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Step by step, don't rush.
You should also practice more with the scales, don't try to be fast, and be sure to ensure the accuracy of the posture when you start practicing.
Practice your little and big thumbs more.
Needless to say, the role of the little thumb is practiced, and its strength and verticality are practiced more.
The position of the thumb is directly related to the rationality of the other fingers, don't ignore the importance of the thumb! It's hard to get used to the wrong posture!
There is also a small game of piano practice, which is not very useful, but you can play it when you don't have a piano:
It is the left hand pressing the back of the right hand (left-handedness is the opposite) to raise the finger alternately, for example, if you press the middle finger down, the other fingers are raised, and then immediately alternate.
It's not easy to guarantee speed and accuracy, hehe.
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Try to pull the ligaments between each finger, press the chord thumb and press the thumb together with the upper fingers, and then make each string sound naturally, practice more, I believe you will overcome the difficulties!
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Usually, when you are fine when you are walking in a car, use your right hand to separate the left and right index fingers, middle fingers, ring fingers, and little fingers to compress the ligaments. Fingers don't work. And pay attention to the fingertips as vertical as possible, the fingerboard is pressed accurately and other basic skills. Don't rush, take your time, hehe.
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Do more finger exercises to stretch the ligaments.
Fingertip pain can be appropriately wrapped around the tip of the finger with medical tape.
But don't dwell on it for too long.
Otherwise, there will be dependencies.
Until the tips of the fingers have a thick callus.
The ligaments in your fingers are pulled apart.
Your harmony will also improve.
This is the basic skill, and there is no urgency.
Slow work makes good work!
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Tip: Make the iron into a horseshoe shape and pinch it often, so that the fingers not only have a neck but also are flexible after a long time.
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The string pressing technique is wrong.
1. When pressing the string with the left hand, the knuckles of each finger should be naturally bent, and the first "knuckle" of the finger should be as perpendicular to the fingerboard as possible, and the top of the fingertip should be pressed with the string.
2. Straighten your thumb and hold the midline of the back of the neck with your fingers as a support point for your left hand. The joints of the index, middle, ring and little fingers should be able to move and stretch flexibly.
3. Do not stick to the neck of the left palm and the tiger's mouth, and do not take the "one grasp" method to hold the neck, because this will reduce the flexibility of the left hand. Place the fingers of your left hand on your thumb and middle finger so that your fingers are facing each other against each other for the neck.
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I've been learning guitar for less than a month now, and I'm having the same problem, I can't press the strings tightly, I can't make a sound, and my left finger hurts very, very much. But now it's much better, and after more than a week of perseverance, you will find a lot of improvement, your hand is not so painful and you can press tightly, and you are more proficient in chord switching.
I think it takes some skill to press it tightly, and when you play it, you need to use your thumb to support it, and you can push your palm forward so that your fingers stand up without touching the back string.
If you practice for 30min to 1 hour a day, you will improve. There are no shortcuts to this, you can only stick to it step by step. Encouragement
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It should be a beginner, right? Take your time, according to the book or online tutorial, according to the personal comparison, it is recommended to find someone to teach you some basics, you can avoid a lot of detours, generally speaking, it is not necessary that the fingers are completely vertical, as long as you do not touch other strings, affect the pronunciation, generally speaking, insist on practicing and climbing the lattice every day, and you can get used to it for about 2 weeks.
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It should refer to the set.
Learning the guitar is like this, first practice the fingers, the fingers are calloused--- fall off--- heal--- and the calluses ---
In this way, your fingers will become very hard, and you won't feel bad playing after a long time, take your time, everyone is the same when they learn the guitar, and you will feel it after a long time, it doesn't matter if you are slow, you have to play the sound accurately.
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Let's practice more My index finger is the same, and then I practiced desperately, although it was a little painful, especially when I first learned, and then I practiced more, and I had calluses on my hands, and it was fine
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Beginners will have a lot of problems at the beginning of learning the guitar, one of the more prominent problems is that the big horizontal chord "f" can't be pressed, how to see that this "f" is still a bit image, one vertical back two horizontal, just like a finger pressed horizontally on the strings.
Let's get to know this nasty guy f chord.
The index finger, middle finger, ring finger, and little finger of the left hand are represented by 1, 2, 3, and 4, respectively.
Break through the 4 main points of the F chord, and the 4th point is the most important!
Point 1: You can't open your fingers
Not much to say here, the most basic working ability of finger playing the guitar, practice more fingers to be able to open, for example, you can hold down the C chord, this song is not a big problem, I believe you can already do it!
Point 2: The guitar string spacing is too high
Of course, there may be guitar reasons, many beginners may buy a guitar for hundreds of dollars, the probability will be too high, the first guitar I bought when I was studying was also more than 200, the feel is very poor, I just took off the piano yard and grinded it a lot lower.
The more troublesome way is to remove the 6 strings, remove the saddles, and polish the bottom with sandpaper, so as not to grind it too low, otherwise there may be a hit.
If you are afraid of trouble, you can also use a capo clip to clamp the 1st or 2nd fret of the guitar to practice the F chord, so that the string spacing will be much lower, and it will be easier to practice.
Point 3: You don't need to hold your index finger down on 6 strings
The last 3 fingers held down the 456 strings, and the index finger that was pressed horizontally only needed to concentrate on the strength to ensure that the strings sounded, which greatly reduced the pressure of pressing 6 strings, of course, there will be a need to hold down 5 and 6 strings, but this has solved most of the playing and singing, and it is easy to hold it down when you get used to it!
