How to blow the vibrato of suona, how to blow suona?

In general, tremolo is widely used!

The root of the finger is hard to drive the fingers, do a quick arm lifting action on the sound hole, the finger action should be elastic and not too high, and the speed should be uniform, such as the "1" sound of 2 in "Celebrating Victory" is the finger vibrato played by pressing the fingers of the "2" sound hole to do a quick arm raising action, its effect is to make a dull long sound broken surface leisurely, more energetic.

The method of blowing suona is as follows:

1. Playing suona requires some skills, and you need to use your fingers to completely fill the sound hole. If the sound hole is not pressed tightly, the sound often produced is inaccurate. Playing suona is often more laborious, and the higher the sound, the greater the amount of energy consumed. Generally blowing, not intermittently.

2. Long-term performances, but trained performers, especially folk artists, blow suona and compete with each other is long-lasting endurance. Cyclic ventilation is the most common method of playing, which can make the breath always full, can make the music continue for a long time without interruption, and even the whole piece is completed in one go, which makes the audience very enjoyable.

3. The best position to contain the reed is the upper lip close to the root of the sentinel surface, about a quarter of the length of the whole reed, and the lower lip, which is generally about one-third of the reed. Only by correctly mastering the position of the whistle on the lips can the desired sound effect be produced. Playing the suona according to the above position will make the timbre concentrated, loud, subtle, and pure sound quality.

4. Install the reed, if it is a beginner, then the reed should be thinner, too thick is not blown, and to practice the hand type, practice the suona down and pick it up many times a day, until you can quickly press all the holes tightly after picking it up, and pay attention to all the holes when blowing, you can check it yourself, or look at the mirror, or you can ask others to help correct it, because if you don't cover the hole tightly, it will not blow or break the sound.

Finger exercises,The left hand is placed on the suona, the right hand is placed on the suona under the handle, the hands are naturally pressed down on the eight holes, the fingers can not be too stiff, and the principle of no air leakage is the principle.

Breath exercisesSince blowing suona requires a lot of lung capacity, breathing is the key, and it is best to use chest and abdominal breathing to play suona. Usually you need to practice inhaling and exhaling, and inhaling is to inhale through the nose and mouth until the qi reaches the dantian, which is full of strength.

Mouth exercises, place the reed in the middle of both lips, the upper lip about a quarter of the way to the base of the sentry surface, and the lower lip about one-third or two-thirds of the way to the bottom of the sentry.

During the blowing process, the control of the mouth shape should change with the strength of the blowing, the volume, the timbre, and the technique.

Related Notes:

The body of the traditional suona has a total of eight holes, which are pressed by the index finger, middle finger, ring finger, and little finger of the right hand, and the thumb, index finger, middle finger, and ring finger of the left hand (the left and right fingers can be changed if the dominant hand is different) to control the pitch. The way of pronunciation is to hold a reed whistle (that is, a reed) in the mouth, blow hard to make it vibrate and make a sound, and through the vibration and amplification of the wooden pipe body and the metal bowl, it becomes the sound of suona.

The common vocal range of traditional suona is 17 degrees, and its vocal range ranges from bass A to treble A (treble B is occasionally used, but it is difficult to blow).

The modern improved keyed suona has added keys and semitone holes to increase the vocal range and stabilize the pitch. The common keyed alto suona, the commonly used vocal range is generally 18 degrees.

D-key soprano suona is scored according to the actual pitch with a treble clef. It has a total vocal range of a(1)-b(3), a total of two octaves plus a major second. The common vocal range in an orchestra is a(1)-d(3).

The biggest feature of suona is that it can use its mouth to control the whistle to make changes in volume, pitch, timbre, and the use of various techniques.

The above content reference: Encyclopedia-Suona.

The suona fingering table is as follows:1. Press the index finger of the right hand to hold the hole, and hold the hole with the fingers of the left hand to blow 1.

2. Let go of the right hand, hold down the hole with all the fingers of the left hand, and blow 2.

3. Let go of the right hand, hold the hole with the index finger, middle finger and thumb of the left hand, and blow 3.

4. Let go of the right hand, hold the hole with the index finger and thumb of the left hand, and blow 4.

5. Press all the fingers of the right hand to the hole, and hold the fingers of the left hand all the holes, blow 5.

6. Press the index finger, middle finger and ring finger of the right hand to hold the hole, and hold the hole with the fingers of the left hand and blow 6.

