Product Theory: Sanmao, Baby Anne, Zhang Ailing, Haruki Murakami, Yasunari Kawabata.

Zhang Ailing, a woman who walked out of the rolling red dust, endured loneliness, and enjoyed a prosperous body, telling her years peacefully and seriously, others say that she is a woman without childhood, and the closest is her aunt, and her lifelong friend, Yan Ying. Who said she didn't have a childhood? It's just that her childhood was the crisp sound of broken porcelain, the sharp quarrel, the quarrel between her and Zhang Gan, and the quarrel between her father and mother.

When she became an adult, what touched me was her sentence to Hu Lancheng: "When I saw him, she became very low, very low, low to the dust." But her heart rejoiced, and blossomed out of the dust.

I secretly admired her infatuation, and then read her books such as Flowers Withering, Flowers Blooming on the Sea, and Half-Life.

Zhang Ailing, such a legendary woman, how can I describe her? What a picturesque woman.

Except for Baby Anne, I didn't find any other pessimism.

Sanmao's books are never pessimistic.

Han Han has an article titled "The literary world is a fart, no one should pretend to be forced".

Zhang Ailing, I know a "become famous as soon as possible".

Yasunari Kawabata represents an era in which he went to the world with nationalization, and the Nobel Prize in Literature is a sign that he has become a classic. And Haruki Murakami represents another era. His Westernization is in line with international standards, and his commercial success is a testament to his popularity.

They are diametrically opposed in content and form. However, Haruki Murakami's rejection of television and media, his longing for nature, his love for Naoko, a traditional Japanese woman, is still Japanese, and he still lives in modern Japan, inheriting the accumulation of history. The difference is that in the face of great honor, Yasunari Kawabata committed suicide, but Haruki Murakami comfortably enjoys the fame and fortune happiness brought by fame, which is the happiness of an era.

It's like the praise of modern art, Chen Yifei. Yasunari Kawabata expresses the inner essence of the Japanese people because of his keen feelings and superb skills. Kawabata is a writer who is able to accurately depict the most subtle and ephemeral feelings of human beings, which is probably related to his upbringing and life experience.

Haruki Murakami, on the other hand, is a cosmopolitan person, and his works are written about Japanese, but they convey the uncertain sense of all human beings about reality, as Murakami said in his works; For me, reality is improvised, not absolute--- perhaps similar to the feeling of non-existent and non-existent being. Personally, I think:

This sentence is the golden key to unlocking the dream world created by Murakami's literature, and he is an inevitable by-product of highly developed capitalism.

One is a literary master, and the other is a commercial writer.

Zhang Ailing quotes.

1, because I understand, so compassion - this is what Zhang Ailing said to Hu Lancheng.

2. "Death and life are broad, and the son is happy; Holding the hand of the son, growing old with the son" is a sad poem, but its attitude towards life is so affirmative. I don't like Zhuangli. I like tragedy, I prefer desolation and heroism just power, no beauty, and seems to lack humanity.

Sadness is like the red and green color scheme, which is a strong contrast. ——From Zhang Ailing's essay "My Own Article".

3. I am an eccentric girl who has been regarded as a genius since I was a child, and I have no other goal of survival than to develop my genius. However, when the wild fantasies of childhood faded, I found that I had nothing but the dreams of genius—all but the perverse shortcomings of genius. The world forgives Wagner for his insolence, but they won't forgive me – from Eileen Chang's essay "A Dream of Genius."

4. One day our civilization, whether sublimated or flashy, will become a thing of the past. However, it is still autumn as clear as water and as bright as a mirror, and I should be happy - from the preface to the reprint of Eileen Chang's "Legend".

5. For people who can't speak, clothes are a kind of language, and a pocket drama to carry with them - from Zhang Ailing's essay "Changing Clothes".

6. There is always time and opportunity to do things; There is always an excuse for not doing things - from "Zhang Ailing Quotations".

7. Memories are always melancholy. Pleasant makes people feel: It's a pity that it's over, and it's still sad to think about it unpleasantly - from "Zhang Ailing's Quotations".

