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In 1989, Chen Peisi and Zhu Shimao performed the sketch "Pepper Noodles", which is somewhat similar to the performance form of pantomime, and Pace's acting ability is vividly expressed! It's just so funny!
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I am most impressed, "Erhis mother, quickly bring a big wooden basin" "Erhis mother, brand me two sugar cakes" These two sentences come from: Gao Yingpei, Fan Zhenyu, the sketch "Fishing" created classic characters of cross talk: Erhis father, Erhis mother, and his neighbor's grandmother created Tianjin Wei artifact:
Large wooden basins, sugar cakes.
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Ma Zhiming Xie Tianshun's "Five Flavors", to make the green mountains always there, the green water flows, the atmosphere is not polluted, the ground does not sink, everyone lives in high-rise buildings, every family has an electric fan, sits on a big sofa, looks at a big color TV, wears a small suit, and eats fried noodles.
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Cross talk is Ma Sanli's "Buy Monkey", the origin of the word "Ma Daha".
The sketch is Chen Peisi Zhu Shimao's "The Protagonist and Supporting Role", "You can control me, can you still control who the audience likes to watch?" ”。
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Ma Lao's "Playing with You" in his later years is neither as good as "Spring Festival Couplets" during his cooperation with Zhao Peilao, nor as good as "Meeting Fans" with Zhang Qingsen, and even "Start at Ten O'Clock" with Wang Fengshan, who is in the worst state among his previous partners.
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Definitely this, in the 1999 Spring Festival Gala, the sketch "Eat for Nothing" by the soldiers of Qizhi satirized a lot of things, and the previous sketches were all northerners who said that their appearance broke this pattern. This skit is funny and short, more than 4 minutes.
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The Tianjin cross talk that impressed me was Guo Degang's funny cross talk. Guo Degang in "The Strange Status Quo of Cross Talk for Fifty Years" strongly criticized that "cross talk must be educational".
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Jia Ling's "Goddess and Female Man". The shadow of life, I was not very bold, I have always avoided watching horror movies, and my roommates will inform me in advance before watching horror movies. I didn't expect to hide for so many years, but I was plotted by the Spring Festival Gala.
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is a sketch played by Cai Ming and Guo Da, Cai Ming plays the star Helen, her father Guo Da went to visit her, she thought the old man was dirty and lied to reporters. Later, under the reminder of the agent, the old man helped to lie and said that he was just a fellow of Cai Ming. In the end, Cai Ming woke up and recognized the old man in public.
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As a Beijinger, I have been to the cross talk teahouse five or six times before and after these years, and the most impressive in recent years is the celebrity Cheng Keshen. His most classic joke is: pointing at the nose of the telecom salesman and saying viciously, "The phone bill is full for me!" ”
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Thief company. The irony is enormous.
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Let's not talk about the far away! In recent years, Qiao Shan Xiurui's spelling assistant is definitely the best of the best, there are a lot of jokes, and the satirical traffic stars are also very good.
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Sketch: The content is very rich, the performance forms are also diverse, and the props are more specific. It's like a simple TV series or movie.
However, I have to say that the sketch was transformed from cross talk, or it can be said that the initiation of the sketch was initiated from cross talk. Many sketch actors used to talk about cross talk. For example:
Gong Hanlin is the apprentice of cross talk actor Tang Jiezhong, Huang Hong is the apprentice of cross talk master Ma Ji, and Fan Wei is the apprentice of cross talk actor Chen Lianzhong.
Also, there are actually not many female cross talk actors, but they are all little known, but they are all very famous. For example: Lai Xiaoru, (the daughter of the old artist Lai Furu) and his brother Lai Shaoru in Beijing and Tianjin in the late thirties"Leave the ground", often play words, through the mouth, children.
Witty words", "Report the name of the dish", etc. Yu Youfu (daughter of bamboo board actor Yu Fushou) and Liu Yufeng, these two predecessors can be regarded as relatively successful. Don't rely on help and charity, rely on your own strength to get it in the cross talk"The difference between the whole product and cross talk:
1. Different forms of art.
Cross talk is a form of quyi, the basic form is to talk and sing with kung fu, and the main purpose is to make the audience laugh; Sketch is a new art form, and it is a drama variety opposite to the big repertoire, which is mostly used to express relatively simple plots.
2. The focus is different.
The focus of cross talk performances is on language, mainly "speaking"; The focus of the sketch performance is to pay attention to the storyline, and the main focus is "acting".
3. Different classifications.
Cross talk belongs to the art of qu, which is in the same category as rap arts such as pingdan, drums, and sanxian; Sketches belong to dramas, and dramas, ** dramas, operas, etc. are in the same category.
4. The props are different.
The cross talk is basically a paragraph, and a few simple sentences want to bring the audience into the plot, rarely with the help of external props; The sketch has a variety of props, a variety of stage backgrounds, and the performance can be more exaggerated.
5. The form of performance is different.
Crosstalk emphasizes the effect of listening, with only one or several people standing in a fixed position; The sketch emphasizes comprehensive effect listening, action plus props, wandering on the stage, mobilizing the audience's hearing and vision.
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I prefer sketches, I think sketches are more exciting than cross talk, more attractive and have the desire to **.
Cross talk is an art of "speaking", which mainly relies on the mouth of the cross talk actor to perform, and it has high requirements for the actor's mouth.
Sketch is a comprehensive art, it not only requires the actor to be able to speak, but also to act, that is to say, it needs the actor's body to perform, in addition, the sketch also uses stage lighting or relatively complex props to achieve the desired purpose.