Point 4: I find the F chord hard to press
This is also the most critical factor, we started to try to press f and couldn't hold it down and felt very difficult, and then I looked up a lot of people on the Internet and said that the f chord is so difficult, which strengthened your view of the f chord, every time I touched the f you thought it was a very difficult thing, and it was difficult for me to get it. We ignore the impact of psychological cues on our actions, well, if you think it's easy, it's easy for him, practice when you have time, let go if you can't hold it, and I won't hammer you down next few times! Since then, I have fallen in love with the big horizontal press.
Friends, you'll be done in a few days, congratulations!
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With training you can do it.
1. Don't sing with your mouth, play the guitar with the original song, and beat the beat with your feet while playing the guitar.
2. Put down the guitar and don't play. Sing along with the original song, beating the beat with your feet while singing.
3. Pick up the guitar and play it while singing and beating the beat with your feet. Note that at this time, focus on singing, the guitar does not need to play according to the original tune, just press the beat of each chord after the chord is strategic.
4. Still playing and singing at the same time, beating the beat with your feet. At this time, the focus is on the guitar and playing it as if it were the original song. When singing, you don't have to pay too much attention to the lyrics, just hum the main melody.
5. Sing while playing.
In fact, the core of these 5 steps is to insist on hitting the beat with your feet when playing the piano or singing. All your movements, whether singing or playing, are based on the beat of your feet. It would be better if there was a metronome, and it would be more accurate to listen to the metronome foot beat.
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It's going to be practiced step by step.
Learn the song first and then practice the accompaniment alone.
Hum the tune again, don't sing the words to close.
Finally, come to practice in its entirety.
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There is no skill, practice more, and when you are familiar with playing, you will be able to sing well.
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A tip for guitar beginners is to follow these 3 principles when you first start practicing changing chords:
1) If the 2 chords of the transformation belong to the same finger pattern, move the finger by keeping the finger pattern unchanged. For example, in the practice of am--e--am, the finger shape of the am and e chords is exactly the same, but the strings are different, when changing the chords, the three fingers that press the chords should keep the original finger shape to move, and do not move separately one by one, so that it is not easy to make mistakes and the change speed is relatively fast.
Similar chord transformations include em--a9 and so on. (2) When switching chords, try not to move your fingers without moving. In exercises such as c-àam--àc, the index finger is always pressed on the 1st fret of the 2nd string when changing, so you only need to move the other 2 fingers, and the index finger should not be released.
In this way, there is a reference finger as a reference, and the remaining 2 fingers that move are not prone to error. Similarly, there are AM-D7, C--F Big 7, G7--DM, etc.
3) When there is nothing in common between the two chords, try to move the finger that is pressing the root and bass strings first, and then the fingers that are pressing the treble string. The explanation of this principle is that when we play the broken chords with our right hand, we often play the root and bass strings first, and then the high notes, so that when the transformation cannot be done in one step, we can try to avoid the conflict between the left and right hands. The understanding of this is very simple, but it is not absolute, because some decomposition types start from the treble strings, so it has to be changed according to the actual situation.
However, when you can't change in time, it's always good to hold down the root note first.
These 3 principles should be practiced in combination, such as the practice of C-F big 7, first of all, you should follow the principle of 2, keep the index finger never released;For the remaining 2 fingers, the first principle should be followed and the same finger shape should be moved. In conclusion, if you find it difficult to practice changing chords, then see if there are any patterns available. Careful research is the key to playing the piano.
You have to be able to play the piano with your brain, don't you?
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Take out two chords separately and practice repeatedly, you can not guarantee the timbre of the pop first, familiarize yourself with the rhythm of the transition and then slowly adjust, when you change the rhythm pattern of the right hand can not stop, you can add new chords after you are proficient, practice the guitar is expensive to insist on patience, not to be in a hurry or fast, and then pursue speed after learning.
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You practice all the chords one after the other, and you practice slowly, and it's okay if you can't catch them, but you have to make sure that each chord is played with quality.
After practicing for a long time, you will become very proficient, that is, practice makes perfect.
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Hello friends, beginner guitar, no one can hold the chords, about the right hand to press the chords, I have the following suggestions:
Standing up: It means that after forming an arc from the arm, wrist, back of the hand to each finger, the end joints of the fingers should be stood up as far as possible in the direction perpendicular to the fretboard, and the tips of the fingertips should be pressed downward. If the last joint cannot be pressed vertically, not only will the force be greater, the left hand will be easily tired and tense, and it will often push or pull the string to the side, resulting in intonation deviation.
Generally speaking, it means that it is easy to stand up, and it is not easy to stand up well. Moreover, it means that due to the physiological relationship, it is often retracted inward, which makes it more difficult to stand up, but it is also necessary to try to stand up and press the strings to demand yourself with high standards. Over time, it will gradually improve until it is completely erect, so please practice diligently.
Human physiology is very malleable, and almost any trained guitarist and guitarist can stand on their fingers. It is also often evident from these small details the level of discipline and rigor of a person's training and education.
In place: The guitar is a technically demanding instrument, and it is also prone to noise. In addition to the incorrect technique of the right hand, which often leads to weak volume, thin timbre and a lot of noise, the incorrect position of the strings in the left hand often produces a lot of noise, turning the originally charming and endearing guitar into an annoying, noisy "noise".
Pressing the strings with the left hand means that every time you press the strings, you should try to get as close to the fret as possible, but do not let your fingers touch the fret or even press it on the fret column, so that the right hand can get the best sound with the least force. At the beginning of the school stage, the requirements should be raised and the habit of stringing strictly and precisely should be developed.
As long as these two skills are accurate, skillful string pressing and changing strings is a matter of course.
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