Yu Baoxiang s introduction, Yu Baoxiang s personal experience

Yu Baoxiang (1938) was a painter and calligrapher. A heavenly dragon, the word Bingqian. A native of Zhuji City, Zhejiang.

Peasants' and Workers' Democratic Party. Vice President of the World Federation of Calligraphy and Painting Artists, member of the International Federation of Artists, representative of the Second People's Congress of Shaoxing City, member of the Zhejiang Calligraphy Association, and president of Jiyang Painting Academy. In his early years, he studied under Shen Yinmo and Lu Yanshao, and he was good at poetry, calligraphy, painting and printing, and was good at appreciation.

Landscapes, figures, flowers, birds, aquariums and other kinds of painting are all good at, calligraphy and seal carving are also attained. His published monographs include Yu Baoxiang Calligraphy and Painting Collection (International Yanhuang Culture Publishing House, 2003), Yu Baoxiang Law Book Collection (International Yanhuang Culture Publishing House, 2005), and Yu Baoxiang Calligraphy and Painting Masters (Xiling Seal Press, 2009). He was awarded the honorary titles and certificates of "Cross-Strait Artist of Virtue and Art" and "China's Top 100 Calligraphers and Painters" by the China Federation of Literary and Art Circles.

In February 1990, at the invitation of the Hong Kong Arts Center, he went to Hong Kong to participate in the "Chinese Art Exhibition" in Hong Kong with "Luo Shen Fu", and in September of the same year, the same work was exhibited in Taipei. In the following 20 years, he has been invited to hold many solo exhibitions and large-scale group exhibitions in Canada, Japan, South Korea, Macao and other countries, as well as Beijing, Tianjin, Shanghai, Hangzhou, Shuhan, Hong Kong, Macao and Taiwan. Yu Baoxiang also has research attainments in Taoism, and has written "The Similarities and Differences of Taoism and Confucianism" (and donated the Chinese painting "Lao Tzu Exit Map" and the Great Seal calligraphy "Tao" and the Second World Taoist Conference, 1990), and the Lao Zhuang Association awarded him a certificate of appreciation (inscribed by Yang Ruzhou) for his contribution to the "Second World Taoist Conference".

Mr. Qi Gong once presented a book and said: "Talent stretches in the wind brocade, and high spirits hide Xiuyun." Mr. Chen Lifu once inscribed:

Artistic attainments - Bao Xiang Master Zheng".

Giant of calligraphy and painting - Yu Baoxiang.

Here's a detailed introduction, and I know that there is also.

Yu Baoxiang's calligraphy works.

Former residence of Song Qingling.

Master Yu Baoxiang painted landscapes in Chinese.

Master Yu Baoxiang Chinese Painting Landscape 01

Yu Baoxiang worked in Shanghai for four years in his early years, during which he had many contacts with famous Shanghainese artists. The calligraphy and painting attainments were taught by Shen Yinmo and Lu Yanshao, and they benefited from many teachers, but they had no view of the door. At the end of the 50s, he was wronged during the "Anti-Rightist Movement" and was forced to return to Zhejiang, where he lived in the countryside for 20 years.

Until the end of the 70s, fortunately Zhao Xue was rehabilitated and demobilized, so he reunited his relationship, and since then he has devoted himself to the creation of calligraphy and painting art, which can be said to have been immersed in pen and ink for decades.

Yu Baoxiang is good at painting landscapes, figures, flowers and birds. Its style is far inherited from the sage Chen Laolian (Hong Shou) brushwork, the creation strives to have both god and form, learn from others, get the heart of the ancients, and then the teacher creates, the style is clear and beautiful, the pen and ink are concise and subtle, the poetry and calligraphy and painting are a furnace, the freehand brush and ink are dripping and unrestrained, and the momentum is magnificent.

The landscape it makes, involving the present and the ancient, the pen is strong, the body is majestic, the water and clouds are dense, the chapter is strange and steep, there is still a majestic trend, the weather is thousands, and it is deep to get the land division (a little) Canghun Aobo. The character works are exquisite and gorgeous, the body is handsome, and the gods show off the dust table. Good body flowers, birds, swimming fish, each full of ups and downs, intercropping animals and animals, is also quite interesting.

Mr. Yu's pursuit of inner beauty, emphasizing his true colors, and the conscious pursuit of solitude and learning and practice will undoubtedly pave the way for his subsequent sublimation. This is also manifested in his disdain for the impetuous style of pretentiousness, so he clearly grasps the dialectical relationship between inheritance and creation, and the value orientation of the monograph. It is often called:

Painting should respect traditions, especially basic skills such as technique and law, and should strive to be solid and skillful, drawing inferences from others. Sketching and copying must be accurate. In this way, it can be used handily and easily.

Looking at his works now, I see that the temperament is perfect, the wit is adaptable, and the machine comes out, and the ideology and artistry of the work have reached a perfect unity.

Mr. Yu Baoxiang also has profound attainments in the field of calligraphy, he has studied calligraphy diligently since childhood, and has devoted himself to studying Tang Kai and Qin seals, and takes the "two kings" as the sect, believing that "learning calligraphy is in the law, and the magic lies in the people". The regular script is neat and tidy, worships the Wei and Jin dynasties, and the book is referred to by the "two kings", the pen gesture is strong and old, the ups and downs are full of ups and downs, and the book is vulgar, clean and not arrogant; The list book is strong and magnificent, graceful and simple but not unbridled and domineering, the wind is far away, and it is outstanding; The seal is subordinate to all bodies, and it is also submerged from Pu Mao, and it is unique and charming.

Mr. Yu's seal carving early teacher "Zhejiang School", peep into the "Anhui School", with the book into the print, with the pen vigorous, the temperament is simple, not stained with strange habits, the style is strong and vigorous, the layout is safe, and there is the interest of staggering.

The ancients had a saying: "The character of the husband's calligraphy and painting is far away, such as his character, and the husband seeks the high quality, and there are four ways: one is to be pure in mind to dispel vulgar concerns, the second is to be good at reading to be clear and reasonable, the third is to be known early in order to be far away, and the fourth is to be elegant and elegant in the right genre."

With these four things, the character is not high but self-exalted. This Mr. Yu's direction is also.