How much of the actor s free play in a cross talk performance is approximate?

1. The actor's performance is based on the imagination of the script. Imagination itself is free, but it must also conform to human ethics. When performing on the scene, the director helps the actor to grasp the role, the director is the shadow of the actor, the rational side, but the actor himself has to feel.

2. People themselves are a combination of sensibility and reason, and once there is favoritism in the performance, what the actor presents in the performance will be different. The director and actor complement each other and cooperate with each other, so that the character's heart can be expressed more perfectly and the plot of the whole play can be sublimated. 3. Actors should respect the director and the screenwriter's labor in the performance process, and start from the script itself to create.

Within the framework laid down by the script, the actors are allowed to play as much as they want. 4. The degree of freedom is determined by the director. Different directors have different approaches.

The same director has different approaches to different shots. Some are big, some are small, some are big first and then small (let the actors play casually, and then ask for it if they don't play well), and some are small and then big (ask for it first, just act almost well). 5. Let me give you an example of the world champion in the 100-meter sprint, in the track, how many steps to run, how big the span of each step, every time is the same.

Hurdlers can't jump over if they move the hurdle by five centimeters. This is different from jogging in the community by ourselves6, if the "free play" mentioned by the subject is "hanging", it still depends on what stage the actor is in. In traditional cross talk learning, many old gentlemen are required to "die and die", that is, every word must be said according to the words, which basically puts an end to the hanging.

7. As for the circulation of the script, there are more book records now, and basically every paragraph is a fixed word, and the version may be different, but the basic structure and content are roughly the same. In the early years, it was mainly oral teaching, which was also another role of "dead words". 8, I have seen more than one performance in which the water brand is different from the host newspaper, and the host newspaper is different from the two of them.

It feels like everyone is playing freely.,Maybe there's an invisible hand leading it.9.,If you hang it now, you usually don't dare to make a lot.,It's easy to can't hold it back.,Forcibly take it back and the scene is embarrassing.。 You can see Cao Heyang's program of baked cakes....The previous pad talk is simply ...10, now the circulation of scripts is more open, and the recording ** is also convenient for dissemination, and the "stacking of work" has become more unscrupulous, and the requirements for actors' creation are even higher.

Now that the circulation of scripts is more open, and the recording is also convenient for dissemination, the "stacking of work" has become more unscrupulous, and the requirements for actors' creation are even higher. So free play is a big part of it.

If the subject's "free play" is "hanging", it still depends on what stage the actor is in. In traditional cross talk learning, many old gentlemen are required to "die and die", that is, every word must be said according to the words, which basically puts an end to the hanging.

Beginners should memorize word by word, strictly follow the words, and gradually add free play elements as the level improves. But it also varies from person to person, such as Master Ma Sanli has always been strictly according to the word.

If you hang it now, you usually don't dare to make a lot, it's easy to can't hold it back, and it's embarrassing to forcibly take it back. You can see Cao Heyang's program of baked cakes....The previous pad talk is simply ...

I think it's Yang Shaohua, Yang Shaohua is a very popular cross talk actor, but his artistic level is not as high as rumored. As early as before, before he came to power, he was told by his seniors not to talk too much. This is mainly because Yang Shaohua always does not follow the arranged story on stage, and every time there will be unexpected situations, and over time, no one is willing to fix a partner with him.

Yue Yunpeng, Sun Yue, Meng Hetang, Zhang Jiuliang, Cao Yunjin, Qin Xiaoxian.

In the cross talk world, the artistic level of Yang Shaohua, Chang Baohua, and Tong Youwei actors is overestimated.

The author is too young, Chang Baohua had more popular works such as "Yesterday", Hat Factory, Jiang Kun's creative ability in the 80s was not bad, there are many works such as photography, poetry and love, and the second ranking of the top ten comedy stars can also explain the problem.

You listen to Jiang Kun's cross talk in the late seventies and early eighties, and evaluate a person's artistic achievements, which cannot be separated from the times!

It's just a joke, why are you so fried! It's actually quite disgusting! Take the audience for fools!

Hou Yaowen, he is a very versatile person, not only has a very high level of cross talk, but is also very good in other aspects.

He is Hou Yaowen, a very good cross talk actor, he is very good in every aspect, but unfortunately because of some things, he doesn't appear in front of everyone very much.

He is Hou Yaowen, he is a very good cross talk actor, and he has outstanding performances in all aspects, and he is also a very versatile cross talk actor.

The sketch itself called the spine base performance form in 1983 for the first time in the Spring Festival Gala, and there is no sketch in the traditional performance Yedan form, and I personally think that the sketch should be extended from a form of cross talk.

Xiaohe is different from cross talk, sketches are more similar to filming, acting, they all have fixed scripts, basically fixed lines, and cross talk is different, especially cross talk that is not performed on TV stations, although the content of the performance has an outline, but the lines are not fixed, and there will be interaction with the audience, the term is called smashing and hanging, this kind of does not exist in the sketch, if the audience in the sketch is coaxed, you will definitely be invited out by the security guard.

So in terms of basic skills, it is true that the basic skills of cross talk actors should be more solid, after all, the performance forms of cross talk are more diverse, but they cannot be unified, such as Feng Gong who performed sketches, he used to talk about cross talk.