How to instruct primary school students to make watermark paper prints

However, it cannot be ambiguous. 3. Paste. You can use glue or paste to cut Bian Lai's wheel gallery, according to the needs of the composition or the structure of the object, the front or the reverse side is pasted on the smooth and flat wooden board or glass sheet prepared in advance, if you feel that it is not smooth enough, you can press this side of Chu paste on the tabletop, press hard, you can flatten, and then after a few minutes, wait for the glue to be firm, and then proceed to the next step.

See Figure 3) Watermark paper prints have the characteristics of roughness, freshness, and bright colors. In terms of the form of expression of the work, it is not required to overly force the resemblance of the details, but only to pursue the connotation and resemblance of the work. Elementary school students are innocent, lively, imaginative, and unfettered in the images they depict things.

Therefore, watermark paper printmaking is a world for them to develop their intelligence, cultivate their creative ability and show their artistic talents. Let's talk about the process of making watermark paper prints: 'Before class, students must be asked to bring the following items:

Cardboard, small wooden boards (or glass sheets), pulp lakes, watercolors, scissors, carving knives, palettes, water containers, etc1. Draw a sample. The object to be represented is to be drawn in a generalized and concise manner.

See Figure 1). When students have certain production skills, they should be guided to draw samples of the objects according to different structures (see Figure 2). 2. Cutting and carving.

Cutting and engraving are the main characteristics that distinguish paper printmaking from its pool painting and its pool category in the printmaking category.

1. First of all, transfer the ** to the wooden board and burn the wax on the wooden board. Blanching the wax on a wooden board is an essential step.

2. The second step is to carve the villain in the wooden board and put the carved villain in good ink. It is better to ink more on the villain, in order to print it on the paper.

3. Then, take a piece of white paper and put it on the villain for sealing, you can put the white paper on the villain for a while to ensure the quality of the print.

4. In this way, the villain will be printed, and the prints can be made.

Before carving the board, first use wood sandpaper to polish the board, make the surface of the board smooth and smooth, and prepare a set of 12-piece high-grade wood carving knives. Bamboo shoot skin rub made of bamboo shoot skin. Get shaded pens, gouache, oil brushes and sheep's hair brushes ready in a variety of sizes. Prepare the watering can.

Paper printmaking belongs to the type of letterpress transfer printing, that is, the lines or figures that need to be printed on the paper are convex so that they can be rubbed on the paper with ink. The simple steps are:

1. Draft: start drafting on cardboard 2. Cutting and plate making: cut out the graphics on the cardboard and collage them on the three splints (or flat plates of other materials) to make a rubbing plate (equivalent to the engraving process of woodblock prints, that is, to make a "plate" that can be rubbed) 3, inking:

Use the ink roller to roll the ink on the collaged "plate" (rubbing plate) 4, rubbing: cover the rubbing paper on the "plate" flatly, and gently rub it on the rubbing paper with "wood mushroom" or other suitable rubbing tools, so as to transfer the ink on the graphic to the rubbing paper 5, gently remove the rubbing paper, and the work is completed.

Paper prints are simple and easy to use, and have a unique charm, but the disadvantage is that the durability of the "plates" made is poor, and the number of rubbings is far inferior to that of other plates. Ink with lithographic ink (must not use transcription ink), rubbing paper for non-absorbent Dowling paper and the like (watermark paper prints are said separately).

The requirements for the production of embossed paper prints are relatively high, and card paper or vinyl white paper should be used. Ordinary white paper should be painted with varnish before it can be replaced. Embossed paper prints are generally monochrome.

Here's a quick rundown of how to make it.

1. Sketches. When drawing, use a single line to outline the outline of the image, and after finalization, use carbon paper to transcribe the draft to the layout. If there is an anti-case relationship, consider transcribing.

Second, engraving. First use a hard pencil or oblique knife to carve out the outline line, and then tear off the surface of the paper plate according to the needs of printing, and the depth of tearing should generally not exceed 1 2 of the thickness of the paper plate. The torn part of the embossed paper print will have no color or will be light gray, and the part to be printed in color must be completely preserved.

3. Printing. Printed embossed paper prints can be printed by hand like clipstick prints, and can also be embossed on a copperplate embossing machine.