What are the whole tones and semitones, and how learning helps the guitar

It can be understood by the piano keyboard, the black keys in the piano represent the bridge connecting the two tones, and the bridge is the whole tone relationship, for example, the 3 and 4 tones on the piano, the absence of black keys between the two tones is the chromatic relationship, and so on 7, 1 is the same, the interval relationship of the chromatic is half a degree, and the interval of the whole tone is a one-degree relationship.

It is recommended to play on the piano more often to find the difference between the two.

At the same time, it is recommended to use the piano to help music theory learning, and the effect is good.

**Learning is a step-by-step process, learning music theory knowledge not only helps you better master the instrument in the learning of musical instruments, but also can help you express it well**Ah, so if you want to play the guitar well, not only learn music theory knowledge well, but also learn ear training, buy a simple textbook, and slowly learn music theory knowledge.

Finally, I wish you success.

It's easier to understand if you explain it with a keyboard. The whole tone is the white key, and if there is a black key between the two white keys, it is the whole tone. What doesn't have a black key between it is a semitone.

For example, there is a whole tone relationship between do and re. The relationship between mi and fa is semitone.

The black and white keys are chromatic relationships. For example: do and do.

Guitar words. Each case is a semitone relationship. In addition to mi and fa, there are also xi and do.

If you learn this. You don't have to memorize the position of each note on the guitar. Can be pushed out. It's easier to remember.

Like I studied music theory. It's easy to learn the piano and guitar again

The semitone formed by two adjacent levels is called a natural chromatic middle tone. Natural semitones can be formed from basic scales, from variations, or from fundamental and varying scales. A whole tone formed by two adjacent scales is called a natural whole tone.

Natural whole tones, like natural semitones, can be formed from basic scales, from varying scales, or from varying scales at fundamental levels. A semitone made up of two different forms of the same scale is called a variant semitone. Variant semitones can be formed from basic and variant scales, or they can be formed from varying scales.

A whole tone consisting of two different forms of the same scale, or separated by one scale, is called a variable whole tone.

Variation whole tones can be formed from basic and variant scales, or from variations and variations. Natural semitones and variant semitones, natural diatonic and variant diatonic tones, are two semitones and diametrics of completely different natures and should not be confused. Pure rhythm is to add the fifth part as an element of rhythm in addition to the second and third parts used to form the fifth part of the rhythm to form a chord form.

This results in seven basic scales. According to the pitch relationship between the basic scales in the pure law of symbiosis, it is different from the pitch relationship between the basic scales in the twelve equal laws and the fifths of the symbiosis law. Its semitones between EF and BC are larger than those of the other two rhythms.

There are two cases of diatony: cd, fg, and ab are great whole tones, which are equal to the whole tones in the fifth symbiosis law, and the group is higher than the whole tone in the twelve equal laws. ed and ga are minor diatones, which are smaller than those of the other two rhythms.

We have briefly talked about the methods and results of various laws, but why do different laws produce different results? In order to illustrate this problem, we take e1 as an example and use the law method of pure law and fifth degree of symbiosis to perform a calculation. We know that the perfect law is based on the second, third, and fifth parts of the compound tone, which means that the ratio of vibrations in the major third of the pure law should be 5 4.

Knowing the vibration ratio, it is easy to find the vibration number of the sound from the vibration ratio. The law of fifths is based on the second and third partals of compound tones, and is obtained by successive symbiosis according to the relationship of pure fifths (3 2). With regard to the twelve equal laws, we know that the octaves are divided into twelve equal parts, so that the pitch of the other laws is different from the pure and fifth degrees except the first and fifth degrees.

Semitone refers to a relationship between two tones. For example, there is a semitone relationship between mi and fa, a semitone relationship between si and do, a semitone relationship between do and ascending do, and so on.

A whole tone is similar to a semitone, and a whole tone refers to two semitones. For example, there is a semitone relationship between mi and fa, and there is also a semitone relationship between fa and sharp.

In the whole musical system, the pitch relationship between two adjacent scales (whether basic or varied) is called "semitone". A semitone is the smallest unit in pitch relations and is marked by the fraction 1 2.

The left note of an adjacent scale is always a lower tone than the right note, and similarly, the right scale is always a tone higher than the adjacent note to the left.

In the musical system, two semitones are added together to form a whole tone, marked by the Arabic numeral 1. Two scales separated by one notch, the relationship between them is the whole tone.

Whole tone: In the musical sequence of the musical system, the minimum distance between two adjacent notes is called a semitone, and the distance between the two chromatic tones constitutes a whole tone.

Semitone: Two adjacent keys (including the white and black keys) form a semitone, and the two keys separated by one key form a whole tone.

The guitar is a semitone, and the two together are a whole tone, if the empty string is a do, then the second fret is re, the fourth fret is mi, and so on, it's very simple.

This is a concept of intervals, for example, in modern music theory, between 1 and 3 is a whole tone, and between 3 and 4 is a semitone. Reflected on the guitar fretboard, the tones between two adjacent frets are semitoneal, and the tones between the two frets are one full tone.

In the roll call, between the 1234567, between 3 and 4, between 7 and 1 are semitones, the rest are whole tones, and two semitones are equal to one whole tone. The smallest unit of sound that the human ear can distinguish is semitone, in fact, it is like a staircase, between 3 and 4, between 7 and 1, half a staircase is raised, and the rest are all a staircase, hehe, I don't know if you understand this.

However, the pitch between every two frets on the same chord of the guitar is a semitone, and two semitones equals one whole tone, so if there is an interval between them, then it is a whole tone.

According to the tuning method, the 5th fret of the second string is equal to the empty frets of the first string, the 4th fret of the third string is equal to the empty frets of the second string, and so on. Then you can find 1234567 these scales on the fretboard. The 6-string frets of the C scale are 3 low, so just look for them in turn.

Treat the empty string note as a 0 fret.

The distance from 0 fret to 1st fret is a semitone.

The distance from the 1st fret to the 2nd fret is a semitone.

The distance of the two semitones adds up to one whole tone.

So the distance from 0 fret to 2 fret is a whole tone.

Feel free to ask.

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The adjacent fret pitches on the guitar differ by a semitone, and two semitones equals one full tone.