8. A knowing is like a mirror, reflecting the most beautiful part of our nature - from "Zhang Ailing Quotations".

9, do something for others, and a little resentful, it's interesting to live, otherwise the space will be empty - from "Zhang Ailing Quotations".

10, it is difficult to teach--to be a play, and to be a person-from "Zhang Ailing's Quotations".

11. Books are best friends. The only drawback is that it deepens my myopia, but it's still worth it - from "Eileen Chang Quotations".

12, you ask me if it's worth it to love you, in fact, you should know that love is not asking whether it's worth it or not - from Zhang Ailing's ** "Half Life".

13. **This thing is nothing but a broken shell of life; The years have passed, and the melon seeds have been swallowed one by one, and everyone knows for themselves, and the only thing left for everyone to see is the wolf-like black and white melon seed shell - from Zhang Ailing's ** "Serial Set".

14, laugh the whole world and laugh with you, and cry when you cry - from Zhang Ailing's ** "Flower Withering".

My whole body posture is painful, asking that life is a robe crawling with lice, and a man's pity for a woman may be close to love. A woman will never fall in love with a man she thinks is pitiful, a woman's love for a man always has to be a little admired, and sex people always exaggerate the importance of their roles, I think I always have, otherwise how can you be good to me. Maybe it's my heart that's okay, I think I'm a person who wants a vegetable, isn't it good to have more than one cabbage for a vegetable (this is my favorite sentence, and the text shows Zhang Ailing's character.)

Low self-esteem, pride, negativity) If I have to leave you, I don't dare to find short-sightedness, and I can't love others, I will be withered (this is the sentence in the letter to Hu Lancheng) After you get in touch with the society for a period of time, you will find that many of Zhang Ailing's words are true, her exposition and understanding of the art of life are very thorough, and the relationship between the sexes is also delicate and sharp.

Baby Anne "Su Nian Jinshi" is relatively light, elegant, and timeless The early ** is more dark and astringent, and there are more fantasies.

Xi Murong "Home Under the Maple Tree" and "Qili Xiang" The writing is beautiful, fresh and full of humanistic care.

Zhang Xiaoxian, The Girl Who Sells Dolphins", "I Love You on the Clouds", "Butterfly Expired Residence", "Magic Cake Shop" Her books prefer to write about the love between urban men and women, or they can't ask for it, or they are stunned, or they are warm and happy.

Sanmao, "Thousands of Rivers, Thousands of Mountains", "The Story of the Sahara", "The Rainy Season Will Not Come Again" is similar to a travelogue, full of the free atmosphere of stray fish.

Zhang Ailing, "Love in a Fallen City" and "Half Life" The joys and sorrows of people created by the times. Although the writing is good, it is more pathetic.

Most of Sanmao's works are prose, such as "The Story of the Sahara", "Thousands of Rivers and Mountains", "Scarecrow Notes", etc., as well as the film script "Rolling Red Dust" and several translations.

Xi Murong's works are mainly poetry and prose, such as the poetry collection "Qili Xiang", "Youth Without Complaints", "Nine Chapters of Time", etc., and the prose collection "There is a Song", "Concentric Collection", "Write to Happiness" and so on.

Zhang Ailing's classics**: "Love in a Fallen City", "Half Life", "Golden Lock", "Agarwood Crumbs: The First Incense", "Red Rose and White Rose", etc.

Zhang Xiaoxian's **: "The Woman on the Bread Tree", "Happy Cake in March", etc. She also has many collections of essays.

Baby Anne's**: "Farewell to Vivian", "August Weiyang", "Flowers on the Other Side", "Su Nian Jinshi", etc.

Xi Murong She has an anthology of her works, as well as "Writing to Happiness". The feelings are delicate, and the language goes straight to the heart.

Haruki Murakami, because he also likes jazz and long-distance running, and the yellow book is also very well written, hehe.

They are all people with problems in their hearts, because they had a miserable childhood, which caused their perceptions to be different from others and the public. You are a normal person,

Yasunari Kawabata is a senior, he has won the Nobel Prize, but Haruki Murakami is even more popular now.