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It is not necessary to visit more, but to see more fan paintings, pay attention to the big way of painting, gouache is not watercolor, do not need to be very detailed, pay attention to the environmental color, a gouache painting is good or not, the key is the use of environmental color, and pay attention to the color of the picture can not be raw (that is, you can not use pure color, such as simple red, orange, emerald green) pay attention to the large tone, if your picture is gray, you want the overall gray down, let the visitor know that this is a gray tone painting, the large tone bias also affects the picture score, If it's an exam, choose bright tones so that you can stand out from the crowd. Finally, it is necessary to boldly try color, that is, not just in a limitation, for example, a green apple can be placed on a red interlining cloth to have a red reflection on this green apple, two red apples that look the same together, are the same red, you can use different red to express them with color to distinguish, you can use one red as the main color, one with rose red as the main color, so that you can separate, and can make the picture more vivid.
Be able to draw inferences
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Gouache painting must be heavy color card type Otherwise, some objects on the picture can not fall down and are floating, and then the background is painted at one time Don't cover the color anymore Otherwise the heavy color below will be reversed The picture is easy to gray or dirty The main body must have a complementary color A small amount of water mainly plays a lubricating role
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There are many gouache styles, but the main one is that you need more pigment, less water, and thick painting. Because gouache paint has a powdery texture, too much water will make the powder float up, and the painting will be powdery. Note that the color should not be too even, and it is good to have an ambient color.
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Pay attention to the moisture, the amount of white gouache, the chiaroscuro, and the thickness and softness of the lines.
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The gouache toning techniques are: to paint boldly, not partially; Deal with the relationship between light and dark and the relationship between environmental color; The colors should be rich, and what you can't see green is green, and what is red is red; Gouache cannot be painted in solid colors; Grasp the dryness and wetness of the water.
Method of observation: When it comes to the method of observation, we have to say two cases.
The first is to draw **, the general exam will give a still life **, and it cannot be changed, so in this case, it will be drawn directly, without too much observation.
The second is that in our usual sketching process, when we see a group of still lifes, we must first distinguish the subject object and other still lifes, and then immediately conceive the color matching of the painting.
Whether the composition is reasonable:
The second point is the problem of composition, after we fully observe the still life, in the composition, we can follow the principle of what you see and what you paint, you can also make some changes, if your angle is not good enough, you must make adjustments in time, instead of following the painting.
If your angle is very good and the still life does not need to be adjusted, then you need to think about how to make the composition more perfect, you can add some countertops or appropriately pull the sense of space a little more, so that your picture will be more competitive.
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Be bold in drawing, not partial; Deal with the relationship between light and dark and the relationship between environmental color; The colors should be rich, and what you can't see green is green, and what is red is red; Gouache cannot be painted in solid colors; Grasp the dryness and wetness of the water.
Observation method: When it comes to observation methods, we have to say that there are two situations, the first is to draw **, the general exam will give a still life **, and it cannot be changed, so that the situation is directly drawn, without too much observation. The second is that in our usual sketching process, when we see a group of still lifes, we must first distinguish the subject object and other still lifes, and then immediately conceive the color matching of the painting.
Whether the composition is reasonable: the second point is the problem of composition, after we fully observe the still life, in the composition, one can follow the principle of what to see and what to paint, you can also make some changes, if your angle is not good enough, you must make adjustments in time, instead of following the painting, if your angle is very good, the still life does not need to adjust the position, then you have to consider how to make the composition more perfect, you can add some countertops or appropriately pull the sense of space a little, This way your picture will be more competitive.
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The gouache toning technique is generally that the nib is mainly colored, and a small amount of water can be dipped in water, and the nib should be washed with water after using up a color. The gouache toning technique is generally that the nib is mainly colored, a small amount of water can be dipped in water, and after using up a color, the nib should be washed with water, and the nib should be dried with an absorbent cloth and then colored. If the color is unclear or the gap with the adjacent brushstrokes is too large, the tip of the brush should be washed and re-colored.
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There are many gouache mixing techniques, such as complementary color intermodulation, similar hue modulation, gray modulation, etc., and complementary color intermodulation often uses red and green, yellow and purple contrasting colors to harmonize colors; The homogeneous hue blending method can be used to harmonize with each other using homogeneous colors; The gray blending method is commonly used to use gray pigments and tend colors. There are many gouache mixing techniques, such as complementary color intermodulation, similar hue modulation, gray modulation, etc., and complementary color intermodulation often uses red and green, yellow and purple contrasting colors to harmonize colors; The homogeneous hue blending method can be used to harmonize with each other using homogeneous colors; Commonly used in the gray blending method. It is to use gray pigment to add a tendency color.
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