Discuss the spiritual influence of The Tale of Genji on Bai Juyi s Song of Long Hatred

The Tale of Genji is most influenced by "Dream of Red Mansions", and "Song of Long Hatred" should have absorbed the pursuit of love without regrets.

The Tale of Genji depicts the struggle in the palace and reflects the powerless status and miserable life of women at the time.

From the perspective of genre, the book is quite similar to the legend of the Tang Dynasty in China, the words of the Song Dynasty, but the writing is elegant, very prose charm, plus the book quotes more than 90 verses of Bai Juyi, and "The Book of Rites", "Warring States Policy", "Historical Records", "Hanshu" and other historical facts and allusions in ancient Chinese books, and cleverly hidden in the charming storyline, so that the book has a strong atmosphere of Chinese classical literature, and Chinese readers have a strong sense of closeness to their country.

The Tale of Genji is heavily influenced by Bai Juyi. The author, Murasaki Shikibu, is obviously a die-hard fan of Bai Juyi, and is quite familiar with Bai Shi, which is either quoted directly in the book or turned into sentences or plots. Bai Juyi's "Song of Long Hatred" is the most quoted and excerpted, such as "The return of the pond is still the same, and the willow at the end of the liquid hibiscus."

The fireflies in the evening hall were quiet, and the lonely lamp did not sleep. "The mandarin duck tile is cold and frosty, and who is the jade and cold?" "In heaven I wish to be a winged bird, and on earth I wish to be a branch."

Another example is Bai Juyi's "Shangyang White-haired Man", "Geng Geng's remnant lamp is back to the wall, Xiao Xiao's dark rain hits the window", and "Liangyuan Township Well is not visible, Hudi's wife and children give up donations" in "Tie Rong People and Reach the Love of the Poor".

Genji Mochizuki recites "The Old People's Heart Two Thousand Miles Away", which comes from Bai Juyi's "August 15th Night Forbidden Du Zhi to the Moon and Remembering Yuan Jiu": "The Yintai Golden Que is sunny, and the lovesickness is lonely in the new moonlight in the third and fifth nights of Hanlin, and the old people's hearts are two thousand miles away. The east side of the Nagisa Palace is cold, and the west bell of the bathhouse is leaking deeply.

I am afraid that the clear light is different, and Jiangling is wet and full of autumn clouds. ”

Genji's poem "Never know goodbye to tears, today's autumn sky is especially sad", reminiscent of Bai Juyi's "Twilight Stand": "In front of the independent Buddhist hall at dusk, the ground is full of locust flowers and cicadas. At about four o'clock, the heart is always bitter, and the intestines are broken in the autumn."

At the same time, the end of the world fell into people, why should we have met each other.

The beauty is dead, and the emperor has no intention of ruling the world.

and the country will be destroyed.

"Song of Long Hatred" is a famous story in China's literature and art, Bai Juyi narrates the love story of Li Yang (Tang Xuanzong and Yang Yuhuan) in the form of poetry, which is sincere and infectious, making the poem shine with artistic beauty everywhere. From the perspective of this beauty from the three dimensions of imagery, artistic conception and implication, we find that "Song of Long Hatred" can be described as an excellent work in terms of the selection of imagery, the creation of artistic conception, and the penetration and sublimation of meaning. Bai Juyi gave color to the text, integrating the reality of the realm of self and the ideal of the realm of selflessness, "sending tragedy to the fairy world", "obviously a tragedy", but "not too much crying", and achieving "moderation".