instead of 3, and the note is 5 in descending order, which already contains all the notes that the e chord should have (3 5 7), so it is the same as an e chord!

You must figure out why the root sound is called the root tone, with a note (name) as the root (foundation) on it, and the chord that is stacked according to the relationship of 3 degrees is called a chord (the hanging chord produced by the change of tone is not included in this list).

So you give this example (I'm talking in C key).

357, the sound name is egb, which is a small third of the g is stacked on the root of the e sound, and a major third b is stacked on the top of the g

This is a minor minor, which is often abbreviated as an em chord, and when you use the root note of this chord as a bass, it is the lowest note, that is, the original chord.

If you use the 3 notes of this chord as a bass, the common em g, (em bass on g) translates to em chord, bass on g, note that it is a bass, not a root tone, and the root note of the e series chords is always an e, regardless of the size of the chord

Such a chord is called inversion, em g is the first inversion of the em chord, and in the same way that em b is his second inversion, is the bass lower than the root tone?

This question seems to be understood, but I don't know how to express it, so it's a pity.

First of all, there is a basic definition of this "common chord". In a sense, all orthodox chords are commonly used chords.

Orthodox chords, that is, chords formed in accordance with the basic laws and meanings of chord composition, and are commonly found in common keys, and the difference basically includes eight forms: major third chords, minor third chords, major seventh chords, minor minor seventh chords, minus major seventh chords (guide sevenths) and semi-reduced seventh chords;

There are seven natural tones in the music, plus their respective variations, each of which serves as the root note to form these chords; From the notation of the staves, plus the key of C, there are a total of fifteen key signatures, that is, a total of fifteen notations can be noted, so a total of fifteen notes can be used to construct the above types of chords, then the total number of commonly used chords is roughly 15 * 8 = 120. The total number of triads and sevenths adds up to 165.

Others, such as adding or subtracting third chords, increasing seventh chords, various nine chords, and hanging chords, are not orthodox chords and are not counted.