Gouache coloring skills Can anyone teach us? Simple and practical.

This is not a moment and a half to be proficient, first of all, we must master the basic knowledge of color mixing, for example, red and yellow tone becomes orange, the amount of each color will directly affect the orange effect, or reddish or yellowish, red plus blue equals purple, yellow plus purple equals gray black, color tends to be more blurred a color. Of course, the colors brought out in this way are generally stronger, and in the end, they are generally combined with white, or brown ochre and other compound colors to achieve the desired color effect. Usually, you can practice more color mixing methods, and if you adjust more color sense, you will go up, and refer to the master's excellent color works, and think more about how others deal with the layout of color effects.

Finally, gouache is not as good as oil painting, and the color tone is more easy to be dirty, gray and white, so it is best to use less color to bring out the required color effect. The above is purely my experience, pure hand, I hope it will help you!

Rely on your own practice of color matching to remember the best, first of all, we must master the basic knowledge of color matching, for example, red and yellow tone up to become orange, the amount of each color will directly affect the orange effect, or reddish or yellowish, red plus blue is equal to purple, yellow plus purple is equal to gray and black, the wonder of color matching has to rely on yourself to experience while painting, for a while can not say very clearly, more paintings, will naturally be mastered.

First, the beginning of the draft is like a sketch, first use a pencil to determine the position and proportion, do not need to use an eraser, so as not to damage the paper surface and affect the coloring effect. Then finalize it with color, either ochre brown or ultramarine, depending on the tone of the still life. The color line can be slightly heavier, and the final color can be used to show the light and shade thinly, paving the way for the next coloring.

If the modeling ability is stronger, you can also directly use the color line to start the draft, without showing light and shade, and directly coloring.

After the two silver waiters and the big color tone are finalized, quickly observe the relationship between the overall tone and the large color block, so that you can be confident and apply it thinly as soon as possible. At this moment, don't think about the shape and brushstroke, boldly sway according to the fresh color impression, and create the color environment of the picture. Some people are in a hurry to depict it after finishing the first color.

The relationship between the large color patches should be further adjusted so that the relationship between the colors and the overall hue are consistent with the actual feeling.

3. On the basis of the relatively correct relationship between the major relationships, the specific shaping is further carried out, starting from the main object of the picture and completing it one by one. It is easy to grasp the dry and wet changes of an object in a concentrated drawing, and it is also easy to shape the color changes of different sides of its light and backlight. At this time, the eyes should be swept around at any time, starting from the local but not falling into the local area, taking care of one thing and the other.

It is necessary to look at the relationship between the object and the background and the spring object, grasp the proportion, and the details can be left for the next step. The color of this color should be appropriately thickened, and the correct part of the background color can be retained to increase the color level of the picture.

Fourth, the details of the depiction of trivial and redundant details can be omitted, but the important details that express the characteristics and texture of the object should be strengthened to put the finishing touch. The details need to be integrated into the whole. The final stroke is the most important, it will not be covered and revealed to the viewer.

5. Adjust and complete a still life sketch outside the painting room, as a basic exercise, it is generally appropriate to take eight hours, and strive to be profound and accurate. After proficiency.

Three or four hours can also be more sufficient. If you take a long time to paint, your eyes will get tired easily, your color sense will be weakened, and you will forget the whole as a whole. When the sketch is almost finished, restore the first impression and check the picture:

Whether there are some places that destroy the whole when you depict deeply, whether the colors of parts and details "jump out" of the picture, and whether there are other problems. After inspection, adjustment, modification, processing. If you make a mistake or draw too thick, wash it off and paint it again until it's done.

To what extent should the dry and wet techniques be controlled in gouache? What are the application areas? The dry and wet techniques used in gouache painting mainly refer to the amount of water and white powder in color mixing.

How do you color gouache? What are the tips? Let's learn together!

The whole comes first, then the part

Gouache painting is a kind of color painting, which, like watercolor and oil painting, starts from painting large and dark color blocks. Focusing on the whole and starting from the general is the principle, and the large color block and the large color block play a decisive role in the tone of the picture, so this requires us to first draw the color relationship of the main color blocks that make up the picture, and then carry out local shaping and detail depiction.

Dark and heavy colors, bright colors

From dark colors to bright colors, bright colors are mostly thick coated, and they can't be brightened when they are thinly painted over and over again. Paint dark and heavy colors first, which are easy to be covered by bright colors; On the contrary, it is generally necessary to draw a large area of dark and heavy colors, including dark and light parts and heavy colors, to determine the skeleton of the color of the picture. Gradually move towards intermediate and bright colors.

Juxtaposition has tricks

For a picture dominated by bright colors, it is still necessary to paint a bright large color block first, the color is slightly thinner, and a small area of dark and heavy colors is added later. If the intermediate color is the main color, apply the intermediate color first when painting, and use juxtaposition. method, each of which is painted in a small area of dark and bright colors.

Here, children's shoes need to be flexible according to the situation.

Thin and thick method

From thin coats to thick paintings. Thin coating is to dilute the pigment with water, just like painting watercolor painting, according to the overall color feeling, quickly thin application, resulting in the overall color environment of the picture, and then gradually thickened, in-depth expression. The correct place of thin coating should be good at retaining, so that the color of the picture is thick and thin, so as to increase the effect of color layering and heaviness.

Mixing method: 1. Mixing method.

1. Similar color mixing of the mixing method, on the hue ring, the color gamut within the adjacent range of the three colors is called similar color, in which each color contains the factor of common color, and these similar colors are used for mixing.

2. The brightness mixing of the mixing method improves or decreases the brightness difference of the color in the process of color mixing, so as to achieve the purpose of coordinating the picture. Try adding 90% red to 10% yellow and a small amount of white to see the difference between the red without other colors and the red with the other two colors.

3. The contrast color mixing of the mixing method, the same amount of complementary color is mixed with white powder, and the obtained various grays are biased towards the opposite side of the complementary color. For example, the juxtaposition of gray (red + green + white) with red tends to be green, and the juxtaposition with green tends to be red; The juxtaposition of gray (yellow + purple + white) with yellow tends to be purple, and the juxtaposition with purple tends to yellow.

Second, the overlapping method, first draw the background color, and then use a drier brush stroke to sweep other colors on the background color to produce a superimposed color.

3. Juxtaposition, also known as color space mixing, is the use of different colors juxtaposed with each other to present another hue from a distance.