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Cross talk is a folk rap art. The art of cross talk originated in North China, popular in Beijing, Tianjin and Hebei, popularized throughout the country and at home and abroad, began in the Ming and Qing dynasties, and flourished in contemporary times. It is mainly performed orally.
The forms of performance include stand-up comedy, stand-up comedy, group comedy, etc. It is a folk art form that is rooted in the folk, originates from life, and is popular among the masses. The originator of cross talk is Zhang Sanlu, and the famous genres include "Hou (Baolin) School", "Ma (Sanli) School", "Chang (Baokun) School", "Su (Wenmao) School", "Ma (Ji) School" and so on.
Famous performance masters include Hou Baolin, Ma Sanli, Chang Baokun, Su Wenmao, Ma Ji and many others, and rising stars include Guo Degang and others.
A sketch is a small work of art. In a broad sense, the essay covers a wide range of texts, referring to the seven-volume "Sketch Prajnaparamita Sutra" in Buddhist scriptures, and referring to the literary style of shorter length in prose; Sketches in the narrow sense generally refer to the shorter art of speaking and acting, and its basic requirements are clear language, natural form, and the ability to fully understand and show the character and language characteristics of each character, the most representative is comedy sketches.
The name of the sketch roughly originated from art schools and performing arts groups. In the art world, a concise, simple small work is called a sketch. It has no complex connotation in itself, only reflects one aspect or phenomenon of things, and its expression is relatively simple.
Such as Chinese painting sketches, printmaking sketches, oil painting sketches. In the entertainment industry, a single performance or group performance that expresses a relatively simple scene or artistic image through form and language is also called a sketch.
The significant difference between the two is the linguistic difference. Cross talk pays attention to "praise" and "teasing", one main and one auxiliary. The sketch is not too limited in terms of language lines, it can be smooth and natural.
Secondly, there are differences in the setting of the stage and scene. Cross talk is a tradition, and tables, fans, and chopping boards are sufficient. The sketch sets up different scenes according to the needs of the plot.
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Crosstalk is the expression of meaning through words, but you can understand the meaning by speaking.
And the sketch is to be performed through the body!
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Whether it is a sketch or a cross talk, it is a very popular language program, The two programs of the Spring Festival Gala every year are also the most popular among everyone, and because Zhao Benshan withdrew from the stage of sketches, the attention of sketches is getting lower and lower, especially during the Spring Festival Gala, the so-called Cai Ming, Feng Gong, these old sketch actors, their works do not have any laughter, and they look full of embarrassment.
On the contrary, since Guo Degang landed on the Spring Festival Gala, whether it is Guo Degang himself or his apprentices, they can bring a lot of laughter to everyone, so now I like to listen to cross talk even more. If there is no Guo Degang, the art of cross talk may have been forgotten by everyone a long time ago, because cross talk has not been better carried forward in the hands of others, it is Guo Degang who has carried forward the performing art of cross talk, and now Deyun Club is blooming everywhere in various places.
Zhao Benshan, as the boss in the sketch, after quitting the sketch stage, his apprentices did not completely study in the field of sketches, but more of them, the apprentices chose to participate in the production of variety shows or film and television works, and even the two of them rarely touched, so this also made the sketch stage slowly regress.
And Shen Teng got known to his family on the stage of sketches, but in recent years, Shen Teng's development in the film and television industry has become more and more popular, as long as it is Shen Teng's film and television works, basically the box office can definitely be guaranteed, which is also Shen Teng's own personality charm, he also recognizes this, so the focus in other aspects must be increased, and he must not be able to focus on the stage of sketches, so it is inevitable that he will slowly withdraw from the performance form of sketches.
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I prefer the sketches, which are more staged, add some scenes, and as the plot changes, it becomes easier for the audience to get into it. And cross talk requires that the content be innovative and have laughter.
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Actually, I like sketches more, because there is a dramatic change in sketches, and everyone will have a different performance in the whole process, which is very funny.
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I prefer sketches, because sketches are the kind of ones that have a plot and can make people have the urge to watch it.
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I like sketches more, because I think the current cross talk is more vulgar and has no nutrients, and I don't feel anything after watching it, but the sketches are different, and they can cause people to think deeply after watching them, so I like sketches.
It is definitely the cross talk "Eat for Nothing" by Qizhi soldiers in the Spring Festival Gala of 1999, which satirized a lot of things, and the previous cross talk was all said by northerners, and their appearance broke this pattern.
After the winter last year, after returning home from overtime one night, I met a white cat in the corner downstairs of the community, and it was sitting there at that time, as if waiting for someone, I shouted and it came, without the slightest hesitation, rubbed at my feet, and turned around twice. At first glance, it was a stray cat, because it was very dirty, and if it was a free-range cat raised by the surrounding residents, it would not be so dirty, and there was no food in my hand at that time, so I thought about it for a long time, and decided to take it home. At that time, I picked it up and went upstairs directly, and I didn't say a word on the way.
The character I have the most influence on is, of course, the Monkey King, a character who should not be afraid of heaven and earth, and can solve a lot of difficulties. However, in comparison, I have not experienced teamwork and have not achieved the edification of mental harmony, so I have been constantly ignited, constantly exercised, constantly tested, and finally succeeded in learning from the scriptures, and was named "fighting to defeat the Buddha"! Compared with Zhu Bajie's Pure Altar Messenger, I don't know how many levels higher the grade is.
Stomach problems are all accumulated, and they are all caused by not paying attention to their diet. I eat cookies every afternoon when I'm hungry and my stomach hurts.
I feel that the Internet celebrity face can only live in **! Real people want to swell like leavened bread.