7. Press the index finger and middle finger of the right hand to the hole, and hold the hole with all the fingers of the left hand, and blow 7.

Pitch Method. In the traditional method of setting the tone, suona is based on the instrument used. Regardless of the size or thickness of the woodwinds, it is always called "the tone" by pressing all the sound holes (pressing all the sound holes, that is, the cylinder tone).

The naming of this "honto" is a common term that is used in various places. Taking the "seven-inch" small suona as an example, its "original tune" pitch is equivalent to the **"c" that is, "1" of the keyboard instrument.

The scale is arranged as "1 2 5 4 5 6 7 1 2", and then, using the 1234567 seven notes of this scale as the key name of the seven tones of "cdefgab", the phoneme fingering of each key of "1=e, 1=d, i=e, 1=f, 1=g, 1=a, 1=b" is derived.

1. Take a full breath, and the lower abdomen supports the breath and makes elastic contractions, so that the blown sound produces slight fluctuations, which is generally used for long sounds;

2. Use your teeth to directly touch the sentry root, put the lips between the teeth and the sentry root, and pay attention to the evenness of the tremor;

3. Use the rapid shaking of the forearm to drive the fingers, the direction of the shaking is perpendicular to the wooden rod, and the fingers are repeatedly pressed and opened with the shaking to make the pronunciation of the stove vibrate. The vibrato has the characteristics of uniformity and denseness, and it is also more persistent in time; Hidden arguments.

4. When the whistle blows, the suona pole is upturned so that the bottom of the tongue does not compress the whistle. Moving the pole up and down can adjust the degree of contact between the bottom of the tongue and the whistle. The tip of the tongue gently touches the junction between the root of the tooth and the gums, and the front of the tongue is next to the hard palate, and the tongue is naturally relaxed, and the sound is tried to be blown.

1. Take a full breath, and the lower abdomen supports the breath and makes an elastic contraction, so that the blowing sound produces slight fluctuations, which is generally used for long sounds;

2. Use your teeth to directly contact the sentry root, put the lips between the teeth and the sentry root, and pay attention to the evenness of the tremor;

3. Use the rapid shaking of the forearm to drive the fingers, the direction of the shaking is perpendicular to the wooden rod, and the fingers vibrate with the shaking and repeatedly pressing and opening the sound hole. The vibrato has the characteristics of uniformity and denseness, and it is also more persistent in time;

4. When the whistle blows, the suona pole is upturned so that the bottom of the tongue does not compress the whistle. Moving the pole up and down can adjust the degree of contact between the bottom of the tongue and the whistle. The tip of the tongue touches the junction between the root of the tooth and the gums in the shirt hall, and the front of the tongue is next to the hard palate, and the tongue is naturally relaxed, and the sound is tried to be blown.

Hello, dear. 1. Take a full breath, and the lower abdomen supports the breath and makes elastic contractions, so that the blown sound produces slight fluctuations, which is generally used for long sounds; 2. Use your teeth to directly touch the sentry root, put the lips between the teeth and the sentry root, and pay attention to the evenness of the tremor; 3. Use the rapid shaking of the forearm to drive the fingers, the direction of the shaking of the sail is perpendicular to the wooden pole, and the fingers are repeatedly pressed and opened with the shaking to make the pronunciation vibrate. The vibrato has the characteristics of uniformity and denseness, and it is also more persistent in time; 4. When the whistle blows, the suona pole is upturned, and the bottom of the tongue does not oppress the whistle.

Moving the pole up and down to guess the hail movement can adjust the degree of contact between the bottom of the tongue and the whistle. The tip of the tongue touches the junction between the root of the tooth and the gums, and the front of the tongue is next to the hard palate, and the tongue naturally relaxes.

Dear, I'm glad to answer for you, suona cry: left hand on top, right hand Tanner on bottom, middle finger 3Use your fingers to fully press the sound holes.

If the sound hole is not pressed tightly, the sound is often inaccurate. Playing suona is often more laborious, and the higher the sound, the greater the amount of energy consumed. Generally, it is not possible to perform for a long time without interruption, but trained performers, especially folk artists, play suona and compete with each other for long-lasting endurance.

Circulating ventilation method"It is the most common way to play, this kind of blowing can make the breath always full, can make the music continue for a long time without interruption, and even the whole piece is completed in one go, which makes the audience very enjoyable. <>